Elizabeth Barrett Browning

Browning, Elizabeth Barrett - 1806–61, English poet, b. Durham. A delicate and precocious child, she spent a great part of her early life in a state of semi-invalidism. She read voraciously—philosophy, history, literature—and she wrote verse. In 1838 the Barrett family moved to 50 Wimpole St., London. Six years later Elizabeth published Poems, which brought her immediate Read More...

Browning, Elizabeth Barrett - 1806–61, English poet, b. Durham. A delicate and precocious child, she spent a great part of her early life in a state of semi-invalidism. She read voraciously—philosophy, history, literature—and she wrote verse. In 1838 the Barrett family moved to 50 Wimpole St., London. Six years later Elizabeth published Poems, which brought her immediate fame. The volume was a favorite of the poet Robert Browning, and he began to correspond with her. The two fell in love, but their courtship was secret because of the opposition of Elizabeth's tyrannical father. They married in 1846 and traveled to Italy, where most of their married life was spent and where their one son was born. Mrs. Browning threw herself into the cause of Italian liberation from Austria. "Casa Guidi," their home in Florence, is preserved as a memorial. Happy in her marriage, Mrs. Browning recovered her health in Italy, and her work as a poet gained in strength and significance. Her greatest poetry, Sonnets from the Portuguese (1850), was inspired by her own love story. Casa Guidi Windows (1851), on Italian liberty, and Aurora Leigh (1857), a novel in verse, followed. During her lifetime Mrs. Browning was considered a better poet than her husband. Today her life and personality excite more interest than her work. Although as a poet she has been criticized for diffuseness, pedantry, and sentimentality, she reveals in such poems as "The Cry of the Children" and some of the Sonnets from the Portuguese a highly individual gift for lyric poetry.

Bibliography

See The Letters of Robert Browning and Elizabeth Barrett Browning, 1845–46 (1899, new ed. 1930); R. Besier, The Barretts of Wimpole Street (1930), the most popular dramatization of the Brownings' love story; biographies by G. B. Taplin (1957), I. C. Clarke (1929, repr. 1970), and M. Forster (1989); The Courtship of Elizabeth Barrett and Robert Browning (1985) by D. Karlin; studies by H. Cooper (1988) and G. Stephenson (1989); bibliography by W. Barnes (1967).

The Columbia Encyclopedia, Sixth Edition Copyright© 2004, Columbia University Press. Licensed from Lernout & Hauspie Speech Products N.V. All rights reserved.

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Elizabeth Barrett Browning

1.

Aurora Leigh
by Elizabeth Barrett Browning, Kerry McSweeney. 416 pgs.

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Aurora Leigh, now available in the first critically edited and fully annotated edition for almost a century, is the foremost example of the mid-nineteenth century poem of contemporary life. It is an amazing verse novel which provides a panoramic view of the early Victorian age in London. The dominant presence in the work however, is the narrator Aurora Leigh, as she develops her ideas on art, love, God, the "Woman Question", and society.

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Title Page

Acknowledgements

Contents

Introduction

Note on the Text

Select Bibliography

A Chronology of Elizabeth Barrett Browning

Dedication to John Kenyon,* Esq.

Book I

Book II

Book III

Book IV

Book V

Book VI

Book VII

Book VIII

Book IX

Explanatory Notes
2.

Sonnets from the Portuguese
by Elizabeth Barrett Browning. 85 pgs.

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Sonnets from the Portuguese

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

Xxxn

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

Xxxlx

XL

XLI

XLII

XLIII

XLIV

Other Books in This Series

Other Books in This Series
3.

The Poems of Elizabeth Barrett Browning
by Elizabeth Barrett Browning. 554 pgs.

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Title Page

Dedication

Preface

Contents

Memoir

A Drama of Exile

The Seraphim

A Vision of Poets

The Poet's Vow

Thee Romaunt of Margret

Isobel's Child

The Romaunt of the Page

The Lay of the Brown Rosary

A Romance of the Ganges

Rhyme of the Duchess May

The Romance of the Swan's Nest

Bertha in the Lane

Lady Geraldine's Courtship

The Runaway Slave at Pilgrim's Point

The Cry of the Children

A Child Asleep

The Fourfold Aspect

Night and the Merry Man

Earth and Her Praisers

The Virgin Mary to the Child Jesus

An Island

The Soul's Travelling

To Bettine,

Man and Nature

A Sea-Side Walk

The Sea-Mew

The Sea-Mew

L. E. L.'s Last Question

Crowned and Wedded

Crowned and Buried

To Flush, My Dog

The Lost Bower

The Deserted Garden

My Doves

Hector in the Garden

Sleeping and Watching

A Song against Singing

Wine of Cyprus

A Lay of the Early Rose

The Cry of the Human

A Sabbath Morning at Sea

A Flower in a Letter

The Mask

Calls on the Heart

Wisdom Unapplied

Memory and Hope

Human Life's Mystery

A Child's Thought of God

The Claim

Life and Love

Insufficiency

Insufficiency

A Dead Rose

The Exile's Return

The Sleep

A Supplication for Love.The Poems Marked with an Asterisk Were Omitted by Mrs. Browning in Her 1856 Edition. They Are Now Restored

The Mediator

The Weeping Saviour.

The Measure

Cowper's Grave

Sounds

The Weakest Thing

The Pet-Name

The Mourning Mother

A Valediction

Lessons from the Gorse

A Woman's Shortcomings

The Lady's Yes

A Man's Requirements

Change upon Change

That Day

A Reed

The Dead Pan

Catarina to Camoens;

The Young Queen.

Victoria's Tears.

Vanities.

The Little Friend.

The Student.

Stanzas.

Sonnets

The Seraph and Poet

The Seraph and Poet

Consolation

Bereavement

To Mary Russell Mitford

On a Portrait of Wordsworth by R. B. Haydon

Past and Future

Irreparableness

Grief

Tears

Comfort

Substitution

Perplexed Music

Work

Futurity

The Meaning of the Look

Work and Contemplation

Flush or Faunus

An Apprehension

Patience Taught by Nature

Exaggeration

To George Sand

The Prisoner

Two Sketches

Mountaineer and Poet

Hiram Powers's Greek Slave

The Poet

Life

Love

The Prospect

Heaven and Earth

Hugh Stuart Boyd

Hugh Stuart Boyd

Future and Past

Future and Past

Early Poems. 1826-1833

To My Father on His Birthday

Spenserian Stanzas

Verses to My Brother

Stanzas on the Death of Lord Byron

Memory

To----

Stanzas

The Past

The Prayer

On a Picture of Riego's Widow

The Dream

Riga's Last Song

The Vision of Fame

The Tempest

A Sea-Side Meditation

A Vision of Life and Death

Earth

The Picture Gallery at Penshurst

The Picture Gallery at Penshurst

To a Poet's Child

Minstrelsy

To the Memory of Sir Uvedale Price, Bart

The Autumn

The Death-Bed of Teresa del Riego

To Victoire, on Her Marriage

To a Boy

Epitaph

The Image of God

The Appeal

Idols

Hymn

Weariness

Translations

Prometheus Bound

A Lament for Adonis

The Daughters of Pandarus

Song of the Rose

Another Version

Sonnets from the Portuguese

Index of First Lines
4.

Elizabeth Barrett Browning (1930)
by Louise Schutz Boas. 216 pgs.

Book

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Title Page

List of Illustrations

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI
5.

The Life of Elizabeth Barrett Browning
by Gardner B. Taplin. 488 pgs.

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Title Page

Preface

Contents

Illustrations

1: Early Years at Hope End

2: Loss of Hope End

3: Sojourn in Sidmouth

4: First Stay in London: "The Seraphim"

5: Tragedy at Torquay

6: Return to Wimpole Street

7: Frienship and Literary Activities

8: Poems of 1844

9: Robert Browning

10: Engagement and Marriage

12: Italian Affairs and "Casa Guidi Windows"

13: Poems of 1850

14: England and Paris, 1851-52

15: Florence, Bagni Di Lucca, and Rome

16: England and Paris, 1855-56

17: Aurora Leigh

18: War Again in Italy "Poems before Congress"

19: Last Poems and Final Illness

20: Epilogue: a Century of Criticism

Cue Titles

Notes

Bibliography

Index
6.

Barrett Browning's Poetic Vocation: Crying, Singing, Breathing, in Victorian Poetry
by Steve Dillon. 25 pgs.

Journal Article
7.

Love Lost and Found: The Lives of Elizabeth and Robert Browning, in World and I
by Michael Timko. 12 pgs.

Magazine Article
8.

"In Silence like to Death": Elizabeth Barrett's Sonnet Turn, in Victorian Poetry
by Amy Billone. 19 pgs.

Journal Article
9.

Aurora Leigh as Paradigm of Domestic-Professional Fiction, in Philological Quarterly
by Sueann Schatz. 27 pgs.

Journal Article
10.

Women's Poetry and Religion in Victorian England: Jewish Identity and Christian Culture (Chap. 3 "Elizabeth Barrett Browning and the 'Hebraic Monster'")
by Cynthia Scheinberg. 275 pgs.

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Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Broadly interdisciplinary, the book's methodology relates to studies in poetics, religious studies, feminist literary criticism, and little-known Anglo-Jewish primary sources.

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Title Page

Contents

Acknowledgments

Chapter 1: Introduction

Chapter 2: Sweet Singers of Israel: Gendered and Jewish Otherness in Victorian Poetics

Chapter 3: Elizabeth Barrett Browning and the “hebraic Monster”

Chapter 4: Christina Rossetti and the Hebraic Goblins of the Jewish Scriptures

Chapter 5: Udaism Rightly Reverenced: Grace Aguilar's Theological Poetics

Chapter 6: Amy Levy and the Accents of Minor(ity) Poetry

Notes

Bibliography

Index
11.

Desiring Voices: Women Sonneteers and Petrarchism (Chap. 7 "Indeterminacy and the Economy of Love in Sonnets from the Portuguese")
by Mary B. Moore. 298 pgs.

Book

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"How do I love thee? Let me mount the ways", wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese. Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers.
Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects.
Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrachan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labe, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay.

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Title Page

Ad Feminam: Women and Literature

Contents

Ad Feminam: Women and Literature

Acknowledgments

1: Introduction Voicing Desire

2: The Complication of Subjectivity: Petrarch and the Guise of Blindness

3: Body of Light, Body of Matter: Self-Reference as Self-Modeling in Gaspara Stampa

4: Eating Desire and Embracing Error: Louise Labé and the Spectacle of Sappho

5: The Labyrinth of Style: Lady Mary Wroth and the Idea of Petrarchism

6: Charlotte Smith and the Echoes of Melancholy

7: Indeterminacy and the Economy of Love in Sonnets from the Portuguese

8: A Fitting Form: Edna St. Vincent Millay and Petrarchism

9: Conclusion: Echoes of Desiring Voices

Notes

Works Cited and Consulted

Index
12.

The Foreign Woman in British Literature: Exotics, Aliens, and Outsiders (Chap. 6 "Challenging Traditionalist Gender Roles: The Exotic Woman as Critical Observer in Elizabeth Barrett Browning's Aurora Leigh")
by Marilyn Demarest Button, Toni Reed. 201 pgs.

Book

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While England has been strengthened by a proud isolationism, she has simultaneously been enriched by the economic, social, and political complexities that have emerged as people of different ethnic and cultural backgrounds have moved within her borders, or when her own citizens have emigrated among those foreigners to live or rule. This book explores the foreign element in English culture and the attempt by English writers from the early 19th to the mid 20th century to portray their complex and often ambiguous responses to that doubly foreign element among them: the foreign woman. While being foreign may begin with national or ethnic difference, the contributors to this book expand it to include other forms of alienation from a dominant culture, resulting from gender, race, class, ideology, or temperament.

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Title Page

Contents

Preface

Introduction

1: Dismantling Traditionalist Gender Roles: An Exotic Counter-World in Byron's Don Juan

2: Transforming the Stereotype: Exotic Women in Shelley's Alastor and The Witch ofAtlas

3: "Asia Loves Prometheus": Asian Women and Shelley's Macropolitics

4: A Genealogy of Ruths: From Alien Harvester to Fallen Woman in Nineteenth-Century England

5: Imagining a Self between a Husband or a Wall: Charlotte Brontë's Villette

6: Challenging Traditionalist Gender Roles: The Exotic Woman as Critical Observer in Elizabeth Barrett Browning's Aurora Leigh

7: In Short, She Is an Angel; and I Am-----": Odd Women and Same-Sex Desire in Wilkie Collins's Woman in White

8: Tigresses, Tinsel Madonnas, and Citizens of the World: The "Other" Woman in George Eliot's Fiction

9: Phantoms Mistaken for a Human Face: Race and the Construction of the African Woman's Identity in Joseph Conrad's Heart of Darkness

10: The Foreign Woman Is a Man: Gender Reversal in D. H. Lawrence's Fiction

11: Gypsy Women in English Life and Literature

12: "Our Many Larval Selves": Durrell's Livia and the Cross-Cultural Signal

13: A Losing Tradition: The Exotic Female of Anita Brookner's Early Fiction

Afterword

Index

About the Contributors
13.

The Family of the Barrett: A Colonial Romance
by Jeannette Marks. 709 pgs.

Book

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Title Page

Preface

Contents

Illustrations

Introduction

Chapter I Hersey Barrett, Pioneer

Chapter II Old Road

Chapter III Mountains of Gold

Chapter IV Dust on the Carving

Chapter V The Great Disaster

Chapter VI "The Widdow Barrett"

Chapter VII Robert Browning, Creole

Chapter VIII The House of Tittle

Chapter IX John Tittle Concludes

Chapter X Sam Barrett, Northside

Chapter XI Edward Barrett, the Builder

Chapter XII Custom of the Country

Chapter XIII Cutwind

Chapter XIV Barrett Town

Chapter XV Poor Little Rich Ones

Chapter XVI Burning the Toast

Chapter XVII Crisis

Chapter XVIII Attorney

Chapter XIX Coals and Candles

Chapter XX A Poet is Born

Chapter XXI The Business of Hope End

Chapter XXII "Honourable Verdigris"

Chapter XXIV Particular License

Chapter XXV Now and Then

Chapter XXVI Excellent Lady

Chapter XXVII "Ever Beloved"

Chapter XXVIII "Strong Letter"

Chapter XXIX Torch

Chapter XXX The Hands of Bacchus

Chapter XXXI The Cursed Saints

Chapter XXXII Our Poor Selves

Chapter XXXIII West End

Chapter XXXIV Fus' a August 1834

Chapter XXXV Baubles

Chapter XXXVI Freedom

Chapter XXXVII Torquay Backgrounds

Chapter XXXVIII "Death of Young B------"

Chapter Xxxix Night Watch by the Sea

Chapter XL Paracelsus

Chapter XLI Red Hood

Chapter XLII Climax

Chapter XLIII Monomania

Chapter XLIV Flight

Chapter XLV Three in Italy

Chapter XLVI In Defense of Women

Chapter XLVII The RÔle of Planter

Chapter Xlix Conditional Baptism

Chapter L "One Word More with E.B.B."

Chapter LI Apples by the Dead Sea

Notes and References

Index
14.

The Brownings
by Osbert Burdett. 350 pgs.

Book

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Title Page

PREFACE

CONTENTS

Chapter One: "A BIRD IN A CAGE"

Chapter Two: THE YOUNG BROWNING

Chapter Three: HIS EARLY WORKS

Chapter Four: THE LOVE-LETTERS

Chapter Five: MARRIED LIFE, HER POEMS, IN ITALY (1846-61)

Chapter Six: MEN AND WOMEN AND THE RING AND THE BOOK

Chapter Seven: HIS WIDOWED YEARS AND LATER POEMS

Chapter Eight: CONCLUSIONS

SHORT BIBLIOGRAPHY

INDEX
15.

The Letters of Elizabeth Barrett Browning, Vol. 1
by Frederic G. Kenyon. 480 pgs.

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Preface

Contents Of The First Volume

Chapter I: 1806-1835

To Mrs. Boyd

To Mrs. Martin

To Mrs. Martin

To H. S. Boyd

To H. S. Boyd

To Miss Commeline

To Mrs. Martin

To H. S. Boyd

Chapter II: 1835-1841

To H. S. Boyd

To H. S. Boyd

To Mrs. Martin

To H. S. Boyd

To Mrs. Martin

To Mrs. Martin

To Miss Commeline

To H. S. Boyd

To John Kenyon2

To John Kenyon

To N. S. Boyd

To H. S. Boyd

To Miss Mitford

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To Mrs. Martin

To H S. Boyd

To H. S. Boyd

To H. S. Boyd

To Mrs. Martin

To Mrs. Martin

To H. S. Boyd

To H. S. Boyd

Chapter III: 1841-1843

To Mr. Westwood1

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To John Kenyon

To Mrs. Martin

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To Mrs. Martin

To James Martin

To H. S. Boyd

To H. S. Boyd

To John Kenyon

To John Kenyon

To Cornelius Mathews

To John Kenyon

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To John Kenyon

To John Kenyon

To Mrs. Martin

To Mr. Westwood

To Mrs. Martin

To Mr. Westwood

To Mr. Westwood

To Mr. Westwood

Chapter IV: 1844-1846

To H. S. Boyd

To H S. Boyd

To H. S. Boyd

To H. S. Boyd

To H. S. Boyd

To Mr. Westwood

To John Kenyon

To Mrs. Martin

To Mr. Chorley

To H. S. Boyd

To Mrs. Martin

To Mrs. Martin

To Cornelius Mathews

To H. S. Boyd

To John Kenyon

To Mrs. Martin

To John Kenyon

To John Kenyon

To Cornelius Mathews

To Mrs. Martin

To James Martin

To Mrs. Martin

To John Kenyon

To Mr. Westwood

To H. S. Boyd

To Mr. Chorley

To Mr. Chorley

To Mrs. Martin

To Mrs. Martin

To Miss Commeline

To H. S. Boyd

To Mr. Westwood

To John Kenyon

To H. S. Boyd

To John Kenyon

To John Kenyon

To H. S. Boyd

To Mrs. Martin

To Mr. Westwood

To Mr. Westwood

To Mr. Chorley

To Mr. Chorley

To Miss Thomson1

To Miss Thomson

To Mrs Jameson

To Mrs. Martin

To Mrs. Martin

To H. S. Boyd

Chapter V: 1846-1849

To Mrs. Martin

To Miss Mitford

To Mrs. Jameson

To Miss Mitford

To H. S. Boyd

To Miss Mitford

To Miss Browning

To Mr. Westwood

To Mrs. Jameson

To H. S. Boyd

To Mrs. Martin

To Mr. Westwood

To Miss Mitford

To Mrs. Jameson

To Miss Mitford

To John Kenyon

To Miss Browning

To Miss Mitford

To Mrs. Jameson

To Miss Mitford

To Miss Mitford

To Mrs. Martin

To Miss Mitford

Chapter VI: 1849-1851

To Miss Mitford

To Mrs. Martin

To Mrs. Jameson

To Miss Mitford

To Mrs. Jameson

To Miss Mitford

To Miss Mitford

To Miss Mitford

To Miss Browning

To Miss Mitford

To Mrs. Jameson

To Miss I. Blagden

To Miss Mitford

To Miss Mitford

To Miss I. Blagden

To Miss Mitford

To Mrs. Martin

To Miss Browning
16.

The Letters of Elizabeth Barrett Browning, Vol. 2
by Frederic G. Kenyon. 468 pgs.

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Contents of the Second Volume

Chapter VII: 1851-1852

To Miss I. Blagden

To John Kenyon

To Mrs. Martin

To Mrs. Martin

To Miss E. F. Haworth

To Miss Mitford

To Miss Mitford

To Mrs. Jameson

To Mrs. Martin

To Miss Mitford

To Miss Mulock

To Miss Mitford

To Miss Mitford

To Mrs. Jameson

To Miss Mitford

To Mrs. Jameson

To Miss Mulock

To Miss Mitford

To Mrs. Martin

To Mrs. Jameson

To Miss Mitford

To Miss Mitford

To Miss Mitford

To John Kenyon

Chapter VIII: 1852-1855

To Miss Browning

To John Kenyon

To Miss Mitforod

To Miss Mitford

To Mrs. Jameson

To Mrs. Martin

To John Kenyon

To Miss E. F. Haworth

To Miss Mitford

To Mr. Chorley

To Miss Mitford

To Mr. Westwood

To Mrs. Martin

To Miss I. Blagden

To Mrs. Jameson

To Miss E. F. Haworth

To Miss Mitford

To Miss Mitford

To Miss Browning

To Miss Mitford

To Miss Mitford

To Miss Browning

To Mrs. Martin

To Mrs. Braun

To Miss Browning

Chapter IX: 1855-1859

To Mrs. Martin

To Mrs Martin

To Mrs. Martin

To Mr. Ruskin

To Mr. Ruskin

To Miss E. F. Haworth

To Mrs. Martin

To Mrs. Jameson

To Mrs. Jameson

To Miss E. F Haworth

To Mrs. Jameson

To Miss Browning

To Mrs. W. B. Kinney

To Mrs. Jameson

To Mrs. Martin

To Mrs. Jameson

To Mrs. Martin

To Mrs. Jameson

To the Emperor Napoleon

E. B. Browning to Mrs. Martin

To Miss E. F. Haworth

Robert Browning to Miss Browning

To Mrs. Jameson

To Miss E. F. Haworth

To Miss Browning

To Mrs. Martin

To Miss E. F. Haworth

To Miss I. Blagden

To Miss E. F. Haworth

To Madame Braun

To Miss I. Blagden

To Miss E. F. Haworth

To Miss Browning

Robert Browning to Miss Browning

E. B. Browning to Miss Browning

To Mr. Ruskin

Robert Browning to Mr. Ruskin

Chapter X: 1859-1860

To Miss Browning

To Miss Browning

To Mr. Browning, Senior

To Mr. Ruskin

To Miss Browning

To Miss Browning

To Miss I. Blagden

To Miss E. F. Haworth

To Mrs. Jameson

To Mrs. Martin

To Mr. Chorley

To Miss I. Blagden

To Mrs. Jameson

To Miss E. F. Haworth

To Miss E. F. Haworth

To Mrs. Jameson

Chapter XI: 1860-1861

To Mrs. Jameson

To Miss I. Blagden

To Miss Browning

To Miss I. Blagden

To Miss I. Blagden

To Mr. Chorley

To Mr. Chorley

To Miss E. F. Haworth

To Miss I. Blagden

To Miss E. F. Haworth

To Mrs. Martin

To Miss E. F. Haworth

To Miss I. Blagden

To Miss I. Blagden

To Mrs. Martin

To Miss I. Blagden

To Miss E. F Haworth

To Miss I. Blagden

To Miss Browning

To Mrs. Martin

W. M. Thackeray to Mrs. Browning

To W. M. Thackeray

To Miss I. Blagden

Index

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