In this unusual and original study, Marcia Pointon examines the cultural effects and consequences of the participation by women in acts of representation in the late seventeenth and eighteenth centuries. She explores their lives and work, and a cultural environment in which images of female saints...

In this unusual and original study, Marcia Pointon examines the cultural effects and consequences of the participation by women in acts of representation in the late seventeenth and eighteenth centuries. She explores their lives and work, and a cultural environment in which images of female saints and goddesses established indices of femininity in the homes of wealthy men. Did the women portrayed also possess artifacts, and did they use the power of gifts and bequests to determine social relations? Did they themselves participate in the processes of creating images of the seen world? Pointon sets out to answer some of these questions through a series of novel and vividly recounted case studies of women such as Emma Hamilton (wife and mistress), Mary Moser, the artist, and Dorothy Richardson, the antiquarian.

In September 1993, Israel and the PLO signed their first peace treaty; in April 1994, South Africa held its first nonracial elections. Jacqueline Rose argues here for the importance of these two arenas of historic conflict to the English literary and cultural imagination and to the new disciplinary...

In September 1993, Israel and the PLO signed their first peace treaty; in April 1994, South Africa held its first nonracial elections. Jacqueline Rose argues here for the importance of these two arenas of historic conflict to the English literary and cultural imagination and to the new disciplinary boundaries of the humanities today. As in her previous books, her fundamental question is the place of fantasy in public and private identities. But in States of Fantasy she pushes her investigation into what at first glance seem unlikely places. In fact, as she convincingly demonstrates, nowhere demonstrates more clearly than the above regions the need for a psychoanalytically informed understanding of historical process. And nothing makes more visible the unbreakable line that runs between literature and politics than the place of England and its writing in those histories. Her provocative study offers the strongest rebuttal to critics who try to sever the links between the study of literature and culture and the making and unmaking of the modern world.