E. T. A. Hoffmann
Hoffmann, Ernst Theodor Amadeus - ĕrnst tāˈōdōr ämädāˈoos hôfˈmän, 1776–1822, German romantic novelist and composer, a lawyer. At one time an opera composer and musical director at Bamberg and a gifted music critic, he is most famous as a master of the gothic tale. His stories of madness, grotesquerie Read More...
Read full-text books and articles on:
E. T. A. Hoffmann
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Authorship as Alchemy: Subversive Writing in Pushkin, Scott, Hoffmann
by David Glenn Kropf. 276 pgs.
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Edgar Allan Poe and E. T. A. Hoffmann: The Double in "William Wilson" and The Devil's Elixirs, in International Fiction Review
by Patrick Labriola. 9 pgs.
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Composed Composers: Subjectivity in E. T. A. Hoffmann's "Rat Krespel," in Studies in Romanticism
by William Kumbier. 25 pgs.
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Besonnenheit, Ekphrasis and the Disappearing Subject in E. T. A. Hoffmann's "Die Fermate," in Criticism
by William Kumbier. 15 pgs.
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The Hoffmann Connection: Demystification in Angela Carter's 'The Infernal Desire Machines of Dr. Hoffman,' in The Review of Contemporary Fiction
by Peter Christensen. 8 pgs.
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Aesthetics and Politics at the Song Contest in Wagner's Tannhaauser, in Germanic Review
by Mary A. Cicora. 9 pgs.
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The Doppelganger: Double Visions in German Literature (Chap. 3 "Hoffmann's Chronic Dualisms")
by Andrew J. Webber. 382 pgs.
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Gothic Writers: A Critical and Bibliographical Guide (Discussion of E. T. A. Hoffmann begins on p. 177)
by Frederick S. Frank, Douglass H. Thomson, Jack G. Voller. 516 pgs.
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Myths of Poesis, Hermeneusis, and Psychogenesis: Hoffmann, Tagore, and Gilman, in Studies in Short Fiction
by Lansing Evans Smith. 10 pgs.
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Prosopoetic Compulsion: Reading the Uncanny in Freud and Hoffmann, in Germanic Review
by Adam Bresnick. 19 pgs.
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