American Dark Comedy: Beyond Satire
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by Wes D. Gehring.
194 pgs.
From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be...
From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include: Slaughterhouse Five, Catch-22, Clockwork Orange, Harold and Maude, Heathers, and Natural Born Killers.
English Drama 1586-1642: The Age of Shakespeare (Chap. 10 "Tragicomedy")
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by G. K. Hunter.
623 pgs.
Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences...
Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.
Shakespeare's Romances
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by Harold Bloom.
317 pgs.
-- Brings together the best criticism on the most widely read poets, novelists, and playwrights
-- Presents complex critical portraits of the most influential writers in the English-speaking world -- from the English medievalists to contemporary writers
The Tempest: A Guide to the Play
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by H. R. Coursen.
240 pgs.
The Tempest is probably the last play Shakespeare wrote by himself. As such, it is the product of his artistic maturity. While its plot is relatively straightforward, the play addresses numerous current topics in the early part of the 17th century, such as magic and colonialism. This reference is a...
The Tempest is probably the last play Shakespeare wrote by himself. As such, it is the product of his artistic maturity. While its plot is relatively straightforward, the play addresses numerous current topics in the early part of the 17th century, such as magic and colonialism. This reference is a comprehensive guide to the play. The volume looks at early and modern editions of The Tempest, overviews its sources and historical and cultural contexts, analyzes Shakespeare's dramatic art, explores the play's various themes, and summarizes its critical heritage. It then reviews the play's production history and comments on the success of various performances.