Alexandre Dumas pere
Dumas, Alexandre - älĕksäNˈdrə dümäˈ, known as Dumas pèrepĕr, 1802–70, French novelist and dramatist. His father (an illegitimate son of the marquis de la Pailleterie and a black woman, Louise Cosette Dumas), was a general in the Revolution. Dumas delighted many generations of readers with his highly romantic novels Read More...
Dumas, Alexandre - älĕksäNˈdrə dümäˈ, known as Dumas pèrepĕr, 1802–70, French novelist and dramatist. His father (an illegitimate son of the marquis de la Pailleterie and a black woman, Louise Cosette Dumas), was a general in the Revolution. Dumas delighted many generations of readers with his highly romantic novels immortalizing the adventures of the Three Musketeers and the Count of Monte Cristo. Largely self-educated, Dumas was a flamboyant youth with a gift for storytelling and a penchant for love affairs. At the age of 20 he obtained a minor post with the duc d'Orléans in Paris, and later he was active in the Revolution of 1830. His first successes were the historical dramas Henri III et sa cour (1829), Christine (1830), Antony (1831), and La Tour de Nesle (1832), notable for its evocation of the Middle Ages. After a number of novels, written independently or in collaboration, he produced his great triumphs, The Three Musketeers (1844, tr. 1846) and its sequels—Twenty Years After (1845, tr. 1846) and The Vicomte de Bragelonne (1848–50, tr. 1850?)—and The Count of Monte Cristo (1845, tr. 1846), which in its dramatic version was made famous by James O'Neill. Although these historical novels and their successors, written with the aid of numerous collaborators, especially Auguste Maquet, are scorned by critics, who find them lacking in style and characterization, they have had enormous popularity and have been translated into nearly every language. Among his other works are Queen Margot (1845, tr. 1845), The Lady of Monsoreau (1846, tr. 1847), The Forty-Five (1848), The Black Tulip (1850), and The Journal of Madame Giovanni (tr. 1944). Dumas père's incredible output of novels, travel works, memoirs, and historical studies made him wealthy, but he spent more than he earned on a horde of pensioners at his home, "Monte-Cristo," near Saint-Germain. His memoirs (1852–54) end with the year 1832. He was interested in Italian unification, and among his activities was a part in Garibaldi's expedition in 1860. See studies by F. W. Hemmings (1980) and C. Schopp (1988). The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved. |
Alexandre Dumas pere
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A deceptively simple story and the shortest of Dumas's most famous novels, The Black Tulip (1850) weaves historical events surrounding a brutal murder into a tale of romantic love. Set in Holland in 1672, this timeless political allegory draws on the violence and crimes of history, making a case against tyranny and creating a symbol of justice and tolerance: the fateful tulipa negra.
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Revolution in the Theatre: French Romantic Theories of Drama (Chap. 8 "Alexandre Dumas, the Elder")
by Barry V. Daniels. 254 pgs.
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The Flower and the Castle: An Introduction to Modern Drama (Discussion of Alexandre Dumas pere begins on p. 74)
by Maurice Valency. 468 pgs.
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A Short History of the French Novel: (To the Close of the Nineteenth Century), Vol. 2 (1919) (Chap. VIII "Dumas the Elder")
by George Saintsbury. 588 pgs.
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Literary Criticisms (Discussion of Alexandre Dumas pere begins on p. 392)
by Terence L. Connolly. 617 pgs.
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Two decades have passed since the famous swordsmen triumphed over Cardinal Richelieu and Milady in The Three Musketeers. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is the titanic struggle with the son of Milady who wears the face of evil.
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The Vicomte de Bragelonne opens an epic adventure which continues with Louise de La Valli`ere and reaches its climax in The Man in the Iron Mask. This new edition of the classic translation presents a key episode in the Musketeers saga, fully annotated and with an introduction by a leading Dumas scholar.
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Cyclopedia of World Authors ("Alexandre Dumas pere" begins on p. 319)
by Frank N. Magill, Dayton Kohler. 1204 pgs.
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