Read complete books and articles on: Children's Book Illustration

Children's Book Illustration - any type of picture or decorative work produced for books specifically intended for a youthful audience.

Beginnings of a Genre

Children's Book Illustration - any type of picture or decorative work produced for books specifically intended for a youthful audience.

Beginnings of a Genre

Among the first picture books produced in the West and intended for children is Comenius's Orbis Pictus, a primerlike text written in Latin about 1657 or 1658. Earlier works meant for adults but suitable for children include the Japanese Scroll of Animals (12th cent.) with animated sketches by Toba Soja and the first English edition of Aesop's Fables, printed by William Caxton in 1484 and illustrated with woodcuts. John Newbery included woodcuts in The Renowned History of Little Goody Two Shoes (1765). The earliest illustrators of children's books were usually anonymous, but with the appearance of Thomas Bewick's art for Pretty Book of Pictures for Little Masters and Misses; or, Tommy Trip's History of Beasts and Birds (1799), well-known artists began to receive credit for their work in this field.

William Blake printed, engraved, and hand colored his own Songs of Innocence (1789). The Butterfly's Ball (1807), by William Roscoe, was illustrated by William Mulready, and illustrations for the first English version of Grimm's Fairy Tales (1824) were created by George Cruikshank. John Tenniel's remarkable drawings for Lewis Carroll's Alice's Adventures in Wonderland (1865) remain unsurpassed. His art creates a visual framework through which the characters of the story come to life.

A Great Tradition

Illustrations for children's books usually enhanced or explained the text, but in the latter quarter of the 19th cent. three artistic giants, Walter Crane, Kate Greenaway, and Randolph Caldecott, gave a new dimension to illustration. They produced the picture storybook in which interdependent text and illustration are given equal emphasis. Crane's nursery-song prints in Baby's Bouquet (1908) combine soft colors with bold composition. Greenaway's Under the Window (1878) is enhanced by delicate garden colors. In the 1870s and 80s Caldecott's nursery books displayed harmonious linear composition and warm color.

The exquisite watercolors in Beatrix Potter's Peter Rabbit books reveal her careful observation of small wild animals. The grandeur and dignity of Howard Pyle's portraits intensify the heroic adventures of Robin Hood (1883) and Men of Iron (1890). Two of Pyle's students were Jessie Wilcox, who illustrated Robert Louis Stevenson's Child's Garden of Verses (1905) and N. C. Wyeth, whose dramatization of individuals and landscape enriched Treasure Island (1917), Robinson Crusoe (1920), and many other works. The master illustrator Arthur Rackham produced a host of magnificent books beginning in 1900 with The Fairy Tales of Grimm. His work is noted for brilliant use of color and dramatic, detailed composition. Ernest Shepard's drawings for A. A. Milne's Winnie-the-Pooh (1926) and for an edition of Kenneth Grahame's Wind in the Willows (1931) are warm and humorous.

The Golden Age of Illustration

After a decline during the early 1920s, the golden age of the picture book began with the publication of Wanda Gág's Millions of Cats (1928). In 1938 the American Library Association instituted the Caldecott Medal for the most distinctive American picture book for children. The first recipient was Dorothy Lathrop for Animals of the Bible (1937). A number of major illustrators whose works are still popular emerged in the 1930s. Kurt Wiese illustrated Kipling's Mowgli Stories (1936). Helen Sewell employed a realistic style for The First Bible (1934).

Maud and Miska Petersham's The Christ Child (1931) and Jean de Brunhoff's broadly drawn, delightful Story of Babar, the Little Elephant (1931) were among the outstanding books of the 30s. Robert Lawson's Ben and Me (1939) was the first of many witty books that he wrote and illustrated, including Rabbit Hill (1944) and The Fabulous Flight (1949). Dr. Seuss's popular, cleverly drawn books for young children began with And to Think that I Saw It on Mulberry Street (1937). Boris Artzybasheff illustrated Aesop and The Seven Simeons (both 1937) with bold woodcuts.

In the next decade Robert McCloskey produced superb illustrations for Make Way for Ducklings (1941). Garth Williams's realistic, expressive drawings brought to life E. B. White's Stuart Little (1945) and Charlotte's Web (1952). The painter Maxfield Parrish created a series of glowing and colorful illustrations for a children's version of The Arabian Nights (1947). Wesley Dennis created powerful watercolors for many horse books by Marguerite Henry. The first book in the charming Madeleine series, written and illustrated in a broad, painterly style by Ludwig Bemelmans, appeared in 1939; his Parsley (1953), the story of a stag, incorporates a colorful catalog of wildflowers. Marcia Brown's Puss in Boots (1952) is light and whimsical.

The 1960s and Beyond

During the 1960s a number of seldom-used techniques were introduced, and color printing was much improved. Drawing was freed from the constraints of realistic representation, and fantastic imagery flourished. Photography enriched texts, as in Astrid Sucksdorff's Chendru (1960). Illustrations combining graphic art and collage graced Ezra Jack Keats's The Snowy Day (1962) and Leo Lionni's Inch by Inch (1960). Outstanding folk and fairy tales in a picture-book format include Adrienne Adams's Shoemaker and the Elves (1960) and Evaline Ness's Tom Tit Tot (1965).

A landmark in illustrated books of the 1960s is Maurice Sendak's Where the Wild Things Are (1963), depicting a surreal and menacing world of make-believe creatures. Sendak's Higgelty Piggelty Pop;or, There Must Be More to Life (1967) is a fantasy reminiscent of Tenniel's work. His In the Night Kitchen (1970) depicts a dream world in robust detail; it was the first children's book to portray nudity. Sendak's style has had a profound influence on contemporary illustration, as in Harriet Pincus's droll figures for Carl Sandburg's The Wedding Procession of the Rag Doll and the Broom Handle and Who Was in It (1967) and Mercer Mayer's comic A Boy, a Dog, a Frog, and a Friend (1967). Mayer's book spawned a number of books in which the story is carried entirely by pictures.

In the mid-1960s a new kind of picture book emerged in which the illustrations dominate the text. Ben Montresor's illustrations for Cinderella (1965) and for Stephen Spender's The Magic Flute (1966) are based on his opera stage designs and incorporate the glittering color of that medium. Brian Wildsmith made expressive use of intense, jewellike colors for many works including La Fontaine's The Lion and the Rat (1963) and Little Wood Duck (1972). Eric Carle's bright, bold collages made from painted tissue paper debuted in Brown Bear, Brown Bear, What Do You See? (1967), and his Very Hungry Caterpillar (1967) has become a preschool classic. Among artists who choose to interpret a single type of book to which their styles are best suited, is Nancy Ekholm Burkert, whose specialty is fantasy and fairy tales; in Snow-White and the Seven Dwarfs (1972) her sweeping design and minute detail recall the works of Rackham. Margot and Harve Zemach illustrate and retell folk stories, including the rollicking Duffy and the Devil (1973).

By the 1970s children's book illustration had developed into an artistic feast of incredible variety and richness, expressive of a particularly imaginative range of individual creativity. The 1980s and 90s produced a number of remarkable illustrators as well, including Chris van Allsburg, Barry Moser, Jerry Pinkney, Alice and Martin Provensen, Trina Schart Hyman, Susan Jeffers, and Jeanette Winter.

Bibliography

See B. Hürlimann, Picture Book World (1965); R. S. Freeman, Children's Picture Books (1967); B. Doyle, The Who's Who of Children's Literature (1968); M. Hoffman and E. Samuels, Authors and Illustrators of Children's Books (1972); L. E. Lacy, Art and Design in Children's Picture Books (1986); P. Nodelman, Words about Pictures (1989); J. I. Whalley and T. R. Chester, The Bright Stream (1989).

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11 of the Best Books and Articles on: Children's Book Illustration

as selected by Questia librarians

1.

Text-Related Variables in Narrative Picture Books: Children's Responses to Visual and Verbal Texts, in Australian Journal of Language and Literacy » Read Now
by Maureen Walsh. Multiple pgs.

Collections: Education, Psychology, Entire Library
2.

Picture Books and the Art of Collage, in Childhood Education » Read Now
by Catherine M. Prudhoe. 6 pgs.

Collections: Education, Entire Library
3.

Whaz Up with Our Books? Changing Picture Book Codes and Teaching Implications, in The Reading Teacher » Read Now
by Bette P. Goldstone. 9 pgs.

Collections: Education, Entire Library
4.

Interpreting Literature with Children ("Seeing Picture Books" begins on p. 228) » Read Now
by Shelby A. Wolf. 322 pgs.

Collections: Education, Entire Library

Clearly organized and beautifully written, Interpreting Literature With Children is a remarkable book that stands on the edge of two textbook genres: the survey of literature text and the literary criticism text. Neither approach, however, says enough about how children respond to literature in...
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Clearly organized and beautifully written, Interpreting Literature With Children is a remarkable book that stands on the edge of two textbook genres: the survey of literature text and the literary criticism text. Neither approach, however, says enough about how children respond to literature in everyday classroom situations. That is the mission of this book. It begins by providing a solid foundation in both approaches and then examines multiple ways of developing children's literary interpretation through talk, through culture, class, and gender, as well as through creative modes of expression, including writing, the visual arts, and drama. The result is a balanced resource for teachers who want to deepen their understanding of literature and literary engagement. Because of its modest length and price and its ongoing focus on how to increase student engagement with literature, either preservice or practicing teachers can use this text in children's literature, language arts, or literacy and language courses.
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5.

Using Children's Books as a Bridge to Other Cultures, in Social Studies » Read Now
by John Warren Stewig. 5 pgs.

Collections: Education, Entire Library

...full-page watercolor illustrations, also done by the...several new picture book versions of Noahs...different culture. Says illustrations, in shades of blue...farmer and...
6.

Reading in Color: Children's Book Illustrations and Identity Formation for Black Children in the United States, in African American Review » Read Now
by Jacque Roethler. 11 pgs.

Collections: Literature, Psychology, Entire Library
7.

Brown Gold: Milestones of African American Children's Picture Books, 1845-2002 » Read Now
by Michelle H. Martin. 230 pgs.

Collections: Education, Literature, Entire Library

This is the first comprehensive look at African-American picture books from the mid-nineteenth century to today. Using critical approaches that have emerged out of African-American studies, post-modern theory, and children's literature studies, Michelle Martin examines how the genre evolved from its...
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This is the first comprehensive look at African-American picture books from the mid-nineteenth century to today. Using critical approaches that have emerged out of African-American studies, post-modern theory, and children's literature studies, Michelle Martin examines how the genre evolved from its roots in minstrelsy to the contemporary multicultural moment, showing how picture books have grown from instructional texts to celebrations of race and ethnicity.
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8.

A Treasury of American Book Illustration (1947) ("Pictures for Childhood" begins on p. 15) » Read Now
by Henry C. Pitz. 128 pgs.

Collections: Entire Library

...A TREASURY OF AMERICAN BOOK ILLUSTRATION A Treasury of AMERICAN BOOK ILLUSTRATION by Henry C. Pitz WATSON-GUPTILL...and the one that concerns us here, is book illustration...
9.

Illustrators of Children's Books, 1946-1956 » Read Now
by Marcia Dalphin, Bertha Mahony Miller, Ruth Hill Viguers. 299 pgs.

Collections: Entire Library
10.

English Children's Books, 1600 to 1900 (1954) (Chap. Seven "The Importance of Pictures") » Read Now
by Percy Muir. 258 pgs.

Collections: Education, Literature, Entire Library

...Song of Sixpence Toy Book 188 81 Illustration by Gordon Browne to Mrs...Sketchley. English Book Illustration of To-day . Kegan Paul...1798 10 One of the illustrations from...
11.

The Oxford Companion to Children's Literature » Read Now
by Humphrey Carpenter, Mari Prichard. 594 pgs.

Collections: Education, Literature, Entire Library

...first successful book was The Young...or a familiar illustration of the principles...published as a separate book with illustrations by E. Gertrude...1922- , with...