George Bernard Shaw

George Bernard Shaw, 1856–1950, Irish playwright and critic. He revolutionized the Victorian stage, then dominated by artificial melodramas, by presenting vigorous dramas of ideas. The lengthy prefaces to Shaw's plays reveal his mastery of English prose. In 1925 he was awarded the Nobel Prize in Literature.

Early Life and Career

Born in Dublin, Shaw was the son of an unsuccessful merchant; his mother was a singer who eventually left her husband to teach singing in London. Shaw left school at 14 to work in an estate agent's office. In 1876 he went to London and for nine years was largely supported by his parents. He wrote five novels, several of them published in small socialist magazines. Shaw was himself an ardent socialist, a member of the Fabian Society, and a popular public speaker on behalf of socialism.

Work as a journalist led to his becoming a music critic for the Star in 1888 and for the World in 1890; his enthusiasm for Wagner proved infectious to his readers. As drama critic for the Saturday Review after 1895, he won readers to Ibsen; he had already written The Quintessence of Ibsenism (1891). In 1898 Shaw married Charlotte Payne-Townshend, a wealthy, wellborn Irishwoman. By this time his plays were beginning to be produced.

Plays

Although Shaw's plays focus on ideas and issues, they are vital and absorbing, enlivened by memorable characterizations, a brilliant command of language, and dazzling wit. His early plays were published as Plays Pleasant and Unpleasant (2 vol., 1898). The "unpleasant" plays were Widower's Houses (1892), on slum landlordism; The Philanderer (written 1893, produced 1905); and Mrs. Warren's Profession (written 1893, produced 1902), a jibe at the Victorian attitude toward prostitution. The "pleasant" plays were Arms and the Man (1894), satirizing romantic attitudes toward love and war; Candida (1893); and You Never Can Tell (written 1895).

In 1897 The Devil's Disciple, a play on the American Revolution, was produced with great success in New York City. It was published in the volume Three Plays for Puritans (1901) along with Caesar and Cleopatra (1899), notable for its realistic, humorous portraits of historical figures, and Captain Brassbound's Conversion (1900).

During the early 20th cent. Shaw wrote his greatest and most popular plays: Man and Superman (1903), in which an idealistic, cerebral man succumbs to marriage (the play contains an explicit articulation of a major Shavian theme—that man is the spiritual creator, whereas woman is the biological "life force" that must always triumph over him); Major Barbara (1905), which postulates that poverty is the cause of all evil; Androcles and the Lion (1912; a short play), a charming satire of Christianity; and Pygmalion (1913), which satirizes the English class system through the story of a cockney girl's transformation into a lady at the hands of a speech professor. The latter has proved to be Shaw's most successful work—as a play, as a motion picture, and as the basis for the musical and film My Fair Lady (1956; 1964).

Of Shaw's later plays, Saint Joan (1923) is the most memorable; it argues that Joan of Arc, a harbinger of Protestantism and nationalism, had to be killed because the world was not yet ready for her. In 1920 Shaw, much criticized for his antiwar stance, wrote Heartbreak House, a play that exposed the spiritual bankruptcy of the generation responsible for World War I.

Among Shaw's other plays are John Bull's Other Island (1904), The Doctor's Dilemma (1906), Fanny's First Play (1911), Back to Methuselah (1922), The Apple Cart (1928), Too True to Be Good (1932), The Millionairess (1936), In Good King Charles's Golden Days (1939), and Buoyant Billions (1949). Perhaps his most popular nonfiction work is The Intelligent Woman's Guide to Socialism and Capitalism (1928).

Bibliography

See his collected plays with their prefaces, ed. by D. H. Laurence (7 vol., 1970–75); his letters, particularly those to Ellen Terry (1931), Mrs. Patrick Campbell (1952), Granville-Barker (1957), and Molly Tompkins (1960); his collected letters, ed. by D. H. Laurence (4 vol., 1965–88); his complete musical criticism, ed. by D. H. Laurence (3 vol., 1981); and his autobiography, reconstructed by S. Weintraub (2 vol., 1969–70).

See also biographies by A. Henderson (3 vol., 1911–56), F. Harris (1931), H. Pearson (1942 and 1950), and M. Holroyd (4 vol. 1988–93, abr. ed. 1998); studies by E. R. Bentley (2d ed. 1967), L. Crompton (1969), M. M. Morgan (1972), M. Valency (1973), E. Bentley (1985), H. Bloom (1987), and S. Weintraub (1996); bibliography by D. H. Laurence (2 vol., 1983).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

The Complete Plays of Bernard Shaw
George Bernard Shaw.
Constable, 1931
Dictionary to the Plays and Novels of Bernard Shaw
Violet M. Broad; C. Lewis Broad.
A. & C. Black, 1929
George Bernard Shaw's Pygmalion
Harold Bloom.
Chelsea House, 1988
Librarian’s tip: This is a book of literary criticism
George Bernard Shaw's Saint Joan
Harold Bloom.
Chelsea House, 1987
Librarian’s tip: This is a book of literary criticism
George Bernard Shaw's Major Barbara
Harold Bloom.
Chelsea House, 1988
Librarian’s tip: This is a book of literary criticism
George Bernard Shaw: Man of the Century
Archibald Henderson.
Appleton-Century-Crofts, 1956
George Bernard Shaw: A Critical Survey
Louis Kronenberger.
World Publishing, 1953
Bernard Shaw
Frank Harris.
Book League of America, 1931
Shaw: The Style and the Man
Richard M. Ohmann.
Wesleyan University Press, 1962
The Playwrighting Self of Bernard Shaw
John A. Bertolini.
Southern Illinois University Press, 1991
George Bernard Shaw and the Socialist Theatre
Tracy C. Davis.
Praeger, 1994
Bernard Shaw, Playwright: Aspects of Shavian Drama
Bernard F. Dukore.
University of Missouri Press, 1973
Three Great Irishmen: Shaw, Yeats, Joyce
Arland Ussher; Augustus John.
Biblio and Tannen Publishers, 1968
Shaw on Education
Louis Simon.
Columbia University Press, 1958
Bernard Shaw on Cinema
Bernard F. Dukore; Bernard Shaw.
Southern Illinois University Press, 1997
Fathers and Daughters in Shakespeare and Shaw
Lagretta Tallent Lenker.
Greenwood Press, 2001
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