Margaret Mitchell

Mitchell, Margaret - 1900–1949, American novelist, b. Atlanta, Ga. Her one novel, Gone with the Wind (1936; Pulitzer Prize), a romantic, panoramic portrait of the Civil War and Reconstruction periods in Georgia, is one of the most popular novels in the history of American publishing. The film adaptation (1939) has also been extraordinarily successful.

The Columbia Encyclopedia, Sixth

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Margaret Mitchell

1 .

Recasting: Gone with the Wind in American Culture
by Darden Asbury Pyron. 234 pgs.

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This collection of essays comments on the pre-World War II culture of the United States, when David O. Selznick produced

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Contents

Preface

Introduction

One the Critical Setting

The Civil War in Georgia's Red Clay Hills

Going with the Wind

The Case of the Cool Reception

Two Gone with the Wind as Art

"A Striking Resemblance to A Masterpiece": Gone with the Wind in 1936

Helen Deiss Irvin Gea in Georgia: A Mythic Dimension in Gone with the Wind

The Company of Giants

Scarlett O'Hara and the Two Quentin Compsons

"The Bad LIttle Girl of the Good Old Days": Gender, Sex, and the Southern Social Order

Gone with the Wind as History Three

From the Clansman and Birth of A Nation to Gone with the Wind: the Loss of American Innocence

Winds of Change: Gone with the Wind and Racism as A National Issue

Race, Romance, and the Southern LIterary Tradition

The "Simple Story'S" Ideology: Gone with the Wind and the New South Creed

The Inner War of Southern History

Index
2 .

Insatiable Appetites: Twentieth-Century American Women's Bestsellers (Chap. 1 "Gone with the Wind: 'And the Cupboard Was Bare'")
by Madonne M. Miner. 168 pgs.

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Recent Titles in Contributions in Women's Studies

Contents

Acknowledgments

Introduction: "Guaranteed to Please the Female Reader"

Notes

1: Gone with the Wind: And the Cupboard Was Bare""

Notes

2: Forever Amber: Swollen Up like a Stuffed Toad""

Notes

3: Peyton Place: The Uses--And Abuses--Of Enchantment""

Notes

4: Valley of the Dolls: Wow! What an Orgy!""

Notes

5: Scruples: It's as Addictive as Chocolate""

Notes

Conclusion

Notes

Bibliography

Index

About the Author
3 .

American Women Fiction Writers, 1900-1960, Vol. Two ("Margaret Mitchell, 1900-1949" begins on p. 88)
by Harold Bloom. 176 pgs.

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Part of an ongoing series covering the texts and lives of the most important women writers of English, this book contains introductory essays by Harold Bloom and provides biographical information, a wide selection of critical excerpts, and complete bibliographies of 11 authors.

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American Women Fiction Writers 1900-1969 Volume Two

Contents

The Analysis of Women Writers

Introduction

Pauline Elizabeth Hopkins 1859-1930

Zora Neale Hurston 1851-1960

Shirley Jackson 1919-1965

Nella Larsen 1851-1964

Mary Mccarthy 1912-1989

Carson Mccullers 1917-1967

Margaret Mitchell 1900-1949

AnaÏs Nin 1903-1977

Flannery O'Connor 1925-1964

Dorothy Parker 1893-1967

Ann Petry 0. 1908

Index
4 .

Fifty Southern Writers after 1900: A Bio-bibliographical Sourcebook ("Margaret Mitchell (1900-1949)" begins on p. 324)
by Joseph M. Flora, Robert Bain. 630 pgs.

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..."The scholarship is meticulous and the essays are lucid and perceptive..." Library Journal

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Copyright Acknowledgments

Contents

Introduction

James Agee (1909-1955)

Bibliography

A. R. Ammons (1926- )

Bibliography

John Barth (1930- )

Bibliography

Hamilton Basso (1904-1964)

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Doris Betts (1932- )

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John Peale Bishop (1892-1944)

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James Branch Cabell (1879-1958)

Erskine Caldwell (1903- )

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Truman Capote (1924-1984)

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Donald Grady Davidson (1893-1968)

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James Dickey (1923- )

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Ralph Ellison (1914- )

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William Faulkner (1897-1962)

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John Gould Fletcher (1886-1950)

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Shelby Foote (1916- )

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Ernest J. Gaines (1933- )

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Ellen Glasgow (1873-1945)

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Caroline Gordon (1895-1981)

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Shirley Ann Grau (1929- )

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Paul Green (1894-1981)

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Lillian Hellman (1905-1984)

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Zora Neale Hurston (1891-1960)

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Randall Jarrell (1914-1965)

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James Weldon Johnson (1871-1938)

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Andrew Lytle (1902- )

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Carson McCullers (1917-1967)

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H. L. Mencken (1880-1956)

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Margaret Mitchell (1900-1949)

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Flannery O'Connor (1925-1964)

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Walker Percy (1916- )

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Katherine Anne Porter (1890-1980)

William Sydney Porter [O. Henry] (1862-1910)

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Reynolds Price (1933- )

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John Crowe Ransom (1888-1974)

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Marjorie Kinnan Rawlings (1896-1953)

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Elizabeth Madox Roberts (1881-1941)

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Elizabeth Spencer (1921- )

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Jesse Stuart (1906-1984)

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William Styron (1925- )

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Allen Tate (1899-1979)

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Peter Taylor (1917- )

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Jean Toomer (1894-1967)

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Anne Tyler (1941- )

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Robert Penn Warren (1905- )

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Eudora Welty (1909- )

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Tennessee (Thomas Lanier) Williams (1911-1983)

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Thomas Wolfe (1900-1938)

Bibliography

Richard Wright (1908-1960)

Bibliography

Stark Young (1881-1963)

Index

Contributors
5 .

American Women Writers, 1900-1945: A Bio-bibliographical Critical Sourcebook ("Margaret Mitchell (1900-1949)" begins on p. 240)
by Laurie Champion, Emmanuel S. Nelson. 412 pgs.

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Women writers have been traditionally excluded from literary canons, not until recently have scholars begun to rediscover or discover neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945, a period that embraces two major artistic movements, Modernism and the Harlem Renaissance. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a review of the author's critical reception, and extensive primary and secondary bibliographies. The volume reflects the diversity of American culture through its coverage of African American, Native American, Mexican American, and Chinese American women writers.

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Contents

Preface

Introduction

Bess Streeter Aldrich (1881-1954)

Gertrude Atherton (1857-1948)

Mary Hunter Austin (1868-1934)

Djuna Barnes (Lydia Steptoe) (1892-1982)

Elizabeth Bishop (1911-1979)

Louise Bogan (1897-1970)

Marita Odette Bonner (1898-1971)

Kay Boyle (1902-1992)

Pearl S. Buck (1892-1973)

Fabiola Cabeza de Baca Gilbert (1894-1991)

Willa Cather (1873-1947)

Anita Scott Coleman (1890-1960)

Rachel Crothers (1878-1958)

H. D. (Hilda Doolittle) (1886-1961)

Alice Maude Ewell (1860-1946)

Jessie Redmon Fauset (1882-1961)

Edna Ferber (1885-1968)

Dorothy Canfield Fisher (1879-1958)

Zona Gale (1874-1938)

Ellen Glasgow (1873-1945)

Susan Keating Glaspell (1876-1948)

Jovita GonzÁLez de Mireles (1904-1983)

Caroline Gordon (1895-1981)

Lillian Hellman (1905-1984)

Zora Neale Hurston (1891-1960)

Cleofas M. Jaramillo (1878-1956)

Georgia Douglas Camp Johnson (1877-1966)

Nella Larsen (1891-1964)

Margery Latimer (1899-1932)

Amy Lowell (1874-1925)

Mina Loy (1882-1966)

Clare Boothe Luce (1903-1987)

Mabel Dodge Luhan (1879-1962)

Carson Mccullers (1917-1967)

Edna St. Vincent Millay (1892-1950)

Margaret Mitchell (1900-1949)

Marianne Moore (1887-1972)

Mourning Dove (Hum-Um-Ishu-Mau) [Christine Quintasket] (1882?-1936)

Josephina Niggli (1910-1983)

Flannery O'Connor (1925-1964)

Dorothy Parker (1893-1967)

Katherine Anne Porter (1890-1980)

Marjorie Kinnan Rawlings (1896-1953)

Lola Ridge (1873-1941)

Elizabeth Madox Roberts (1881-1941)

Dorothy Scarborough (1878-1935)

Anne Spencer (1882-1975)

Gertrude Stein (1874-1946)

Gene Stratton-Porter (1863-1924)

Sui Sin Far (Edith Maude Eaton) (1865-1914)

Genevieve Taggard (1894-1948)

Sara Teasdale (1884-1933)

Eudora Alice Welty (1909-)

Dorothy West (1907-1998)

Edith Wharton (1862-1937)

Elinor Wylie (1885-1928)

Anzia Yezierska (1883?-1970)

Zitkala-šA (Gertrude Simmons Bonninu) (1876-1938)

Selected Bibliography

Index

About the Editor and Contributors
6 .

Women in Literature: Reading through the Lens of Gender ("What It Means to Be a Lady: Margaret Mitchell's Gone with the Wind (1936)" begins on p. 118)
by Jerilyn Fisher, Ellen S. Silber. 358 pgs.

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This unique reference offers alternate approaches to reading traditional literature, as well as suggestions for expanding the canon to include more gender sensitive works. Covering 96 of the most frequently taught works of fiction, essays offer teachers, librarians, and students fresh insights into the female perspective in literature.

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Contents

Foreword

Preface

Introduction

Women’s Roles and Influence in Mark Twain’s the Adventures of Huckleberry Finn (1885)

The War against the Feminine: Erich Maria Remarque’s All Quiet on the Western Front (1929)

Doctor She! Helena and Sisterhood in William Shakespeare’s All’s Well That Ends Well (ca. 1602–1603)

For Further Reading

Mother, Wife, Fallen Woman: Marital Choice in Leo Tolstoy’s Anna Karenina (1877)

Young Lady or slut: Identity and Voice in Jamaica Kincaid’s Annie John (1983)

Righteous Activist or Confrontational Madwoman: Sophocles’ Antigone (441 B.C.E.)

Work Cited

Female Resistance to Gender Conformity in Kate Chopin’s the Awakening (1899)

For Further Reading

Mothers and Children in Barbara Kingsolver’s the Bean Trees (1988)

William Faulkner’s Male Myth: the Bear (1942)

More Than Skin Deep: Robin Mckinley’s Beauty: a Retelling of the Story of Beauty and the Beast (1978)

Sylvia Plath’s the Bell Jar: Trapped by the Feminine Mystique (1963)

Toni Morrison’s Beloved (1987): Maternal Possibilities, Sisterly Bonding

Richard Wright’s Black Boy (1945, 1991) and Black Women

Works Cited

Culture, Tradition, Family: Gender Roles in Rudolfo Anaya’s Bless Me, Ultima (1972)

Girls into Women: Culture, Nature, and Self-Loathing in Toni Morrison’s the Bluest Eye (1970)

Founding Women’s History: Christine de Pizan Writes the Book of the City of Ladies (1405)

Works Cited

A Dystopic Vision of Gender in Aldous Huxley’s Brave New World (1932)

An Immigrant Girl’s Quest for the American Dream in Anzia Yezierska’s Bread Givers (1925)

For Further Reading

As My Mother’s Daughter: Breath, Eyes, Memory by Edwidge Danticat (1994)

Non-Conformists and Traditionalists: Buchi Emecheta’s the Bride Price (1976)

The Symbolic Annihilation of Women in Jack London’s the Call of the Wild (1904)

Geoffrey Chaucer’s Canterbury Tales: Gender in the Middle Ages (ca. 1388–1400)

Sex, Violence, and Peter Pan: J.D.Salinger’s the Catcher in the Eye (1951)

Paths to Liberation in Alice Walker’s the Color Purple (1982)

The Women in Fyodor Dostoevsky’s Crime and Punishment (1866)

Witch-Hunting, Thwarted Desire, and Girl Power: Arthur Miller’s the Crucible (1953)

A Nice Girl Ought to Know! Henry James’ Daisy Miller (1878)

Redefining Female Absence in Arthur Miller’s Death of a Salesman (1949)

Black and White Womanhood in Sherley Anne Williams’ Dessa Rose: Mammies, Ladies, Rebels (1986)

Work Cited

Anne Frank’s the Diary of a Young Girl: Writing a Self—the Female Adolescent Voice (1952)

For Further Reading

The Slammed Door That Still Reverberates: Henrik Ibsen’s a Doll’s House (1879)

Frozen Lives: Edith Wharton’s Ethan Frome (1911)

Catherine Barkley: Ernest Hemingway’s a Farewell to Arms (1929)

The Invisible Black Female Artist in Alice Childress’ Florence (1950)

For Further Reading

Daring Creation: Mary Shelley’s Frankenstein (1818, Revised 1831)

Shattered Rainbows in Translucent Glass: Tennessee Williams’ the Glass Menagerie (1945)

What It Means to Be a Lady: Margaret Mitchell’s Gone with the Wind (1936)

Works Cited

Patriarchy and Property: Women in Pearl S.Buck’s the Good Earth (1931)

No Expectations at All: Women in Charles Dickens’ Great Expectations (1861)

Works Cited

Beautiful Fools and Hulking Brutes: F.Scott Fitzgerald’s the Great Gatsby (1925)

Reading between the Lines: Connecting with Gertrude and Ophelia in William Shakespeare’s Hamlet (ca. 1600)

Freedom Reconsidered: Margaret Atwood’s the Handmaid’s Tale (1985)

Work Cited

When Women Shape the World: Charlotte Perkins Gilman’s Herland (1915)

Works Cited

Girls and Women in Sandra Cisneros’ the House on Mango Street (1984)

Living in a Borderland: Cultural Expectations of Gender in Julia Alvarez’ How the García Girls Lost Their Accents (1991)

A Song of Freedom: Maya Angelou’s I Know Why the Caged Bird Sings (1969)

Good Mother, Bad Mother in Joanne Greenberg’s I Never Promised You a Rose Garden (1964)

Bobbie Ann Mason’s in Country (1985): a Girl’s Quest for Her Father and Herself

The Invisible Women in Ralph Ellison’s Invisible Man (1952)

Works Cited

Be True to Yourself: Charlotte Brontë’s Jane Eyre (1847)

Thinking Different in Amy Tan’s the Joy Luck Club (1989)

Gender Bending: Ursula le Guin’s the Left Hand of Darkness (1969)

What a Teacher Learns: Ernest J.Games’ a Lesson before Dying (1993)

Works Cited

The Foreignness of Femininity in Joseph Conrad’s Lord Jim (1900)

Boys’ Club—no Girls Allowed: Absence as Presence in William Golding’s Lord of the Flies (1954)

Unnatural: Women in William Shakespeare’s Macbeth (ca. 1606)

Emma Rouault Bovary: Gendered Reflections in Madame Bovary by Gustave Flaubert (1857)

(Re)surfacing Main Street (1920) by Sinclair Lewis

Critiquing “the We of Me”: Gender Roles in Carson Mccullers’ the Member of the Wedding (1946)

Works Cited

Beauty and Gender in Alix Kates Shulman’s Memoirs of an Ex-Prom Queen (1972)

Where No Role Fits: Maggie’s Predicament in George Eliot’s the Mill on the Floss (1860)

For Further Reading

Herman Melville’s Moby-Dick: Epic Tale of Male Destruction (1851)

For Further Reading

Images of Possibility: Gender Identity in Willa Cather’s My Àntonia (1918)

Work Cited

The Good Woman: Kamala Markandaya’s Nectar in a Sieve (1954)

Boyhood Unraveled: Elie Wiesel’s Night (1960)

Sexuality as Rebellion in George Orwell’s 1984 (1949)

Homer’s Odyssey: “the Iliad’s Wife” (ca. 700 B.C.E.)

Jocasta and Her Daughters: Women in Sophocles’ Oedipus Rex (ca. 430 B.C.E.)

Women Stripped of Humanity: John Steinbeck’s of Mice and Men (1937)

Role Traps in Ken Kesey’s One Flew over the Cuckoo’s Nest (1962)

Under the Burden of Yellow Peril: Race, Class, and Gender in Yoshiko Uchida’s Picture Bride (1987)

For Further Reading

Woman and Art in James Joyce’s a Portrait of the Artist as a Young Man (1916)

Truths Universally Acknowledged: Stereotypes of Women in Jane Austen’s Pride and Prejudice (1813)

Undue Influence in Muriel Spark’s the Prime of Miss Jean Brodie (1961)

Exploring the Gender Puzzle of George Bernard Shaw’s Pygmalion (1912)

Work Cited

Seasoned with Quiet Strength: Black Womanhood in Lorraine Hansberry’s a Raisin in the Sun (1959)

Heroism against the Odds: William Shakespeare’s Romeo and Juliet (ca. 1599)

Molly Bolts and Lifelines: Rita Mae Brown’s Ruby Fruit Jungle (1973)

A as Hester’s Autonomy in Nathaniel Hawthorne’s the Scarlet Letter (1850)

Female Freedom in Other Places and Inner Spaces: Suzanne Fisher Staples’ Shabanu: Daughter of the Wind (1989)

For Further Reading

Gender in Silas Marner by George Eliot (1861)

Empowerment through Writing in Mariama Bâ’s So Long a Letter (1979)

Wearing “her Favour in the Battle”: the “go-Between” in D.H. Lawrence’s Sons and Lovers (1913)

Riding Tennessee Williams’ a Streetcar Named Desire (1947)

Agent or Victim: Thomas Hardy’s Tess of the D’urbervilles (1891)

An African-American Woman’s Journey of Self-Discovery in Zora Neale Hurston’s Their Eyes Were Watching God (1937)

Fragmenting Culture, Fragmenting Lives: Chinua Achebe’s Things Fall Apart (1959)

Just a Lady: Gender and Power in Harper Lee’s to Kill a Mockingbird (1960)

Women Righting Wrongs: Morality and Justice in Susan Glaspell’s Trifles (1916)

For Further Reading

For Such as We Are Made Of, Such We Be: the Construction of Gender in William Shakespeare’s Twelfth Night, or What You Will (first Performed 1602)

Work Cited

The Power of Mothers in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852)

A Chinese-American Woman Warrior Comes of Age: Maxine Hong Kingston’s the Woman Warrior: Memoirs of a Girlhood among Ghosts (1976)

The Will to Survive in Gloria Naylor’s the Women of Brewster Place (1982)

Procrustean Bed: Gender Roles in Emily Brontë’s Wuthering Heights (1847)

Negotiating Tight Spaces: Women in Michael Dorris’ a Yellow Raft in Blue Water (1988)

Index of Literary Works by Author

Subject Index

About the Editors and Contributors
7 .

Scarlett O'Hara as Confederate Woman, in West Virginia University Philological Papers
by Katherine Lane Antolini. 13 pgs.

Journal Article

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