E. T. A. Hoffmann
Hoffmann, Ernst Theodor Amadeus - ĕrnst tāˈōdōr ämädāˈoos hôfˈmän, 1776–1822, German romantic novelist and composer, a lawyer. At one time an opera composer and musical director at Bamberg and a gifted music critic, he is most famous as a master of the gothic tale. His stories of madness, grotesquerie Read More...
Read full-text books and articles on:
E. T. A. Hoffmann
-
1.
Authorship as Alchemy: Subversive Writing in Pushkin, Scott, Hoffmann
by David Glenn Kropf. 276 pgs.
-
2.
-
3.
-
4.
-
5.
Composed Composers: Subjectivity in E. T. A. Hoffmann's "Rat Krespel," in Studies in Romanticism
by William Kumbier. 25 pgs.
-
6.
Besonnenheit, Ekphrasis and the Disappearing Subject in E. T. A. Hoffmann's "Die Fermate," in Criticism
by William Kumbier. 15 pgs.
-
7.
-
8.
Aesthetics and Politics at the Song Contest in Wagner's Tannhaauser, in Germanic Review
by Mary A. Cicora. 9 pgs.
-
9.
The Doppelganger: Double Visions in German Literature (Chap. 3 "Hoffmann's Chronic Dualisms")
by Andrew J. Webber. 382 pgs.
-
10.
-
11.
Gothic Writers: A Critical and Bibliographical Guide (Discussion of E. T. A. Hoffmann begins on p. 177)
by Frederick S. Frank, Douglass H. Thomson, Jack G. Voller. 516 pgs.
-
12.
Myths of Poesis, Hermeneusis, and Psychogenesis: Hoffmann, Tagore, and Gilman, in Studies in Short Fiction
by Lansing Evans Smith. 10 pgs.
-
13.
Prosopoetic Compulsion: Reading the Uncanny in Freud and Hoffmann, in Germanic Review
by Adam Bresnick. 19 pgs.
