Asian Literature

This book represents the first ever published introduction to the comparative study of traditional Asian literatures, embracing three vast literary zones: Arab-Islamic, Indo-South East Asian and Sino-Far Eastern. The aim of the book is to outline the main properties of Asian literatures in the period of 'reflective traditionalism' (the early centuries CE to the first half of the 19th century), when the creation of a vast body of aesthetically significant works was coupled with the emergence of literary self-awareness: when the nature of the creative process, the poetics and functions of the literary works, and the ways of their influence on the reader were thoroughly comprehended and committed to writing for the first time. The book is intended for specialists in Asian literatures, comparative literature, and literary theory, and for students of these topics.

"A superb collection. This pathbreaking book is sure to have wide and lasting interest not only for students of South Asian literature, but for anyone interested in the role of literature in cultural self-definition, conflict and change."--David Damrosch, President, American Comparative Literature Association and editor of "The Longman Anthology British Literature

"This tour-de-force might be not only a landmark in Indian cultural history, but a major accomplishment in the scholarship of global cultures, inviting us to think critically about forms of history and communities of literature."--Walter D. Mignolo, author of "Local Histories/Global Designs: Coloniality, Subaltern Knowledges and Border Thinking

This comprehensive narrative history of Korean literature provides essential information for scholars and students as well as others. Combining history and criticism, the study reflects the latest scholarship and includes an account of the development of all genres. In 25 chapters, it covers twentieth-century poetry, fiction by women, and the literature of North Korea. It will be a major contribution to the field and a study that will remain for many years the primary resource for studying Korean literature.

Literary Radicalism in India situates postcolonial Indian literature in relation to the hugely influential radical literary movements initiated by the Progressive Writers Association and the Indian People's Theatre Association. In so doing, it redresses a visible historical gap in studies of postcolonial India. Through readings of major fiction, pamphlets and cinema, this book also shows how gender was of constitutive importance in the struggle to define 'India' during the transition to independence.

Adopting the concept of diaspora to the experience of people of Indian subcontinental origin dispersed in other areas, Nelson uses this paradigm to analyze Indian expatriate writing. In Reworlding, he has commissioned fourteen critical essays that examine such diverse areas of the diaspora as the South Pacific, the Caribbean, Singapore, Britain, North America, and Africa and such representative writers as Salman Rushdie, V. S. Naipaul, Kamala Markandaya, Bharati Mukherjee, and Raja Rao. Underlying this international body of literature is the haunting presence of India and the anguish of personal loss that generate an aesthetics of "reworlding."

This book offers a variety of scholarly studies in the idea, situation, and definition-including the self-definition-of women in India, from the earliest historical period up to the present day. Both in its range of topics and depth of research, this volume creates a sustained focus that is not presently available in the literature of women in India. Faces of the Feminine in Ancient, Medieval, and Modern India comprises 25 essays contributed by a diverse mix of Indian, Canadian, American, and British women scholars, most of whom have lived in South Asia either for all of their lives or for extended periods. Arranged chronologically, these groundbreaking essays set aside the myths and prejudices that often clutter discussions about women in India. Part I, which is dedicated to the ancient period, defines women's positions as depicted in the sacred law, considers subordinated women in major Hindu epics, describes women's roles in ritual and their understanding of religion, and examines the patriarchal organization of women's lives in Buddhism. Part II begins with an essay on Tantra, a major force in medieval India that influenced both Hinduism and Buddhism and placed women at the center of its sacred rites. Other essays in Part II look at the life and legends of a medieval woman saint poet, the portrayal of a Hindu goddess in medieval Bengal, and the role of women from Mughal harems in decision making. Part III describes the colonial perception of Indian women in the late nineteenth century and shows how women's self-perceptions have been expressed through their art and writing as well as through their political action in the twentieth century. Providing informed and balanced analysis of extensive primary source material, this book will be an essential resource for students of women's lives in India.

These essays, interdisciplinary in their approach, demonstrate the variegation of the religious imagination from the broadest historical and denominational scope. By examining the works of philosophers and theologians, of poets, painters, and novelists - from Saint Mark to Jacques Derrida and from Erasmus, Loyola, and Milton to Rouault and to Andrew Greeley - the essayists seek to answer the question Jesus posed to His disciples: "Who do you say that I am?" and to anticipate the equally contentious query: "How do you say who I am?" The essays together explore the religious imagination through the question of transcendence, using both the age-old Christian imagination and the contemporary world wherein the divisions between religious cultures are less fixed, an age of imaginative permeability where the absence of God is as present as the presence of God.