Aime Cesaire

This work is the first to study the writings of Nicolas Guillen and Aime Cesaire in a comparative framework, exploring their poetry as the exemplification of Negritude art and Caribbean writing. Using non-canonical theories of literary and cultural analysis, Kubayanda proposes and demonstrates an original Caribbean poetics, anchored in Africa's cultural systems and linked to Afro-American protest thought. Focusing on race, culture, roots, and history, the book discusses the relationships between creative writing, the idea of Africa, and the rediscovery of African values in the Caribbean.

There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature.In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike.

Rhetoric is the art of persuasion, whether spoken or written. In the first chapter of Rhetoric: Readings in French Literature, Michael Hawcroft sets out its principles comprehensively and lucidly, providing an easily-consulted outline of key terms and a wide range of illustrative examples. Subsequent chapters explore rhetoric at work in different genres, via close reading of texts which range from the drama of Molière, Racine, and Beckett; Montaigne, Sévigné, and Gide on the self; the prose fiction of Laclos, Zola, and Sarraute; poetry by D'Aubigné, Baudelaire, and Césaire; and the oratory of de Gaulle and Yourcenar. Rhetorical analysis uncovers subtleties and complexities in texts which emerge as exciting dramas of communication. This is at once a handbook of rhetoric and a guide to its application to French texts from the sixteenth century to the present.

This collection examines the role played by theatre in colonial societies and studies post-colonial drama. The contributors are a mix of scholars and practitioners of theatre.

Pan-African History brings together Pan-Africanist thinkers and activists from the Anglophone and Francophone worlds of the past two-hundred years. Included are well-known figures such as Malcolm X, W.E.B. Du Bois, Kwame Nkrumah, and Martin Delany, and the authors' original research on lesser-known figures such as Constance Cummings-John and Dusé Mohammed Ali reveals exciting new aspects of Pan-African activism.