South African Literature

South African literature, literary works written in South Africa or written by South Africans living in other countries. Populated by diverse ethnic and language groups, South Africa has a distinctive literature in many African languages as well as Afrikaans (a vernacular derived from Dutch) and English.

See also African literature.

Although Afrikaans had emerged as a distinctive language by the mid-18th cent., Dutch remained the official language in government and was compulsory in the schools. The pressure of nationalism led finally to the legal recognition of Afrikaans in 1925, and it replaced Dutch completely. There soon emerged several authors writing in Afrikaans. Notable among them was C. J. Langenhoven, who wrote novels and poems, translated the Rubaiyat of Omar Khayyam into Afrikaans, and wrote the words of the national anthem. His efforts led to the compilation of an Afrikaans dictionary.

Other well-known Afrikaans writers were the poets Christian L. Leipoldt, Christiaan M. van der Heever, and Eugene Marais. A. A. Pienaar under the pseudonym Sangiro wrote nature stories. Uys Krige was extremely versatile; his works include novels, short stories, poems, and plays in both Afrikaans and English. Important poets who have written in Afrikaans include W. E. G. Louw and his brother N. P. van Wyk Louw, Adam Small, Ingred Jonker, and Elisabeth Eybers.

At first the limited local market retarded the development of an indigenous English-language literature. With the growth of the publishing industry, an increasing population, and the spread of education, a vital literary community developed in the mid-20th cent. In addition, many African writers, divorced from their ethnic heritage, began to write in English. One of the best known among the English-language novelists is Olive Schreiner, author of The Story of an African Farm (1883); she is considered the first great South African novelist.

Other important novelists include Sarah G. Millin, whose major work is God's Stepchildren (1924); William Plomer, who wrote Turbott Wolfe (1925); Alan Paton, whose novel Cry, the Beloved Country (1948) was widely acclaimed in America; and Elizabeth C. Webster, who won an English prize for Ceremony of Innocence (1949). Roy Campbell is known as a South African poet, although he lived in England after 1926. Besides numerous other works, Stuart Cloete wrote Turning Wheels (1939), a story of the Great Trek, which was made into a film in the United States. Other internationally known works include H. V. Morton's In Search of South Africa (1948) and Episode in the Transvaal (1955) by Harry Bloom, who also wrote the book for the first all-African opera, King Kong (1958).

In the 1950s and 60s the magazine Drum was an important voice for African writers such as Lewis Nkosi and Ezekiel Mphahlele. Mphahlele wrote Down Second Avenue (1959), an autobiographical account of life in one of Johannesburg's African townships, and Voices in the Whirlwind (1972), a collection of essays about South Africa. Other writers who gained prominence in the 1950s and 60s include Jack Cope, Nadine Gordimer, Frans Ventner, Bessie Head, Dan Jacobson, Peter Abrahams, Alex La Guma, Sonya Rollnick, Laurens Van Der Post, David Lytton, and Athol Fugard. Many of these writers deal with the conditions of apartheid in South Africa. In the 1970s and 80s writers such as Miriam Tlali, Dennis Brutus, and J. M. Coetzee gained recognition for their eloquent protests of their racially segregated society.

See South African Writing Today, ed. by N. Gordimer and L. Abrahams (1967); S. Gray, South African Literature (1979); U. A. Barnett, A Vision of Order: A Study of Black South African Literature in English, 1914–1980 (1983).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

Southern African Literatures
Michael Chapman.
Longman, 1996
Midfielder's Moment: Coloured Literature and Culture in Contemporary South Africa
Grant Farred; Paul Smith.
Westview Press, 2000
Periodization in South African Literature
Loflin, Christine.
CLIO, Vol. 26, No. 2, Winter 1997
The Backward Glance: History and the Novel in Post-Apartheid South Africa
Gallagher, Susan Vanzanten.
Studies in the Novel, Vol. 29, No. 3, Fall 1997
PEER-REVIEWED PERIODICAL
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Apartheid and Beyond: South African Writers and the Politics of Place
Rita Barnard.
Oxford University Press, 2007
Writing Woman, Writing Place: Contemporary Australian and South African Fiction
Sue Kossew.
Routledge, 2004
The Politics of Race, Class, and Nationalism in Twentieth-Century South Africa
Shula Marks; Stanley Trapido.
Longman, 1987
Librarian’s tip: Chap. Three "Building a Nation from Words: Afrikaans Language, Literature and Ethnic Identity, 1902-1924"
A Book of South African Verse
Guy Butler.
Oxford University Press, 1959
Colonization, Violence, and Narration in White South African Writing: André Brink, Breyten Breytenbach, and J.M. Coetzee
Rosemary Jane Jolly.
Ohio University Press, 1996
African Visions: Literary Images, Political Change, and Social Struggle in Contemporary Africa
Cheryl B. Mwaria; Silvia Federici; Joseph McLaren.
Praeger Publishers, 2000
Librarian’s tip: Chap. 14 "Developmental Pleasures, Education, Entertainment, and Popular Literacy in South Africa"
Challenge and Response: The Changing Face of Theater in South Africa
Brink, Andre.
Twentieth Century Literature, Vol. 43, No. 2, Summer 1997
Crossing Boundaries: The Genesis of the Township Plays
Walder, Dennis.
Twentieth Century Literature, Vol. 39, No. 4, Winter 1993
English Postcoloniality: Literatures from around the World
Radhika Mohanram; Gita Rajan.
Greenwood Press, 1996
Librarian’s tip: "South African Writing in English" begins on p. 53
Shakespeare and South Africa
David Johnson.
Clarendon Press, 1996
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