J. R. R. Tolkien

Interdisciplinary in approach, Tolkien the Medievalist provides a fresh perspective on J. R. R. Tolkien's Medievalism. In fifteen essays, eminent scholars and new voices explore how Professor Tolkien responded to a modern age of crisis - historical, academic and personal - by adapting his scholarship on medieval literature to his own personal voice. The four sections reveal the author influenced by his profession, religious faith and important issues of the time; by his relationships with other medievalists; by the medieval sources that he read and taught, and by his own medieval mythologizing.

When J.R.R. Tolkien died in 1973, he left behind a vast body of unpublished material related to the imaginary world of his fiction. Now arranged edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes offer an unparalleled insight into the growth of Tolkien's mythology over five decades. This book is the first comprehensive critical examination of The History of Middle-earth. An opening easy by Rayner Unwin, Tolkien's publisher for many years, discusses the publication history of the material, while essays by expert contributors examine a broad range of topics related to the work.

"J.R.R. Tolkien: Six Decades of Criticism annotates over 1,600 reviews, articles, essays, books, and other commentary on the creator of Middle Earth. Author Judith A. Johnson also provides a bibliography of Tolkien novels, poems, interviews, and other published works; essays describing Tolkien's writings and summarizing the critical response to them; and an appendix listing Tolkien-related organizations, societies, and publications." American Libraries

Although Tolkien's literary works have, over the past few decades, attracted a considerable and varied body of criticism, much of this material is inaccessible, unreflective, and repetitive. Though various scholars have treated Tolkien's sources and his concept of fantasy, this study situates the author in a broad literary context that includes ancient metrical modes, medieval culture, Renaissance poetics, 19th-century social movements, and modern critical thought. Each chapter is written by an expert contributor and examines the literary resonances of Tolkien's works from a variety of informed perspectives.

The Man in the Moon has dropped down to earth for a visit. Over the hedge, a rabbit in trousers is having a pipe with his evening paper. Elsewhere, Alice is passing through a looking glass, Dorothy riding a tornado to Oz, and Jack climbing a beanstalk to heaven. To enter the world of children's literature is to journey to a realm where the miraculous and the mundane exist side by side, a world that is at once recognizable and real--and enchanted. Many books have probed the myths and meanings of children's stories, but Goldthwaite's Natural History is the first exclusively to survey the magic that lies at the heart of the literature. From the dish that ran away with the spoon to the antics of Brer Rabbit and Dr. Seuss's Cat in the Hat, Goldthwaite celebrates the craft, the invention, and the inspired silliness that fix these tales in our minds from childhood and leave us in a state of wondering to know how these things can be. Covering the three centuries from the fairy tales of Charles Perrault to Maurice Sendak's Where the Wild Things Are, he gathers together all the major imaginative works of America, Britain, and Europe to show how the nursery rhyme, the fairy tale, and the beast fable have evolved into modern nonsense verse and fantasy. Throughout, he sheds important new light on such stock characters as the fool and the fairy godmother and on the sources of authors as diverse as Carlo Collodi, Lewis Carroll, and Beatrix Potter. His bold claims will inspire some readers and outrage others. He hails Pinocchio, for example, as the greatest of all children's books, but he views C.S. Lewis's The Chronicles of Narnia as a parable that is not only murderously misogynistic, but deeply blasphemous as well. Fresh, incisive, and utterly original, this rich literary history will be required reading for anyone who cares about children's books and their enduring influence on how we come to see the world.

In an examination of contemporary American culture--from literature to popular music--concerned with the restoration of Classical traditions, this work is comprised of a series of essays concerned with the still healthy vitality of America's Classical and Christian traditions, the errors of the current powers that be, and the way to cultural and political restoration.

In this important book, Ken Gelder offers a lively, progressive and comprehensive account of popular fiction as a distinctive literary field. Drawing on a wide range of popular novelists, from Sir Walter Scott and Marie Corelli to Ian Fleming, J. K. Rowling and Stephen King, his book describes for the first time how this field works and what its unique features are. In addition, Gelder provides a critical history of three primary genres - romance, crime fiction and science fiction - and looks at the role of bookshops, fanzines and prozines in the distribution and evaluation of popular fiction. Finally, he examines five bestselling popular novelists in detail - John Grisham, Michael Crichton, Anne Rice, Jackie Collins and J. R. R. Tolkien - to see how popular fiction is used, discussed and identified in contemporary culture.