Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bronte, Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.
Madness features in many ancient epics: not only do characters go mad, but madness often plays an important thematic role. This book examines the representation and poetic function of madness in epic poetry (including the work of Homer, Virgil, and Ovid), addresses the difficulty of defining madness, and discusses how each epic explores the theme in a unique way.
Those wishing to know the nature of madness, wrote Voltaire, should observe their dreams. This is an important new analysis of the problematic relationship between dreams and madness that preoccupied nineteenth-century French writers, thinkers, and doctors. Tony James shows how doctors (such as Esquirol, Lelut, and Janet), thinkers (including Maine de Biran and Taine), and writers (Balzac, Nerval, Baudelaire, Victor Hugo, and Rimbaud) grappled in very different ways with the problems raised by the so-called "phenomena of sleep" and particularly the question: might dreams be a source of creativity?