Graham Greene

Greene, Graham - (Henry Graham Greene), 1904–91, English novelist and playwright. Although most of his works combine elements of the detective story, the spy thriller, and the psychological drama, his novels are essentially parables of the damned. Greene's heroes realize their sins and achieve salvation only through great pain and soul-searching agony. A Roman Catholic convert, he was intensely concerned with the moral problems of humans in relation to God. Some of his novels have been ranked as thrillers, and Greene himself called such works as Stamboul Train (1932; U.S. title, Orient Express) and The Ministry of Fear (1943) "entertainments" to distinguish them from his more serious efforts. His major works, which include Brighton Rock (1938), The Power and the Glory (1940), The Heart of the Matter (1948), and The End of the Affair (1951), mark him as a novelist of high distinction. Greene was a superb journalist, and many of his novels are set in sites of topical journalistic interest: The Quiet American (1955) a prescient account of early American involvement in Vietnam; Our Man in Havana (1958), set in Cuba; A Burnt-Out Case (1961), in the Belgian Congo just before its independence; The Comedians (1966), in François Duvalier's Haiti; and The Captain and the Enemy (1980), in Panama. His fine sense of comedy is displayed in the short-story collection May We Borrow Your Husband? (1967) and the novel Travels with My Aunt (1969). Greene also wrote several plays, including The Living Room (1953) and The Potting Shed (1957), both thinly disguised religious dramas, and The Complaisant Lover (1959), a witty and intelligent play about marriage and infidelity. He is also noted for his short stories, essays, film criticism, and film scripts, including the mystery melodrama The Third Man (1950).

See his autobiographies, A Sort of Life (1971) and Ways of Escape (1980) and his posthumously published A World of My Own: A Dream Diary (1995); biographies by N. Sherry (2 vol., 1989–95) and M. Shelden (1994); studies by H. J. Donaghy (1983), A. A. De Vitis (1986), and J. Meyers, ed. (1990).

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