Dracula (by Bram Stoker)

Take the papers that are with this, the diaries of Harker and the rest, and read them, and then find the great Un-Dead, and cut off his head and burn his heart or drive a stake through it, so that the world may rest from him. Bram Stoker's classics vampire story has haunted and disturbed the modern imagination for a hundred years. Set in Transylvania, London, and Whitby, it pits the sinister but seductive Count Dracula against a team of Vampire-hunters armed only with typewriters, phonographs, and syringes. They must obstruct his plan to conquer London before the forces of madness and depravity overwhelm them all. Vividly presented in the form of diaries and letters, the narrative blends ancient superstitions with modern technologies, and pulsates with obsessive fears of foreignness and sexuality. Blood, information, and hypnotic energy circulate furiously among the characters until he tale reaches its violent climax. This new edition has an introduction and bibliography which draw on the latest scholarship, and detailed notes which explain literary, geographical, and technological allusions in the novel.

This text examines philosophical aspects of horror films from a feminist perspective. It focuses on a select body of films, demonstrating how the genre is capable of deep philosophical reflection about the existence and the nature of evil.

This collection of 22 essays originally presented at the Eighth International Conference on the Fantastic in the Arts contains 7 sections: "Fantasy and Discontinuity," "Theory of National Fantasy--Traditions and Invention," "Fantastic Vision in Children's Literature," "Science Fiction and Fantasy Films," "Fusion, Transfusion, and Transgression in the Fantastic," "The Fantastic and Science," and "The Fantastic World--Space and Time" that address the world of the imaginary, the dream, the uncanny, the paranormal, and all forms of speculative fiction.

This book identifies the origin, the development and, ultimately, the success of the Irish literary tradition in English as one of the first literatures that is both national and colonial. It demonstrates the remarkable relationships between works as diverse as Joyce's Dubliners and Bram Stoker's Dracula, and the worlds of the French Revolution and the Irish famine. Deane also shows how almost all the activities of Irish print culture--novels, songs, typefaces, historical analyses, poems--struggle within the limits imposed by its inheritance.

One hundred years after his creation by Bram Stoker, Dracula is still fascinating us. This study traces the changing nature of film representations of Dracula, from the early silent adaptations to recent popular dramas. Holte suggests that vampire films and Dracula adaptations have become an independent genre, the dark romance, with its own set of narrative conventions and audience expectations combining horror and eroticism. This engaging study provides readers with a natural history of the vampire, an examination of the work of Bram Stoker, a history and analysis of many film adaptations of Dracula, a survey of contemporary criticism and theory, and an extensive annotated bibliography of vampire film, fiction, and criticism.