A seemingly simple tale of schoolboys marooned on an island, Lord of the Flies has proven to be one of the most enigmatic and provocative pieces of literature ever published. This casebook probes the many layers of meaning in the novel, examining its literary, philosophical, historical, scientific...

A seemingly simple tale of schoolboys marooned on an island, Lord of the Flies has proven to be one of the most enigmatic and provocative pieces of literature ever published. This casebook probes the many layers of meaning in the novel, examining its literary, philosophical, historical, scientific, and religious significance. Beginning with a literary analysis that explores the universality of the novel's characters, the story is considered as subversion of the adventure tale, comparing it to such classics as Treasure Island and Robinson Crusoe. From these literary depictions of savagery, this study delves deeper, confronting the long-running philosophical and biological debates about human nature that have absorbed such influential thinkers as Rousseau and Darwin. The full meaning of Lord of the Flies is further contextualized by tracing historical views on civilization, from the Victorian perspective, to the very real horrors of World War II. This casebook integrates analysis and primary documents, with excerpts from materials as diverse as the Bible, the writings of Darwin, and war crimes interviews, to explore the very nature of human aggression and evil. This book will spark students to consider intriguing connections between Golding's masterpiece and broader concepts of civilization, altruism, political leadership responsibilities, and the history of western imperialism.

Politics and History in William Golding provides a much needed politicized and historicized reading of William Golding's novels as a counter to previous, universalizing criticism. Paul Crawford argues that an understanding of fantastic and carnivalesque modes in Golding's work is vital if we are to...

Politics and History in William Golding provides a much needed politicized and historicized reading of William Golding's novels as a counter to previous, universalizing criticism. Paul Crawford argues that an understanding of fantastic and carnivalesque modes in Golding's work is vital if we are to appreciate fully his interrogation of twentieth-century life.

Golding's early satirical novels question English constructions of national identity in opposition to Nazism and the "totalitarian personality." For Crawford, Golding can and must be studied in the wider European tradition of "literature of atrocity." His early novels, especially Lord of the Flies, are preoccupied with atrocity, whereas the later work betrays a greater concern for the status of language and literature.

In Golding's later fiction, like Darkness Visible, the fantastic and carnivalesque are used in an increasingly nonsatirical manner to complement first modernist and then postmodernist self-consciousness and indeterminacy. Even his critique of class and religious authority, which carries through all of his fiction, gives way to more lighthearted productions -- a symptom of which is his crude, absurd attack against the English literary industry in The Paper Men. This reduction of satire marks a decline in Golding's political commitment and the production of more complex and arguably less satisfying novels.

The fantastic and carnivalesque are foundational to both the satirical and nonsatirical approaches that mark Golding's early and late fiction. No previous study has analyzed this structure that is so central to his work. Politics and History in William Golding examines this writer's work more fully than it hasbeen studied within the convoluted context of the last half of the twentieth century. Crawford directly links Golding's various deployments of the fantastic and carnivalesque to historical, political, and social change.

Classic Cult Fiction is a history, analysis, and reference guide to books that have become "bibles" to generations of Europeans and Americans over the past 200 years--books like The Catcher in the Rye. Fearlessly taking on "canon formation," Whissen identifies the top 50 classic cult books, first...

Classic Cult Fiction is a history, analysis, and reference guide to books that have become "bibles" to generations of Europeans and Americans over the past 200 years--books like The Catcher in the Rye. Fearlessly taking on "canon formation," Whissen identifies the top 50 classic cult books, first presenting an informed and witty interpretation of the phenomenon and its characteristics with examples from different cultures and periods. The individual works are each discussed relative to time and place, impact, and audience psychology and analyzed in terms of common cult attributes. A chronological listing of cult fiction adds a number of titles not chosen for the top 50.

Dystopian literature is a potent vehicle for criticizing existing social conditions or political systems, and for warning against the potential negative consequences of utopian thought. This reference is a guide to dystopian theory and literature. It discusses the work of key theorists and...

Dystopian literature is a potent vehicle for criticizing existing social conditions or political systems, and for warning against the potential negative consequences of utopian thought. This reference is a guide to dystopian theory and literature. It discusses the work of key theorists and summarizes several important utopian works to provide a background. The rest of the book summarizes and analyzes numerous dystopian novels, plays, and films.