Horatio Alger

Investigating the persistence and place of the formulas of Horatio Alger in American politics, The Fictional Republic reassesses the Alger story in its Gilded Age context. Carol Nackenoff argues that Alger was a keen observer of the dislocations and economic pitfalls of the rapidly industrializing nation, and devised a set of symbols that addressed anxieties about power and identity. As classes were increasingly divided by wealth, life chances, residence space, and culture, Alger maintained that Americans could still belong to one estate. The story of the youth who faces threats to his virtue, power, independence, and identity stands as an allegory of the American Republic. Nackenoff examines how the Alger formula continued to shape political discourse in Reagan's America and beyond.

In this book, Glenn Hendler explores what he calls the "logic of sympathy" in novels by Walt Whitman, Louisa May Alcott, T. S. Arthur, Martin Delany, Horatio Alger, Fanny Fern, Nathaniel Parker Willis, Henry James, Mark Twain, and William Dean Howells. For these nineteenth-century writers, he argues, sympathetic identification was not strictly an individual, feminizing, and private feeling but the quintessentially public sentiment -- a transformative emotion with the power to shape social institutions and political movements.

Uniting current scholarship on gender in nineteenth-century American culture with historical and theoretical debates on the definition of the public sphere in the period, Hendler shows how novels taught diverse readers to "feel right", to experience their identities as male or female, black or white, middle or working class, through a sentimental, emotionally based structure of feeling. He links novels with such wide-ranging cultural and political discourses as the temperance movement, feminism, and black nationalism. Public Sentiments demonstrates that, whether published for commercial reasons or for higher moral and aesthetic purposes, the nineteenth-century American novel was conceived of as a public instrument designed to play in a sentimental key.

The story of the American self-made man carries a perennial interest in American literature and cultural studies. This book expands the study of such stories to include the writings of Frederick Douglass, Horatio Alger and James Weldon Johnson, and the work of silent comedians like Charlie Chaplin, Harold Lloyd and Buster Keaton. Thomas Nissley examines the number of texts, from Reconstruction-era autobiographies to the films of the 30s, to show the sustained market value of status and personal authenticity in the era of contract and free labour.

Hartz’s influential interpretation of american political thought since the Revolution. He contends that americanca gave rise to a new concept of a liberal society, a “liberal tradition” that has been central to our experience of events both at home and abroad. New Introduction by Tom Wicker; Index.