A well-known, popular, and prolific writer, Austin published thirty-three books and three plays and was closely associated with many important literary figures of her time, including H. G. Wells, George Bernard Shaw, Mabel Dodge Luhan, Jack London, and Willa Cather. Still best known today for her nature writing and southwestern cultural studies, Austin has been increasingly recognized for her work on feminist themes, including the play The Arrow Maker, the nonfiction The Young Woman Citizen, and the novels A Woman of Genius and No. 26 Jayne Street. Beyond Borders demonstrates that variety. In addition to her monographs, Austin also published her short fiction and essays in periodicals. In fact, like many a writer earning a living from her work, Austin wrote prolifically for the magazine market, producing during her career over two hundred individual pieces published in over sixty periodicals. In support of Austin's essays, Reuben J. Ellis provides an introduction that establishes a biographical and historical context for Austin's work. In addition, each individual Austin essay is prefaced by brief introductory remarks by the editor. A selected bibliography of Austin's essays is also included.
A stunning tribute to the savage beauty of the area known as Death Valley. To most travelers it is a parched, empty territory, unwelcoming and forgiving. In a collection of essays that date back almost a century, naturalist and writer Mary Austin (1868-1934) breathes life into the desert landscape, describing its savage beauty, its plants and animals, and the occasional human visitor.
Reimagining Indians investigates a group of Anglo-American writers whose books about Native Americans helped reshape Americans' understanding of Indian peoples at the turn of the twentieth century. Hailing from the Eastern United States, these men and women traveled to the American West and discovered "exotics" in their midst. Drawn to Indian cultures as alternatives to what they found distasteful about modern American culture, these writers produced a body of work that celebrates Indian cultures, religions, artistry, and simple humanity. Although these writers were not academically trained ethnographers, their books represent popular versions of ethnography. In revealing their own doubts about the superiority of European-American culture, they sought to provide a favorable climate for Indian cultural survival in a world indisputably dominated by non-Indians. They also encouraged notions of cultural relativism, pluralism, and tolerance in American thought. For the historian and general reader alike, this volume speaks to broad themes of American cultural history, Native American history, and the history of the American West.
Women writers have been traditionally excluded from literary canons, not until recently have scholars begun to rediscover or discover neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945, a period that embraces two major artistic movements, Modernism and the Harlem Renaissance. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a review of the author's critical reception, and extensive primary and secondary bibliographies. The volume reflects the diversity of American culture through its coverage of African American, Native American, Mexican American, and Chinese American women writers.