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Read complete books and articles on: African-American Drama
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16 of the Best Books and Articles on: African-American Drama
as selected by Questia librarians
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African-American Performance and Theater History: A Critical Reader
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by Harry J. Elam Jr., David Krasner.
367 pgs.
African-American Performance and Theatre History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two respected scholars in black theater and composed of essays from acknowledged authorities in the field (Joseph Roach and...
African-American Performance and Theatre History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two respected scholars in black theater and composed of essays from acknowledged authorities in the field (Joseph Roach and Henry Louis Gates, Jr. among other), this volume is organized into four sections representative of the ways black theater, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analyzing African-American theater and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theater.
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A Sourcebook of African-American Performance: Plays, People, Movements
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by Annemarie Bean.
362 pgs.
A Sourcebook on African-American Performance is the first volume to consider African-American performance between and beyond the Black Arts Movement of the 1960s and the New Black Renaissance of the 1990s.As with all titles in the Worlds of Performance series, the Sourcebook consists of classic...
A Sourcebook on African-American Performance is the first volume to consider African-American performance between and beyond the Black Arts Movement of the 1960s and the New Black Renaissance of the 1990s.As with all titles in the Worlds of Performance series, the Sourcebook consists of classic texts as well as newly commissioned pieces by notable scholars, writers and performers. It includes the plays 'Sally's Rape' by Robbie McCauley and 'The American Play' by Suzan-Lori Parks, and comes complete with a substantial, historical introduction by Annemarie Bean.Articles, essays, manifestos and interviews included cover topics such as:* theatre on the professional, revolutionary and college stages* concert dance* community activism* step shows* performance art.Contributors include Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.
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Archetypes, Imprecators, and Victims of Fate: Origins and Developments of Satire in Black Drama
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by Femi Euba.
204 pgs.
In searching for a "definitive concept" of black theatre, Euba delves deeply into the Yoruba culture and gods, specifically the attributes and ritual of Esu-Elegbara. The resulting vision goes beyond the standard interpretations to place Esu, the "fate god," squarely at the center of Yoruba ritual...
In searching for a "definitive concept" of black theatre, Euba delves deeply into the Yoruba culture and gods, specifically the attributes and ritual of Esu-Elegbara. The resulting vision goes beyond the standard interpretations to place Esu, the "fate god," squarely at the center of Yoruba ritual and drama, and by extension, at the center of the black writer's concept of character, actor, and audience as victims of fate and satire. This is a sophisticated study that will be of great interest to those seeking to understand African influences on black drama and culture.
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Their Place on the Stage: Black Women Playwrights in America
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by Elizabeth Brown-Guillory.
168 pgs.
"This is the first book-length study of black American women playwrights. It will be useful to scholars in the fields of black and women's literature and an excellent source of background reading in graduate and undergraduate courses on American women playwrights. The author's training as both a...
"This is the first book-length study of black American women playwrights. It will be useful to scholars in the fields of black and women's literature and an excellent source of background reading in graduate and undergraduate courses on American women playwrights. The author's training as both a scholar and a playwright is evident in this book." Choice
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Wines in the Wilderness: Plays by African American Women from the Harlem Renaissance to the Present
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by Elizabeth Brown-Guillory.
251 pgs.
"For those whose familiarity with black women playwrights is limited to the works of Lorraine Hansberry and Ntozake Shange, this collection of 15 plays written between 1925 and 1985 by eight authors will be a revelation. They express a passionate longing for social justice and for a stable...
"For those whose familiarity with black women playwrights is limited to the works of Lorraine Hansberry and Ntozake Shange, this collection of 15 plays written between 1925 and 1985 by eight authors will be a revelation. They express a passionate longing for social justice and for a stable, nurturing relationship between black men and women. Introductions for each author provide biographical information and critical analyses. A useful bibliography of plays and secondary sources is also included. This anthology helps to fill a serious gap in the standard histories of American drama." Library Journal
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Contemporary African American Female Playwrights: An Annotated Bibliography
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by Dana A. Williams.
132 pgs.
Though Lorraine Hansberry's A Raisin in the Sun (1959) raised the world's awareness of the abilities of African American female playwrights, both the theater and the literary world often have neglected to include contemporary African American women dramatists within the circle of production...
Though Lorraine Hansberry's A Raisin in the Sun (1959) raised the world's awareness of the abilities of African American female playwrights, both the theater and the literary world often have neglected to include contemporary African American women dramatists within the circle of production, publication, and criticism. This reference book sheds light on the achievement of these playwrights and directs researchers to studies of their works. The first section includes a selected listing of anthologies that contain one or more plays by an African American female dramatist who has published at least one play since 1959. The second provides entries for reference works and for general and scholarly criticism about the dramatists and their plays. The third gives a selected listing of individual dramatists' published plays, with summaries of each drama; the dramatists' primary works related to drama; and secondary works that treat the dramatists and their plays. Entries are accompanied by concise yet informative annotations. The volume closes with a selected listing of periodicals that typically publish criticism of African American female playwrights, brief biographical sketches of the dramatists, and extensive indexes.
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Langston Hughes, Folk Dramatist in the Protest Tradition, 1921-1943
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by Joseph McLaren.
196 pgs.
Though known primarily as a poet, Langston Hughes crafted well over 40 theatrical works. This book examines Hughes's stage pieces from his first published play, The Gold Piece (1921), through his post-radical wartime effort, For This We Fight (1943). Hughes's stage writing of this period includes...
Though known primarily as a poet, Langston Hughes crafted well over 40 theatrical works. This book examines Hughes's stage pieces from his first published play, The Gold Piece (1921), through his post-radical wartime effort, For This We Fight (1943). Hughes's stage writing of this period includes such forms as the folk comedy, the protest drama, the historical play and the blues opera. McLaren concludes that the "democratic" argument is ultimately employed by Hughes to challenge segregation in the military and that Hughes's iconography prefigures the black aesthetic of the 1960s. Photographs complement the text.
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The African American Theatre Directory, 1816-1960: A Comprehensive Guide to Early Black Theatre Organizations, Companies, Theatres, and Performing Groups
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by Bernard L. Peterson Jr.
312 pgs.
A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes...
A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College.
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