Sor Juana Ines de la Cruz

Sceptres and Sciences argues convincingly that previous research on the Hispanic Late Baroque has underweighted the ideologies of ethnicity and empire embedded in Cartesianism and French neoclassicism. "... a masterful work of scholarship... should become essential reading in the field of Colonial and Spanish Enlightenment Studies."—Bulletin of Hispanic Studies

This book brings together the portraits and autobiographical texts of six 17th-century Latin American women, drawing on primary sources that include Inquisition and canonization records, confessional and mystic journals, and legal defenses and petitions.

Jean Franco's work as a path-breaking theorist, cultural critic, & scholar has helped to define Latin American studies over the last three decades. In the process, Franco has played a crucial role in developing cultural studies in both the English- & Spanish-speaking worlds. Critical Passions is the first volume to gather a wide-ranging selection of Franco's influential essays. A key participant in the major debates in Latin American studies-beginning with the "boom" period of the 1960s & continuing through debates on ideology & discourse, Marxism, mass culture, & postmodernism-Franco is recognized for her feminist critique of Latin American writing. While her principal books are all readily available, Franco's several dozen articles are dispersed in a variety of periodicals in Latin America, Europe, & the United States. Although many of these essays are considered pioneering & classic, they have never before been collected in a single work. In this volume, Mary Louise Pratt & Kathleen Newman have organized the essays into four interrelated sections: feminism & the critique of authoritarianism, mass & popular culture, Latin American literature from the "boom" onward, & the cultural history of Mexico. As a group, these writings demonstrate Franco's ability to reflect on & judge with equal seriousness all spheres of expression, whether subway graffiti, a fashion manual, or an avant-garde haiku. A bona fide fan of popular & mass media, Franco never allows her critiques to dissolve into the puritanical or reductive; instead, she finds ways to present & debate complex theoretical questions in direct & accessible language. This volume will draw an extensive readership in Latin American, cultural, & women's studies.

Explores the extent and nature of changing roles in the Church. How has feminization impacted language, ethics, ministry, and leadership? Is the Church responding to the involvement of women? Timely, balanced, and fair.

Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides biographical, critical, and bibliographical entries on 64 Catholic women writers from around the world and across the centuries. Each entry is written by an expert contributor and is designed to acquaint the reader with the author, her major works, her Catholic and women's themes, and her critical reception. An introductory essay places the authors in the context and tradition of Catholic writing, and a selected, general bibliography lists works for further reading.

Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and musicians from around the world. Detailed biographical essays place them in a broad historical context, showing how their luminous achievements influenced and guided contemporary and future generations, shaped the internal and external perceptions of their craft, and met the sensibilities of their audience.