An unusual grouping of writers, this insightful study includes some, like Henry James, who are indisputably leaders of the "canon" regardless of genre, and others, like Algernon Blackwood, who wrote almost exclusively in the supernatural; all, however, were clearly masters of this genre. The seven chapters, respectively on J. Sheridan Le Fanu, Henry James, M. R. James, Algernon Blackwood, Arthur Machen, Walter de la Mare, and Marjorie Bowen, each examine plot, character, mood, and setting in a traditional sense, sparked by personal observations and unique comparisons. Each is preceded by a biographical sketch and documented by bibliography and notes. For some, these chapters may be the fullest accounts ever published. All demonstrate the happy combination of a scholar's insights and a fan's enthusiasm.
This selection of twenty-one short stories by M.R. James--a first-class writer of supernatural fiction--represents his best work, including "Count Magnus," "The Rose Garden," "The Uncommon Prayer-book," "Rats," "The Malice of Inanimate Objects," and "A Vignette," as well as the title story.
"The one hundred-some stories depict the important role ghosts played in the lives of the Chinese, as well as revealing a great deal about sex, revenge, transvestism, corruption, and other topics banned by Mei's puritanical mid-Qing society". -- Reference & Research Book News.
Mystery in Children's Literature charts a development from religious mystery through rationally solved detective fictions to insoluble supernatural and horror mysteries. Written by internationally recognized scholars in the field, these 13 original essays offer challenging and innovative readings of both classic and popular mysteries for children. This volume will be essential and stimulating for anyone with an interest in children's literature or in mystery fiction.
Unprecedented in range and scope, this volume serves as a record of and reference for the development of fantasy literature. Working to be inclusive, rather than exclusive, opening a dialogue wherever possible, Sandner presents the full range of debates concerning the fantastic and its relationship to the sublime, the Gothic, children's literature, romance and comedy, and the purposes of imaginative literature. Introductions to each essay, presented in full or excerpted for the most relevant commentary, situate the reader in the history of fantasy literature and the criticism it has inspired.
Jean-Michel Rabate, the eminent French Joycean, combines psychoanalytical and philosophical concepts in rereading the history of modernity to give a more precise meaning to the term modernism. Rabate focuses throughout on a single theme, the ghostly nature of modernity. In writing a history of the concept of modernity with the awareness that the radically new has often been subject to the effects of the return of the repressed. Rabate analyzes the notion of loss in various fields: in Freudian aesthetics of color, in literary history, and in philosophy. The postmodernist fascination with a lost object allows a reconsideration of the boundaries of such terms as modernism and postmodernism. The conclusion ties together all these motifs, from Joyce to Barthes, and shows their theoretical basis in Marx's criticism of ideology and in Freud's consideration of mourning. From the analysis of "color" as an unthinkable object of discourse to an aesthetics of the unpresentable, Rabate points to the possibility of an "ethics of mourning", which would seem capable of overcoming the dead end of history whose ending condemns it to eternal repetition.