Pratt intriguingly explores European travel and exploration writing. In a study of genre and as a critique of ideology, Imperial Eyes examines how travel books by Europeans create the domestic subject of European imperialism.
Edward Said's oft cited claim that Orientalists past and present have spun imaginary geographies where they sought ground truth, has launched a plethora of studies of fictive geographies. Representations often reveal more about the culture of the writer than that of the people and places written about. Yet the study of imaginary geographies has raised many questions about Western writers' abilities to provide representations of foreign places.
Writes of Passage explores the interplay between a system of "othering" which travelers bring to a place, and the "real" geographical difference they discover upon arrival. Exposing the tensions between the imaginary and real, the contributors focus primarily upon travelers from the 18th and 19th Centuries to pin down the imaginary within the context of imperial power. With essays covering the regions of Africa, South Asia, and Europe, this book presents a unique historical exploration of issues of place, space and landscape and contemporary studies ontravel writing and migration. Writes of Passage represents a valuable addition to the burgeoning literature on travel writing.
"Yunte Huang has produced a fascinating study of what he calls 'textual travelling, ' which is to say, the transformation of poetic texts (in this case Chinese ones) at the hands of American scholars, editors, translators, and especially poets. . . . This brave and highly original study is sure to raise controversy."--Marjorie Perloff, author of "Wittgenstein's Ladder"
An investigation into the future of travelling in a world where boundaries are shifting and dissolving. Amongst the issues covered are politics and identity, history and narration and the representation of other cultures.
Unravels the complexities of writings by British women of the `high colonial' period. Sara Mills analyses the writings of three women travellers, extending recent post-colonial and cultural theory in an important and inspiring study.
In a lively discussion of books written as early as 1903 and as recently as 1994, Kris Lackey reveals the crucial roles the highway and automobile travel have played through generations of American writing.
Brings French colonial literature into a common context with that from Virginia and New England colonies
Algonquin and Iroquois natives of the American Northeast were described in great detail by colonial explorers who ventured into the region in the seventeenth and eighteenth centuries. Beginning with the writings of John Smith and Samuel de Champlain, Gordon Sayre analyzes French and English accounts of Native Americans to reveal the rhetorical codes by which their cultures were represented and the influence that these images of Indians had on colonial and modern American society. By emphasizing the work of Pierre Francois-Xavier Charlevoix, Joseph-Francois Lafitau, and Baron de Lahontan, among others, Sayre highlights the important contribution that French explorers and ethnographers made to colonial literature.
Sayre's interdisciplinary approach draws on anthropology, cultural studies, and literary methodologies. He cautions against dismissing these colonial texts as purveyors of ethnocentric stereotypes, asserting that they offer insights into Native American cultures. Furthermore, early accounts of American Indians reveal Europeans' serious examination of their own customs and values: Sayre demonstrates how encounters with natives' wampum belts, tattoos, and pelt garments, for example, forced colonists to question the nature of money, writing, and clothing; and how the Indians' techniques of warfare and practice of adopting prisoners led to new concepts of cultural identity and inspired key themes in the European enlightenment and American individualism.
This study of the writings of Japanese travellers to China from 1862 to 1945 serves both as a window onto changing Japanese images of China and as a vivid account of Sino-Japanese interactions over nearly a century.