Maya Angelou

The moving and beautiful autobiography of a talented black woman. ". . . I have no words for this achievement, but I know that not since the days of my childhood . . . have I found myself so moved . . . Her portrait is a Biblical study of life in the midst of death".--James Baldwin.

Maya Angelou's autobiography I Know Why the Caged Bird Sings was nominated for a National Book Award, yet in 1995 it topped the list of books most frequently challenged in schools and libraries. This interdisciplinary collection of documents and commentary explores the historical and social context, as well as the contemporary issues and controversies raised by Angelou's autobiography. A rich resource for teachers and students, it will help to enhance the reader's understanding of the historical and social forces that shaped Maya Angelou's experience--race relations in the pre-civil rights South, segregated schools, the African American church, and the African American family. It also examines the issue of childhood sexual abuse, the inclusion of which has been the basis of most of the challenges to the autobiography, and the issue of the work's censorship since its publication.

Maya Angelou's five-volume autobiography transcends the autobiographical tradition, enriching it with contemporary experience, African American vision, and female sensibility. With these five books, Angelou has created a work of epic scope that covers a quarter century of American and African American history, from the beginning of World War II to the civil rights movement. These volumes stretch over time and place, from Arkansas to Africa, as Angelou grows from a confused child in a Southern town to an accomplished adult. Throughout her life journey depicted in the autobiographies, Angelou grapples with the issues of motherhood and race and reveals the struggles of being a black mother in America, extending her perspective in the fourth and fifth volumes to encompass an African setting.

Chronicling the autobiographical tradition in African American literature from the 18th century to the present, this volume features 66 authors from Maya Angelou to Malcolm X. Alphabetized entries, written by expert contributors, include concise biographies, overviews of autobiographical works and themes, reviews of critical receptions, and bibliographies.

A writers' multicultural festival in celebration of motherhood in all its infinite varieties filled with pain, joy, terror, ecstasy, ignorance, wisdom, despair, fulfillment, peace, and wonder.

Memory is astonishing and elusive--its threads intricately woven and infinitely complicated. It makes intelligible the chaos of experience; it feeds our creativity and shapes our daily judgments, our spiritual apprehensions, our desires. It is the essential element of human consciousness, the key to our personality, and the linchpin of our sense of who we are. In The Anatomy of Memory James McConkey has assembled a rich selection of writings that illuminate the nature of memory and the varied roles it plays in our lives. Ranging from the scientific to the humanistic--from "hardwiring" and the complex functions of the brain, to the value of memory in human life--The Anatomy of Memory brings us insights from some of the most revered writers and thinkers of the past and present. We read of St. Augustine's struggle in Confessions to comprehend his memory; of Jung's theory of the collective unconscious; of Lewis Thomas's understanding in The Lives of the Cell of memory at its most basic level, that of the cell. McConkey includes the poetry of Marianne Moore and William Butler Yeats; and excerpts from works as diverse as James Baldwin's Notes of a Native Son, Vladimir Nabokov's Speak, Memory, and Annie Dillard's Teaching a Stone to Talk. Indeed, each of these writers has turned to memory to make sense of his or her own life, to understand the phenomenal world, and to discover the balance only memory can provide. Not least important are McConkey's own extensive introductions to every piece in the book--gems of insight formed by a lifetime of reflection on writers such as Anton Chekhov, E. B. White, Marcel Proust, E. M. Forster, Virginia Woolf, Sigmund Freud, Maya Angelou, William James, Norman Maclean, Eudora Welty, and many others. James McConkey is ideally suited to illuminate the nature of memory. His fiction as well as his non-fiction is in effect a lifelong meditation on memory, on the process by which we come to deeper levels of self-understanding through periodic looks backward at the events that have shaped us, a theme he explored most profoundly in his much-praised Court of Memory. Now, in The Anatomy of Memory, he provides a powerful assessment of the ways memory unifies disparate experiences, creates a synthesis out of chaos, and binds together a self, a family, a culture, and indeed all humanity. That assessment is abetted by the unique structure of this anthology, its six sections building on each other, each contributing to a comprehensive understanding of memory's essential role in human life.

Liberating Literature is, primarily, a bold and revealing book about feminist writers, readers, and texts. But is is also much more than that. Within this volume Maria Lauret manages to look with fresh vision at the American Civil Rights movement of the 1960s; socialist women's writing of the 1930s; the emergence of the New Left; and the second wave women's movement and its cultural practices. Lauret's historicisation of feminist political writing allows for a new definition of the genre, and enables her to illuminate the profound influence and importance of African-American women's writing. Well-grounded historically and theoretically, Liberating Literature speaks about and to a political and cultural tradition, and offers stunning new readings of both familiar and neglected novels within the feminist canon. Reader and students of feminist fiction cannot afford to be without this major new work.