Gargantua and Pantagruel (by Francois Rabelais)
Rabelais, FranÇois - răbˈəlā, Fr. fräNswäˈ räblāˈ, c.1490–1553, French writer and physician, one of the great comic geniuses in world literature. His father, a lawyer, owned several estates, including "La Devinière," near Chinon, the presumed birthplace of Rabelais.
Early Life
Becoming a novice
Rabelais, FranÇois - răbˈəlā, Fr. fräNswäˈ räblāˈ, c.1490–1553, French writer and physician, one of the great comic geniuses in world literature. His father, a lawyer, owned several estates, including "La Devinière," near Chinon, the presumed birthplace of Rabelais. Early Life Becoming a novice in a Franciscan monastery early in his life, Rabelais went as a monk to Fontenay-le-Comte. He studied Greek and Latin, as well as science, law, philology, and letters, becoming known and respected by the humanists of his time, including Budé. Harassed because of his humanist studies, Rabelais petitioned Pope Clement VII and received permission to leave the Franciscan order and enter the Benedictine monastery of Maillezais; the monastery's scholarly bishop became his friend and patron. The facts concerning Rabelais's study of medicine are obscure, but it is probable that he studied in Paris and at other universities before receiving (1530) his degree of bachelor of medicine at the Univ. of Montpellier. In 1532 he went to Lyons, then an intellectual center, and there, besides practicing medicine, he edited various Latin works for the printer Sebastian Gryphius. For another publisher he composed burlesque almanacs. Gargantua and Pantagruel At Lyons in 1532 there appeared Gargantua: Les grandes et inestimables cronicques du grand et énorme géant Gargantua, a chapbook collection of familiar legends about the giant Gargantua. Their popularity apparently inspired Rabelais to write a similar history of Pantagruel, son of Gargantua. Pantagruel appeared in 1532 or 1533. His book had great success and he followed it, in 1534, with a romance concerning Pantagruel's father: Gargantua: La vie inestimable du grand Gargantua, père de Pantagruel. The third book of the romance, which differed greatly from the first two, was published in 1546; an incomplete edition of the fourth book appeared in 1548 and a complete one in 1552. After Rabelais's death a fifth book appeared (1562); the question of its authorship remains unsettled. Rabelais's novel is one of the world's masterpieces, a work as gigantic in scope as the physical size of its heroes. Under its broad humor, often ribald, are serious discussions of education, politics, and philosophy. The breadth of Rabelais's learning and his zest for living are evident. Later Life Rabelais made several trips to Rome with his friend Cardinal Jean du Bellay; he lived for a time in Turin with du Bellay's brother, Guillaume. Francis I was for a time a patron of Rabelais. Rabelais apparently spent some time in hiding, threatened with persecution for heresy. Du Bellay's protection saved Rabelais after the condemnation of his novel by the Sorbonne. He taught medicine at Montpellier in 1537 and 1538 and after 1547 became curate of St. Christophe de Jambe and of Meudon, offices from which he resigned before his death in Paris in 1553. Bibliography The classic translation of Rabelais is that of Sir Thomas Urquhart (Books I–II, 1653, Book III, 1693); Books IV and V were translated by P. Motteux. W. F. Smith made a translation of the five books, with other writings (1893, new ed. 1934). More recent translations include those by J. M. Cohen (1955) and J. Le Clercq (1936, repr. 1963). See biographies by J. Plattard (1931, repr. 1969) and A. Tilley (1907, repr. 1970); studies by A. J. Krailsheimer (1963) and D. G. Coleman (1971). The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved. |
Gargantua and Pantagruel (by Francois Rabelais)
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Biting and bawdy, smart and smutty, lofty and low, Gargantua and Pantagruel is fantasy on the grandest of scales, told with an unquenchable thirst for all of human experience. Rabelais's vigorous examination of the life of his times-from bizarre battles to great drinking bouts, from satire on religion and education to matter-of-fact descriptions of bodily functions and desires-is one of the great comic masterpieces of literature.
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Rabelais and the Franciscans (Includes discussion of Gargantua and Pantagruel in multiple chapters)
by A. J. Krailsheimer. 338 pgs.
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Continental Humanist Poetics: Studies in Erasmus, Castiglione, Marguerite de Navarre, Rabelais, and Cervantes (Discussion of Gargantua and Pantagruel begins on p. 182)
by Arthur F. Kinney. 367 pgs.
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A History of French Literature (1912) (Discussion of Gargantua and Pantagruel begins on p. 165)
by C. H. Conrad Wright. 964 pgs.
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Laughter at the Foot of the Cross (Discussion of Gargantua and Pantagruel begins on p. 229)
by M. A. Screech. 356 pgs.
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The Classical Tradition: Greek and Roman Influences on Western Literature (Discussion of Gargantua and Pantagruel begins on p. 181)
by Gilbert Highet. 764 pgs.
This landmark book explores the ways in which the Greco-Roman tradition has shaped modern European and American literature.
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Titans of Literature: From Homer to the Present (1932) ("Rabelais and Medieval Gusto" begins on p. 162)
by Burton Rascoe. 496 pgs.
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Fools and Jesters in Literature, Art, and History: A Bio-Bibliographical Sourcebook ("Francois Rabelais" begins on p. 370)
by Vicki K. Janik, Emmanuel S. Nelson. 552 pgs.
Jesters and fools have existed as important and consistent figures in nearly all cultures. Sometimes referred to as clowns, they are typological characters who have conventional roles in the arts, often using nonsense to subvert existing order. But fools are also a part of social and religious history, and they frequently play key roles in the rituals that support and shape a society's system of beliefs. This reference book includes alphabetically arranged entries for approximately 60 fools and jesters from a wide range of cultures. Included are entries for performers from American popular culture, such as Woody Allen, Charlie Chaplin, and the Marx Brothers; literary characters, such as Shakespeare's Falstaff, Rabelais' Gargantua and Pantagruel, and Singer's Gimpel; and cultural and mythological figures, such as Birbal, the American circus clown, the Native American Coyote, Taishu Engeki of Japan, Hephaestus, Loki the Norse fool, schlemiels and schlimazels, and the drag queen.
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Moderation and Masculinity in Renaissance Marriage Discourse and in Rabelais's Tiers Livre, in The Romanic Review
by Todd W. Reeser. 25 pgs.
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A History of the French Novel (To the Close of the 19th Century), Vol. 1 (Discussion of Gargantua and Pantagruel begins on p. 108)
by George Saintsbury. 494 pgs.
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Father Figures: Genealogy and Narrative Structure in Rabelais (Chap. 3 "Gargantua: Inheriting the Father")
by Carla Freccero. 213 pgs.
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Classics Revisited ("Rabelais: The Adventures of Gargantua and Pantagruel" begins on p. 106)
by Kenneth Rexroth. 214 pgs.
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