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Louis Bromfield
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Louis Bromfield
1.
Night in Bombay
by Louis Bromfield. 357 pgs.
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Books By: Louis Bromfield
2.
A Good Woman
by Louis Bromfield. 440 pgs.
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FOREWORD
CONTENTS
PART ONE THE JUNGLE
PART TWO THE SLATE-COLORED HOUSE
PART THREE THE STABLE
PART FOUR THE JUNGLE
3.
Cities Are Abnormal (Chap. 10 "To Clear the Dross" by Louis Bromfield)
by Elmert T. Peterson. 266 pgs.
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Foreword
Contents
Notes on the Contributors
1. Cities Are Abnormal
2. the Ecology of City and Country
3. It Was Not Always So
4. What We Are And What We May Become
5. Biological Truths and Public Health
6. An Architect Protests
7. Social Man and His Community
8. Economic Verities
9. Government of the People
10. To Clear the Dross
11. A Farm Reporter Looks Ahead
12. The Atomic Threat
13. Moral and Cultural Aspects of Decentralization
14. No Blueprint for Utopia
4.
City and Country in America ("Louis Bromfield" begins on p. 338)
by David R. Weimer. 400 pgs.
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Preface
Contents
I: Early Ambiguities
II: An Unambiguous VIsion: the Plan of Washington, D.C.
III: Into Nature: Imaginative Energy
Ralph Waldo Emerson
Henry David Thoreau
Henry George
Frederick Jackson Turner
IV: Into the City: Imaginative Control
Daniel H. Burnham and Edward H. Bennett
V: Europe to America: Ameliorative Revolutions
Ebenezer Howard
Petr Aleksi + e + ͡evich Kropotkin
Patrick Geddes
Andrew Jackson Downing
Frederick Law Olmsted and Calvert Vaux
Frederick Law Olmsted
Benton Mackaye
Clarence Arthur Perry
Clarence S. Stein
Lewis Mumford
Paul and Percival Goodman
VI: From Europe: Bold Conservatism
Le Corbusier
VII: The New Centrifuge
Twelve Southerners
Andrew Nelson Lytle
Frank Lloyd Wright
Baker Brownell
Louis Bromfield
VIII: The New Centripety
Henry Hope Reed, Jr.
Victor Gruen
Guides to Study
5.
America's 93 Greatest Living Authors Present This Is My Best: Over 150 Self-Chosen and Complete Masterpieces, Together with Their Reasons for Their Selections ("Louis Bromfield: Why He Selected 'The Rains Came' " begins on p. 913)
by Whit W. Burnett. 1188 pgs.
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Table of Contents
Foreword
I the Man's Story
Theodore Dreiser Why He Selected the Hand
Ernest Hemingway Why He Selected the Short Happy Life of Francis Macomber
John Steinbeck the Leader of the People
Stephen Leacock Why He Selected My Remarkable Uncle
Conrad Aiken Why He Selected Strange Moonlight
Morley Callaghan Why He Selected Two Fishermen
Ii the American Dream
Archibald Macleish Why He Selected America Was Promises
Willa Cather Neighbour Rosicky
Sinclair Lewis Dinner with the Babbitts
James Truslow Adams Why He Selected the American Dream
Mark Van Doren Why He Selected America's Mythology
Dorothy Parker Why She Selected the Standard of Living
Wolcott Gibbs Why He Selected the Customer is Always Wrong
Iii A Goodly Heritage
EnÉt Why He Selected the Devil and Daniel Webster
Van Wyck Brooks Why He Selected Hawthorne in Salem
Mary Ellen Chase Why She Selected the Lord's Day in the Nineties
Robert Frost Why He Selected Sixteen Poems
Robert P. Tristram Coffin Why He Selected Maine is a Perpetual Poem
Dorothy Canfield Fisher Why She Selected the Night on the Cobble
Edmund Wilson Why He Selected the Old Stone House
Erskine Caldwell Why He Selected Country Full of Swedes
Henry Seidel Canby Why He Selected Home in the Nineties
John P. Marquand Why He Selected Last Days of a Bostonian
Ellen Glasgow Why She Selected the Deep Past
Marjorie Kinnan Rawlings Why She Selected Hyacinth Drift
Jesse Stuart Why He Selected Another April
Conrad Richter Why He Selected Lutie
William Allen White Why He Mary White
Iv the Jungle
James T. Farrell Why He Selected Studs
Richard Wright Why He Selected How "Bigger" Was Born
Elmer Rice Why He Selected the Adding Machine
E B. White Why He Selected Quo Vadimus?
Louis Adamic Why He Selected Girl on the Road
Langston Hughes Why He Selected Poems of American Negro Life
Maxwell Anderson Mio and Miriamne
William Faulkner That Evening Sun Go Down
Katherine Anne Porter Why She Selected Flowering Judas
John Dos Passos Why He Selected Escape to the Proletariat
Frank Sullivan Why He Selected the Jukes Family
Booth Tarkington Why He Selected Bridewater's Half Dollar
V the Dust Which Is God
Edna St. Vincent Millay Fifteen Sonnets
William Rose BenÉt Why He Selected from the Dust Which is God
Louis Untermeyer Why He Selected Three Poems
Christopher Morley Why He Selected a Song for Eros
(james) Branch Cabell Why He Selected Dedications in Acrostics
Robinson Jeffers Why He Selected Tamar Dancing
William Carlos Williams Why He Selected Some Flower Studies
Marianne Moore Why She Selected What Are Years?
Muriel Rukeyser Why She Selected Song from "Mediterranean"
H. D. Why She Selected the Islands
Wallace Stevens Why He Selected Domination of Black
Vi the Masters
Agnes Repplier Why Selected Horace
Edgar Lee Masters Why He Selected To-Morrow is My Birthday
Carl Van Doren Why He Selected Swift and Vanessa
Hendrik Willem Van Loon Why He Selected Beethoven
Joseph Wood Krutch Why He Selected the Second Part of "Don Quixote"
Vii the Drama
George Jean Nathan Why He Selected Aesthetic Jurisprudence
Eugene O'Neill Why He Selected the Great God Brown
Robert E. Sherwood Why He Selected the Election of Lincoln
Stark Young Why He Selected Mei Lan-Fang
Thornton Wilder Why He Selected the Happy Journey to Trenton and Camden
William Saroyan Why He Selected A Preface
Clifford Odets Why He Selected Rocket to the Moon
E. E. Cummings Why He Selected Speech from a Play
Viii Kitchen Bouquet
Irvin S. Cobb Why He Selected "Speaking of Operations--"
Cornelia Otis Skinner Why She Selected the Body Beautiful
Robert Benchley Why He Selected the Treasurer's Report
Ogden Nash Why He Selected Two and One Are a Problem
S. J. Perelman Why He Selected Kitchen Bouquet
James Thurber Why He Selected the Night the Ghost Got In
Ludwig Bemelmans Why He Selected Sacre Du Printemps
Ix They Weren't Going to Die
Irwin Edman Why He Selected M. Platon
Pierre Van Paassen Why He Selected the Street of Our Lady
Louis Bromfield Why He Selected the Rains Came
Pearl Buck Why She Selected the Old Demon
John Gunther Why He Selected the Outbreak of International Gangsterism
Vincent Sheean Why He Selected the Thirteen Bus
X the Realm of Being
Biographies and Bibliographies
Acknowledgments
Index by Authors
Index by Titles
6.
Classics and Commercials: A Literary Chronicle of the Forties ("What Became of Louis Bromfield" begins on p. 153)
by Edmund Wilson. 536 pgs.
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Contents
Acknowledgments
Archibald Macleish and the Word
Van Wyck Brooks's Second Phase
The Boys in the Back Room
Max Eastman in 1941
T. K. Whipple
The Antrobuses And The Earwickers
Alexander Woollcott Of The Phalanx
The Poetry Of Angelica Balabanoff
Mr. Joseph E. Davies as a Stylist
Thoughts on Being Bibliographed
Through the Embassy Window: Harold Nicolson
Kay Boyle And The Saturday Evening Post
The Life and Times Of John Barrymore
"Never Apologize, Never Explain": The Art of Evelyn Waugh
John Mulholland And The Art of Illusion
What Became of Louis Bromfield
J. Dover Wilson on Falstaff
A Toast and a Tear For Dorothy Parker
A Treatise on Tales of Horror
A Guide to Finnegans Wake
A Novel by Salvador Dali
A Long Talk About Jane Austen
"You Can't Do This to Me!" Shrilled Celia
Aldous Huxley In The World Beyond Time
Vladimir Nabokov on Gogol
Katherine Anne Porter
A Picture to Hang in the Library: Brooks's Age of Irving
Why Do People Read Detective Stories?
Bernard Shaw on the Training Of a Statesman
ReÄxamining Dr. Johnson
Leonid Leonov: The Sophistication of a Formula
Who Cares Who Killed Roger Ackroyd?
Mr. Holmes, They Were The Footprints of a Gigantic Hound!
Glenway Wescott's War Work
A Cry from the Unquiet Grave
Tales of the Marvellous And The Ridiculous
Thackeray's Letters: A Victorian Document
Splendors and Miseries Of Evelyn Waugh
George Saintsbury's Centenary
Ambushing a Best-Seller
The Apotheosis Of Somerset Maugham
William Saroyan And His Darling Old Providence
Scar Wilde: "One Must Always Seek What is Most Tragic"
George Grosz in the United States
An Old Friend of the Family: Thackeray
Gilbert Without Sullivan
George Saintsbury: Gourmet and Glutton
Books of Etiquette and Emily Post
A Dissenting Opinion on Kafka
Jean-Paul Sartre: the Novelist And the Existentialist
The Musical Glasses of Peacock
Edith Wharton: a Memoir By An English Friend
The Sanctity of Baudelaire
Van Wyck Brooks on The Civil War Period
An Analysis of Max Beerbohm
The Original of Tolstoy's Natasha
The Most Unhappy Man on Earth
William Faulkner's Reply to The Civil-Rights Program
In Memory of Octave Mirbeau
A Revival of Ronald Firbank
Paul Rosenfeld: Three Phases
Index
7.
Revolt in the Arts: A Survey of the Creation, Distribution and Appreciation of Art in America ("The Novel in Transition" by Louis Bromfield begins on p. 288)
by Oliver M. Sayler. 354 pgs.
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Preface
Contents
Part One
1: The Fact of Revolt
Ii the Nature of Revolt
Iii the Extent of Revolt
Iv the Causes of Revolt
V the Implications of Revolt
Part Two A Field Survey
Training the Playwright of the Machine Age
Some Notes on the Playwright in Revolt
The Eternal Theatre
The Theatre--Art and Instinct
The Actor as Artist
The Wasted Gifts of the Scene Designer
The Light Musical Stage at the Cross Roads
Suggesting A Dramatic Declaration of Independence
The Repertory Theatre
Art on A Manufacturing Basis
Sound Stimulates Story
On Behalf of the Silent Film
Directing Sound Pictures
The Player in the Films
The Cinema Designer Confronts Sound
Nature, Teacher of the Dance
Seeking an American Art of the Dance
Toward an American Ballet
New Ideas in Music Education
The Composer in the Machine Age
Opera and the Symphony Will Survive
The Challenge of Mechanical Music to the Powers of the Young Artist
Radio as an Independent Art
A New Art in Birth-Throes
The Novel in Transition
Modern Poetry
The New Biography
Speed and the Essayist
The Newspaper as Literature
Of the Making of Books
Learning by Working on the Job
Art Is, Was, and Ever Will Be
The Sculptor Waits on the Architect
Architecture--"In Between"
Form and Color in the Home
The Challenge of Industrial Design
The Contributors
Index
8.
Living Authors: A Book of Biographies ("Louis Bromfield" begins on p. 55)
by Stanley Kunitz, Dilly Tante. 472 pgs.
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Preface
Living Authors
Living Authors*
9.
Cyclopedia of World Authors ("Louis Bromfield" begins on p. 130)
by Frank N. Magill, Dayton Kohler. 1204 pgs.
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Preface
Special Writers and Consultants
Additional Contributors and Their Affiliations
Pierre Abelard
Edmond Francois About
Henry Adams
John Adams
Joseph Addison
Aeschylus
Aesop
William Harrison Ainsworth
Henri Alain Fournier
Pedro Antonio de Alarcon
Louisa May Alcott
Richard Aldington
Thomas Bailey Aldrich
Ciro Alegria
Mateo Alemaan
Hervey Allen
Ignacio Manuel Altamirano
Jorge Amado
Edmondo De Amicis
Johanna Van Ammers-Kuller
Hans Christian Andersen
Maxwell Anderson
Sherwood Anderson
Leonid Andreyev
Jean Anouilh
Lucius Apuleius
Ludovico Ariosto
Aristophanes
Aphra Behn
Henry Bellamann
BjØRnstjerne BjØRnson
Robert Montgomery Bird
Giovanni Boccaccio
Anicius Manlius Severinus Boethius
Elizabeth Barrett Browning
Robert Browning
John Buchan
Georg BÜchner
Ivan Alexeyevich Bunin
John Bunyan
Erskine Caldwell
Luis de CamoËns
Albert Camus
Louis-Ferdinand CÉLine (Louis Fuch Destouches)
Benvenuto Cellini
Anton Chekhov
Charles Waddell Chesnutt
Marcus Tullius Cicero
Walter Van Tilburg Clark
Jean Cocteau
Samuel Taylor Coleridge
Prosper Jolyot de CrÉBhllon
Michel-Guillaume Jean de CrÈVecŒUr
Thomas de Quincey
Charles Dickens
Norman Douglas
Sir Arthur Conan Doyle
Theodore Dreiser
John Dryden
Desiderius Erasmus
Sir George Etherege
David Garnett
Mrs. Elizabeth Gaskell
ThÉOphile Gautier
Ivan Alexandrovich Goncharov
The Goncourts Edmond Louis Antoine Huot de Goncourt
Enneth Grahame
Harley Granville-Barker
J. J. C Von Grimmelshausen
Guillaume de Lorris
HĀFiz Shams Ud-Din Mohammed
H. Rider Haggard
Richard Hakluyt
Edward Everett Hale
Alexander Hamilton
Ludovic HalÉVy
Dasheill Hammett
Knut Hamsun
Thomas Hardy
Joel Chandler Harris
Gerard Manley Hopkins
Horace Quintus Horatius Flaccus
Henry James
Thomas Kyd
Pierre Choderlos de Laclos
Madame Marie de la Fayette
Willlam Langland
Sidney Lanier
D. H. Lawrence
T. E. Lawrence
Joseph Sheridan le Fanu
Mikhail Yurievich Lermontov
Alain RenÉ le Sage
Maurice Maeterlinck
StÉPhane MallarmÉ
AndrÉ Malraux
Christopher Marlowe
John Phillips Marquand
Charles Robert Maturin
W. Somerset Maugham
Guy de Maupassant
John Stuart Mill
Edna St. Vincent Millay
John Milton
Margaret Mitchell
Sir Thomas More
James Justinian Morier
Dinah Maria Mulock
Thomas Norton and Thomas Sackvelle
Kate O'Brien
Liam O'Flaherty
John O'Hara
JosÉ Ortega Y Gasset
George Orwell
Ouida
Publius Ovidius Naso
Blaise Pascal
Alan Paton
Walter Pater
Plato
Titus Maccius Plautus
Titus Maccius Plautus
Katherine Anne Poter
Ezra Pound
John Cowper Powys
Llewelyn Powys
Llewelyn Powys
William Hickling Prescott
The AbbÉ PrÉVost
J. B. Priestley
J. B. Priestley
Alexander Pushkin
FranÇOis Rabelais
Jean Baptiste Racine
Mrs. Ann Radcliffe
Charles-Ferdinand Ramuz
John Crowe Ransom
Rudolph Erich Raspe
Forrest Reid
Erich Maria Remarque (Erich Paul Remark)
Alfonso Reyes
Ladislas Reymont
Lynn Riggs
Rainer Maria Rilke
Arthur Rimbaud
Romain Rolland
O. E. RÖLvaag
Pierre de Ronsard
Christina Rossetti
Jean Jacques Rousseau
Juan Ruiz de AlarcÓN
Saki (Hector Hugh Munro)
Felix Salten (siegmund Salzmann)
William Shakespeare
Bernard Shaw
Mary Wollstonecraft Godwin Shelley
Percy Bysshe Shelley
Richard Brinsley Sheridan
Robert C. Sherriff
Tobias Smollett
Snorri Sturluson
Publius Papinius Statius
Madame de StaËl
Stendhal (Marie Henri Beyle)
James Stephens
Laurence Sterne
Robert Smith Surtees
Emanuel Swedenborg
William Makepeace Thackeray
Theocritus
Dylan Thomas
Thomas À Kempis
James Thurber
Count Leo Tolstoy
H. M. Tomlinson
Anthony Trollope
John Townsend Trowbridge
Valmiki
Sir John Vanbrugh
Paul Verlaine
Jules Verne
Hugo Wast: (Gustavo Martínez Zuviría)
Evelyn Waugh
Cross-Reference Index
10.
The Spyglass, Views and Reviews, 1924-1930: Selected and Edited by John Tyree Fain ("Irony: Edith Wharton, Louis Bromfield" begins on p. 83)
by Donald Davidson. 268 pgs.
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Title Page
Introduction
Contents
About Donald Davidson
Acknowledgments
Provincialism
Southern Fiction
Spyglass September 5, 1926
Spyglass April 3, 1927
Spyglass August 14, 1927
Critic's Almanac May 13, 1928
Critic's Almanac February 3, 1929
Farewell--And Hail! Critic's Almanac February 16, 1930
Critic's Almanac March 16, 1930
Ellen Glasgow--Social Historian Critic's Almanac April 13, 1930
Critic's Almanac April 20, 1930
Other American Fiction
Sherwood Anderson's a Story Teller's Story, Extra Review January 18, 1925
Spyglass March 15, 1925
Spyglass January 31, 1926
Tragedy of Limitation: Tarkington and Hemingway Spyglass January 22, 1928
Irony: Edith Wharton, Louis Bromfield Critic's Almanac September 23, 1928
Perfect Behavior Critic's Almanac November 3, 1929
Painful Literature Critic's Almanac December 8, 1929
Poetry
Spyglass March 7, 1926
Spyglass January 23, 1927
Hart Crane's White Buildings Extra Review April 3, 1927
The Gumdrop School Spyglass July 31, 1927
Josephine Pinckney, Sea-Drinking Cities Extra Review January 15, 1928
Critic's Almanac December 2, 1928
Critic's Almanac April 28, 1929
Critics And Commentators
Extra Review December 12, 1926
Two Professors Spyglass June 19, 1927
Society and the Arts
Notes: Sex in Literature, Poetry Magazines Spyglass March 28, 1926
Notes: Zona Gale, Censorship Spyglass February 6, 1927
Old Songs Critic's Almanac May 27, 1928
Crippled Caravan Critic's Almanac November 11, 1928
Book Clubs Critic's Almanac November 18, 1928
The Amateur Spirit in Music Critic's Almanac January 27, 1929
Prose Style, Blues Magazine Critic's Almanac March 3, 1929
Book-Of-The-Month Club Critic's Almanac April 28, 1929
Antiques, Handcraft Critic's Almanac May 18, 1930
The Book Business Critic's Almanac August 3, 1930
Sassoon's War Critic's Almanac October 12, 1930
Backgrounds Of Agrarianism
Stonewall Jackson's Way Critic's Almanac April 29, 1928
The Spotlight on the South Critic's Almanac June 2, 1929
Phillip's Life and Labor in the Old South Critic's Almanac June 9, 1929
Bower's the Tragic Era Extra Review September 15, 1929
What Does History Mean? Critic's Almanac October 20, 1929
The World as Ford Factory Critic's Almanac November 9, 1930
Criticism Outside New York
Appendix
Index
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