Sam Shepard

Sam Shepard, 1943–, American playwright and actor, b. Fort Sheridan, Ill., as Samuel Shepard Rogers 7th. A product of the 1960s counterculture, Shepard combines wild humor, grotesque satire, myth, and a sparse, haunting language evocative of Western movies to create a subversive pop art vision of America. His settings are often a kind of nowhere land on the American Plains, his characters are typically loners and drifters caught between a mythical past and the mechanized present, and his works often concern deeply troubled families. His many plays include Curse of the Starving Class (1977), Buried Child (1978; Pulitzer Prize), True West (1980), A Lie of the Mind (1985), States of Shock (1991), Simpatico (1994), The Late Henry Moss (2000), and The God of Hell (2004). Also involved in motion pictures, Shepard wrote the screenplays for The Right Stuff (1983), in which he played the part of Chuck Yeager, and Paris, Texas (1984); wrote and directed Far North (1989) and Silent Tongue (1994); and has acted in a number of other films. His other work includes the stories, meditations, reminiscences, and other pieces collected in Motel Chronicles (1982), Cruising Paradise (1996), Great Dream of Heaven (2002), and Day Out of Days (2010).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

Buried Child
Shepard, Sam.
American Theatre, Vol. 13, No. 7, September 1996
The Literary West: An Anthology of Western American Literature
Thomas J. Lyon.
Oxford University Press, 1999
Librarian’s tip: "True West" by Sam Shepard begins on p. 248
Playwrights and Acting: Acting Methodologies for Brecht, Ionesco, Pinter, and Shepard
James H. McTeague.
Greenwood Press, 1994
A Kind of Alaska: Women in the Plays of O'Neill, Pinter, and Shepard
Ann C. Hall.
Southern Illinois University Press, 1993
The Absent Father in Modern Drama
Paul Rosefeldt.
Peter Lang, 1996
Librarian’s tip: Discussion of Sam Shepard begins on p. 51
Beyond Naturalism: A New Realism in American Theatre
William W. Demastes.
Greenwood Press, 1988
Librarian’s tip: Chap. Four "Sam Shepard's Realistic Drama"
Realism and the American Dramatic Tradition
William W. Demastes.
University of Alabama Press, 1996
Librarian’s tip: Chap. Sixteen "The Hurlyburly Lies of the Causalist Mind: Chaos and the Realism of Rabe and Shepard"
Critical Angles: European Views of Contemporary American Literature
Marc Chénetier.
Southern Illinois University Press, 1986
Librarian’s tip: "Sam Shepard: Word and Image" begins on p. 208
Staging Difference: Cultural Pluralism in American Theatre and Drama
Marc Maufort.
Peter Lang, 1995
Librarian’s tip: "Sam Shepard's Inter/National Stage" begins on p. 157
Sam Shepard's Identity Dance
Shewey, Don.
American Theatre, Vol. 14, No. 6, July-August 1997
Creating the Self in the Contemporary American Theatre
Robert J. Andreach.
Southern Illinois University Press, 1998
Librarian’s tip: Discussion of Sam Shepard begins on p. 172
Staging the Impossible: The Fantastic Mode in Modern Drama
Patrick D. Murphy.
Greenwood Press, 1992
Librarian’s tip: Discussion of Sam Shepard begins on p. 190
The Dramaturgy of Style: Voice in Short Fiction
Michael Stephens.
Southern Illinois University Press, 1986
Librarian’s tip: Discussion of Sam Shepard begins on p. 241
Rock-and-Roll Jesus with a Cowboymouth (Revisited); Sam Shepard Gets Personal with American Theatre Once Again-20 Years Later
Shewey, Don.
American Theatre, Vol. 21, No. 4, April 2004
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