Tragicomedy in Literature

Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.

Hughes examines all of the surviving plays written and professionally premiered in England between 1660 and 1700. Hughes analyzes many texts in detail and places them within the range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject. In addition, Hughes presents an innovative analysis of the plays' political, intellectual, and social background, with extensive discussion of their treatment of women and the contribution of women dramatists.

Patrick Colm Hogan argues that, to a remarkable degree, the stories people admire in different cultures follow a limited number of patterns determined by cross-culturally constant ideas about emotion. Hogan draws on world literature; experimental research treating emotion and emotion concepts; and methodological principles from contemporary linguistics and philosophy of science. He concludes with a discussion of the relationship between the narrative, emotion concepts, and the biological and social components of emotion.

The Catholic contribution to English literary culture has been widely neglected or misunderstood. This book sets out to rehabilitate a wide range of Catholic imaginative writing, while exposing the role of anti-Catholicism as an imaginative stimulus to mainstream writers in Tudor and Stuart England. It discusses canonical figures such as Sidney, Spenser, Webster and Middleton alongside many lesser-known writers. Alison Shell explores the Catholic rhetoric of loyalism and apostasy, and the stimulus given to the Catholic literary imagination by the persecution and exile so many of these writers suffered.