Clifford Odets

Clifford Odets (ōdĕts´), 1906–63, American dramatist, b. Philadelphia. After graduating from high school he became an actor and in 1931 joined the Group Theatre. Turning his attention from acting to playwriting, Odets soon came to be regarded as the most gifted of the American naturalistic social-protest dramatists of the ...

Clifford Odets (ōdĕts´), 1906–63, American dramatist, b. Philadelphia. After graduating from high school he became an actor and in 1931 joined the Group Theatre. Turning his attention from acting to playwriting, Odets soon came to be regarded as the most gifted of the American naturalistic social-protest dramatists of the 1930s. His first work for the Group, Waiting for Lefty (1935), a vernacular, Marxian drama of the awakening and insurgency of the impoverished working classes, aroused immediate international attention. Awake and Sing (1935), his first full-length play and widely considered his best work, compassionately portrays the struggles and rebellion of a financially destitute Jewish-American family. Other plays include Till the Day I Die (1935), Paradise Lost (1935), Golden Boy (1937), Night Music (1939), and Clash by Night (1942). Odets spent many years in Hollywood writing film scripts, e.g., Sweet Smell of Success (1957). In his later plays he turned from social drama to self-conscious dramas of the individual, such as The Big Knife (1949), The Country Girl (1950), and The Flowering Peach (1954).

See The Time is Ripe: The 1940 Journal of Clifford Odets (1988); biographies by E. Murray (1968), G. C. Weales (1971), G. Miller (1989), and M. Brenman-Gibson (2002); studies by M. J. Mendelsohn (1969), H. Cantor (1978, repr. 2000), G. Miller, ed. (1991), and C. J. Herr (2003).