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Alfred Lord Tennyson

Tennyson, Alfred Tennyson, 1st Baron


Alfred Tennyson Tennyson, 1st Baron (tĕn´Ĭsən), 1809–92, English poet. The most famous poet of the Victorian age, he was a profound spokesman for the ideas and values of his times.

Early Life and Works

Tennyson was the son of an intelligent but unstable clergyman in Lincolnshire. His early literary attempts included a play, The Devil and the Lady, composed at 14, and poems written with his brothers Frederick and Charles but entitled Poems by Two Brothers (1827). In his three years at Cambridge, Tennyson wrote a prizewinning poem, Timbuctoo (1829), and Poems, Chiefly Lyrical (1830) and began his close friendship with Arthur Henry Hallam, son of the historian Henry Hallam.

Upon the death of his father in 1831, Tennyson became responsible for the family and its precarious finances. His volume Poems (1832) included some of his most famous pieces, such as "The Lotus-Eaters," "A Dream of Fair Women," and "The Lady of Shalott." In 1833 he was overwhelmed by the sudden death of Hallam.

Mature Works and Later Life

Tennyson's next published work, Poems (1842), expressed his philosophic doubts in a materialistic, increasingly scientific age and his longing for a sustaining faith. The new poems included "Locksley Hall," "Ulysses," "Morte d'Arthur," and "Break, Break, Break." With this book he was acclaimed a great poet, and in addition, he was granted an annual government pension of £200 in 1845.

The Princess (1847) was followed in 1850 by the masterful In Memoriam, an elegy sequence that records Tennyson's years of doubt and despair after Hallam's death and culminates in an affirmation of immortality. The same year saw his appointment as poet laureate and his marriage to Emily Sellwood, whom he had courted since 1836 but had been unable to marry because of his precarious financial position. Occasional poems, such as the "Ode on the Death of the Duke of Wellington" (1852) and "The Charge of the Light Brigade" (1855), were part of his duties as laureate.

The first group of Idylls of the King appeared in 1859; it was expanded in 1869 and 1872, and in 1885 Tennyson added the final poem. He arranged the 12 poems chronologically in 1888 to constitute a somber ethical epic of the glory and the downfall of King Arthur. In the Arthurian legend, Tennyson projected his vision of the hollowness of his own civilization. Included among his other works are Maud (1855), a "monodrama" ; Enoch Arden (1864); several poetic dramas, most notably Becket (1879; produced 1893); Ballads and Other Poems (1880); and Demeter and Other Poems (1889), which contained "Crossing the Bar."

Tennyson passed his last years in comfort. In 1883 he was created a peer and occupied a seat in the House of Lords. Throughout much of his life he was a popular as well as critical success and was venerated by the general public. Unappreciated early in the 20th cent., Tennyson has since been recognized as a great poet, notable for his mastery of technique, his superb use of sensuous language, and his profundity of thought.

Bibliography

See biographies by his son H. Tennyson (4 vol., 1897), his grandson C. Tennyson (1949, repr. 1968), H. L. Fausset (1923, repr. 1968), and P. Levi (1993); studies by J. H. Buckley (1960), C. Ricks (1972), and D. J. Palmer, ed. (1973).

The Columbia Encyclopedia, 6th ed. Copyright© 2012, The Columbia University Press.

Selected full-text books and articles on this topic at Questia

Alfred Lord Tennyson: A Memoir
Hallam Tennyson. Greenwood Press, 1969
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Alfred Tennyson
Charles Tennyson. MacMillan, 1949
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Idylls of the King
Charles W. French; Alfred Tennyson. Macmillan, 1917
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The Princess
Alfred Tennyson. Charles E. Merrill, 1897
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Demeter and Other Poems
Alfred Tennyson. MacMillan, 1889
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The Foresters: Robin Hood and Maid Marian
Alfred Lord Tennyson. MacMillan, 1892
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A Tennyson Handbook
George O. Marshall Jr. Twayne Publishers, 1963
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Tennyson's 'Idylls,' Pure Poetry, and the Market
Felluga, Dino Franco. Studies in English Literature, 1500-1900, Vol. 37, No. 4, Autumn 1997
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Tennyson
Hughes, Linda K. Victorian Poetry, Vol. 41, No. 3, Fall 2003
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Tennyson and the Princess: Reflections of an Age
John Killham. The Athlone Press, 1958
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Anglo-American Antiphony: The Late Romanticism of Tennyson and Emerson
Richard E. Brantley. University Press of Florida, 1994
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Tennyson in America: His Reputation and Influence from 1827 to 1858
John Olin Eidson. The University of Georgia Press, 1943
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Finding the Modern Frames in Tennyson's Final Classical Poems
Markley, A. A. Philological Quarterly, Vol. 78, No. 4, Fall 1999
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Classical Echoes in Tennyson
Wilfred P. Mustard. The Macmillan Company, 1904
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