Politics in Literature

Acknowledgments Introduction: Political Myth, Popular Fiction, and American Culture by Ernest J. Yanarella and Lee Sigelman Nature, Human Nature, and Society in the American Western by John Moeller Democracy and Community in American Children's Literature by Timothy E. Cook Winning Isn't Everything: Sports Fiction as a Genre of Political Criticism by Thomas C. Shevory Political Change in America: Perspectives from Popular Historical Novels of Michener and Vidal by Samuel M. Hines Jr. Natural Law and Right in Contemporary American Middle-Class Literature by Ethan Fishman "Our Town" Reconsidered: Reflections on the Small Town in American Literature by Jean Bethke Elshtain The Paradox of Combat: Fictional Reflections of America at War by Cecil L. Eubanks The Machine in the Garden Revisited: American Pastorialism and Contemporary Science Fiction by Ernest J. Yanarella A Select Bibliography on Myth, Politics, and Popular Fiction

William H. Gass and Lorin Cuoco here present an edited but uncut record of the proceedings of the first international conference convened by the International Writers Center at Washington University in St. Louis. Major addresses were delivered by Breyten Breytenbach, a white South African who was an early critic of apartheid serving seven years in jail before being exiled from his homeland; Nuruddin Farah, the Somali author of a number of internationally recognized novels, including the trilogy Variations on the Theme of an African Dictatorship, who has also suffered exile; Carolyn Forche, an American poet whose experiences as a Guggenheim Fellow in El Salvador led to her noted second book of poetry, The Country Between Us, Antonio Skarmeta, the Chilean short story writer, screen writer, and novelist whose Insurrection deals with the Nicaraguan Revolution; Luisa Valenzuela, an Argentine novelist and journalist who fled her home country in 1979 and returned a decade later after the restoration of democracy only to find remnants of the former military regime still a legitimate target for her absurdist prose; and Mario Vargas Llosa, the widely acclaimed Peruvian novelist who founded Libertad, the political party under whose banner he unsuccessfully ran for president of his country. The Writer in Politics also includes edited transcriptions of the panel discussions that followed each of the six major addresses. Panelists included Irish poet Eavan Boland, author of seven books of poetry, including In a Time of Violence; Marc Chenetier, professor of American literature at l'Ecole Normale Superieure in Paris and translator of numerous american authorsincluding Gass - into French; RobertCoover, writer-in-residence at Brown University and author of such works as Origin of the Brunists and A Public Burning; Ron Himes, founder of the St. Louis Black Repertory Company, which produces African American and Third World

This volume of essays brings together some of the best work by Americanists concerned with the problem of ideology and its bearing upon American literature and culture. It projects neither a particular ideological view nor a particular view of ideology. On the contrary: these essays highlight the many uses of ideology as a critical term, and, in doing so, they open new avenues of inquiry, new forums for discussion. They also demonstrate that, far from being parochial or reductive, ideological analysis is integral to considerations of formal structure and crucial to an understanding of the relations between literature and culture. The authors are leading Americanists of the past three or four generations. Their essays deal variously with theoretical issues, with questions of theme, genre, and perspective, and with interpretations of particular authors and texts. The editors of the volume provide a general introduction to the nature and development of ideological critique, and an afterword that discusses the coherence of the volume as a whole and its implications for further study.

This examination of the works of 18 women writers in English Canada's history demonstrates how Canadian women's literature provides rich insight into the social and political development of the country. Arranged chronologically from colonial times through the 1980s, the study provides in-depth analyses of works of such notables as Frances Brooke, Ethel Wilson, and Margaret Atwood. Fraser's contention is that the literature, as a forum where women voiced their personal concerns, reflects Canada's political identity as a country with a continuing commitment to the essentially feminine values of compromise, cooperation, and international peace.