Pearl S. Buck

Buck, Pearl Sydenstricker - sīˈdənstrĭkˌər, 1892–1973, American author, b. Hillsboro, W.Va., grad. Randolph-Macon Women's College, 1914. Pearl Buck was awarded the 1938 Nobel Prize in Literature. Until 1924 she lived principally in China, where she, her parents, and her first husband, John Lossing Buck, were missionaries. She is famous for vivid Read More...

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Pearl S. Buck

1.

Pearl S. Buck: A Cultural Bridge Across the Pacific
by Kang Liao. 184 pgs.

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Pearl S. Buck's portrayal of Chinese peasants was the first literary representation, in China as well as in America, of the majority of the Chinese population. Her work changed the image of the Chinese people in the American mind--ultimately facilitating the 1943 repeal of the 61-year-old Chinese Exclusion Act and arousing Americans' support of the Chinese resistance against the Japanese aggression in World War II. From a multicultural point of view, Chinese scholar Kang Liao analyzes Buck's phenomenal success and the ensuing neglect of her works by American critics. Liao's insights into Buck's function as one of the few writers from an age of Eurocentrism who shed light on a new age of multiculturalism will be of interest to both students and scholars interested in race, class, and gender issues.

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Title Page

Recent Titles in Contributions to the Study of World Literature

Contents

Preface

Acknowledgments

1: A Paradoxical Enigma

Notes

2: A Neglected Laureate

Notes

3: A Single-Handed Crusader

Notes

4: A Multicultural Mediator

Notes

5: A Historic Mirror

Notes

Index
2.

The Several Worlds of Pearl S. Buck: Essays Presented at a Centennial Symposium, Randolph-Macon Woman's College, March 26-28, 1992
by Elizabeth J. Lipscomb, Frances E. Webb, Peter Conn. 168 pgs.

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Pearl Buck made important contributions as a humanitarian and an advocate of racial equality and women's rights. She did much to change American attitudes toward persons with mental retardation and toward mixed-race children. She was a major force in shaping American views of Asia, particularly China, during the 1930s and 1940s. Until 1993, she was first American woman to win both the Pulitzer Prize and the Nobel Prize for Literature. The 13 essays in this book, the first such collection on Buck to be published in the United States, view her from historical, humanitarian, and literary perspectives.

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Title Page

Contents

Illustrations

Preface

1: Introduction: Rediscovering Pearl S. Buck

2: Keynote Address: Pearl S. Buck and the American Quest for China

Part One Historical Perspectives

3: The Good Earth, Revolution, and the American Raj in China

4: Pearl S. Buck in Search of America David. D. Buck

5: Pearl S. Buck and American Women's History

6: Pearl S. Buck's Reception in China Reconsidered

Part Two Humanitarian Perspectives

7: East/West Ties: Amerasian Children and the Work of the Pearl S. Buck Foundation

8: Welcome House: A Forty-Year History

9: Pearl S. Buck's Writings on Handicapped Children

Notes

Part Three Literary Perspectives

10: Who's Afraid of Pear S. Buck?

11: Pearl S. Buck and American Literary Culture

12: Pearl S. Buck's The Good Earth: The Novel As Epic

13: Scripting The Good Earth: Versions of the Novel for the Screen

Notes

Selected Bibliography

Index

Contributors

Recent Titles in Contributions in Women's Studies
3.

Pearl S. Buck's Chinese Women Characters
by Xiongya Gao. 136 pgs.

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Title Page

Contents

1: Introduction

Buck the Writer

Buck's Critics

Buck's Chinese Influence

2: Women in Chinese Society

Confucius' Doctrines

Social Customs and Practices

3: Aristocratic Women

East Wind: West Wind

Pavilion of Women

4: Servant Women in Peony

5: Peasant Women

The Good Earth

The Mother

6: Conclusion

Notes

Bibliography

Index
4.

Women and International Relations: Pearl S. Buck's Critique of the Cold War, in Journal of Women's History
by Robert Shaffer. 25 pgs.

Journal Article
5.

Little House on the Rice Paddy, in American Literary History
by Blake Allmendinger. 18 pgs.

Journal Article
6.

American Women Fiction Writers, 1900-1960, Vol. 1 (Discussion of Pearl S. Buck begins on p. 48)
by Harold Bloom. 177 pgs.

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Part of an ongoing series covering the texts and lives of the most important women writers of English, this book contains introductory essays by Harold Bloom and provides biographical information, a wide selection of critical excerpts, and complete bibliographies of 11 authors.

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Title Page

American Women Fiction Writers 1900-1960: Volume One

Contents

The Analysis of Women Writers

Introduction

Djuna Barnes

Jane Bowles

Kay Boyle

Pearl S. Buck

Willa Cather

Jessie Redmon Fauset

Edna Ferber

Dorothy Canfield Fisher

Zona Gale

Charlotte Perkins Gilman

Ellen Glasgow

Caroline Gordon
7.

Embracing the East: White Women and American Orientalism (Chap. Six "'Popular Expert on China': Authority and Gender in Pearl S. Buck's The Good Earth")
by Mari Yoshihara. 242 pgs.

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As exemplified by Madame Butterfly, East-West relations have often been expressed as the relations between the masculine, dominant West and the feminine, submissive East. Yet, this binary model does not account for the important role of white women in the construction of Orientalism. Mari Yoshihara's study examines a wide range of white women who were attracted to Japan and China in the late nineteenth and early twentieth century and shows how, through their engagement with Asia, these women found new forms of expression, power, and freedom that were often denied to them in other realms of their lives in America. She demonstrates how white women's attraction to Asia shaped and was shaped by a complex mix of exoticism for the foreign, admiration for the refined, desire for power and control, and love and compassion for the people of Asia. Through concrete historical narratives and careful textual analysis, she examines the ideological context for America's changing discourse about Asia and interrogates the power and appeal--as well as the problems and limitations--of American Orientalism for white women's explorations of their identities. Combining the analysis of race and gender in the United States and the study of U.S.-Asian relations, Yoshihara's work represents the transnational direction of scholarship in American Studies and U.S. history. In addition, this interdisciplinary work brings together diverse materials and approaches, including cultural history, material culture, visual arts, performance studies, and literary analysis.

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Title Page

Acknowledgements

Contents

A Note on Japanese and Chinese Names

Embracing the East

Introduction

Part One: Materializing Asia

Chapter One: Feminization of Orientalist Consumption

Chapter Two: Women Artists' “asian” Prints

Part Two: Performing Asia

Chapter Three: New Women's Performances of Asian Heroines

Chapter Four: Amy Lowell's “asian” Poetry

Chapter Five: Sexuality and Agnes Smedley's Radicalism

Part Three: Authorizing Asia

Chapter Six: Authority and Gender in Pearl S. Buck's the Good Earth

Chapter Seven: Culture and Gender in Ruth Benedict's the Chrysanthemum and the Sword

Conclusion

Notes

Bibliography

Index
8.

Women in Literature: Reading through the Lens of Gender ("Patriarchy and Property: Women in Pearl S. Buck's The Good Earth (1931)" begins on p. 121)
by Jerilyn Fisher, Ellen S. Silber. 358 pgs.

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This unique reference offers alternate approaches to reading traditional literature, as well as suggestions for expanding the canon to include more gender sensitive works. Covering 96 of the most frequently taught works of fiction, essays offer teachers, librarians, and students fresh insights into the female perspective in literature.

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Title Page

Contents

Foreword

Preface

Introduction

Women’s Roles and Influence in Mark Twain’s the Adventures of Huckleberry Finn (1885)

The War against the Feminine: Erich Maria Remarque’s All Quiet on the Western Front (1929)

Doctor She! Helena and Sisterhood in William Shakespeare’s All’s Well That Ends Well (ca. 1602–1603)

For Further Reading

Mother, Wife, Fallen Woman: Marital Choice in Leo Tolstoy’s Anna Karenina (1877)

Young Lady or slut: Identity and Voice in Jamaica Kincaid’s Annie John (1983)

Righteous Activist or Confrontational Madwoman: Sophocles’ Antigone (441 B.C.E.)

Work Cited

Female Resistance to Gender Conformity in Kate Chopin’s the Awakening (1899)

For Further Reading

Mothers and Children in Barbara Kingsolver’s the Bean Trees (1988)

William Faulkner’s Male Myth: the Bear (1942)

More Than Skin Deep: Robin Mckinley’s Beauty: a Retelling of the Story of Beauty and the Beast (1978)

Sylvia Plath’s the Bell Jar: Trapped by the Feminine Mystique (1963)

Toni Morrison’s Beloved (1987): Maternal Possibilities, Sisterly Bonding

Richard Wright’s Black Boy (1945, 1991) and Black Women

Works Cited

Culture, Tradition, Family: Gender Roles in Rudolfo Anaya’s Bless Me, Ultima (1972)

Girls into Women: Culture, Nature, and Self-Loathing in Toni Morrison’s the Bluest Eye (1970)

Founding Women’s History: Christine de Pizan Writes the Book of the City of Ladies (1405)

Works Cited

A Dystopic Vision of Gender in Aldous Huxley’s Brave New World (1932)

An Immigrant Girl’s Quest for the American Dream in Anzia Yezierska’s Bread Givers (1925)

For Further Reading

As My Mother’s Daughter: Breath, Eyes, Memory by Edwidge Danticat (1994)

Non-Conformists and Traditionalists: Buchi Emecheta’s the Bride Price (1976)

The Symbolic Annihilation of Women in Jack London’s the Call of the Wild (1904)

Geoffrey Chaucer’s Canterbury Tales: Gender in the Middle Ages (ca. 1388–1400)

Sex, Violence, and Peter Pan: J.D.Salinger’s the Catcher in the Eye (1951)

Paths to Liberation in Alice Walker’s the Color Purple (1982)

The Women in Fyodor Dostoevsky’s Crime and Punishment (1866)

Witch-Hunting, Thwarted Desire, and Girl Power: Arthur Miller’s the Crucible (1953)

A Nice Girl Ought to Know! Henry James’ Daisy Miller (1878)

Redefining Female Absence in Arthur Miller’s Death of a Salesman (1949)

Black and White Womanhood in Sherley Anne Williams’ Dessa Rose: Mammies, Ladies, Rebels (1986)

Work Cited

Anne Frank’s the Diary of a Young Girl: Writing a Self—the Female Adolescent Voice (1952)

For Further Reading

The Slammed Door That Still Reverberates: Henrik Ibsen’s a Doll’s House (1879)

Frozen Lives: Edith Wharton’s Ethan Frome (1911)

Catherine Barkley: Ernest Hemingway’s a Farewell to Arms (1929)

The Invisible Black Female Artist in Alice Childress’ Florence (1950)

For Further Reading

Daring Creation: Mary Shelley’s Frankenstein (1818, Revised 1831)

Shattered Rainbows in Translucent Glass: Tennessee Williams’ the Glass Menagerie (1945)

What It Means to Be a Lady: Margaret Mitchell’s Gone with the Wind (1936)

Works Cited

Patriarchy and Property: Women in Pearl S.Buck’s the Good Earth (1931)

No Expectations at All: Women in Charles Dickens’ Great Expectations (1861)

Works Cited

Beautiful Fools and Hulking Brutes: F.Scott Fitzgerald’s the Great Gatsby (1925)

Reading between the Lines: Connecting with Gertrude and Ophelia in William Shakespeare’s Hamlet (ca. 1600)

Freedom Reconsidered: Margaret Atwood’s the Handmaid’s Tale (1985)

Work Cited

When Women Shape the World: Charlotte Perkins Gilman’s Herland (1915)

Works Cited

Girls and Women in Sandra Cisneros’ the House on Mango Street (1984)

Living in a Borderland: Cultural Expectations of Gender in Julia Alvarez’ How the García Girls Lost Their Accents (1991)

A Song of Freedom: Maya Angelou’s I Know Why the Caged Bird Sings (1969)

Good Mother, Bad Mother in Joanne Greenberg’s I Never Promised You a Rose Garden (1964)

Bobbie Ann Mason’s in Country (1985): a Girl’s Quest for Her Father and Herself

The Invisible Women in Ralph Ellison’s Invisible Man (1952)

Works Cited

Be True to Yourself: Charlotte Brontë’s Jane Eyre (1847)

Thinking Different in Amy Tan’s the Joy Luck Club (1989)

Gender Bending: Ursula le Guin’s the Left Hand of Darkness (1969)

What a Teacher Learns: Ernest J.Games’ a Lesson before Dying (1993)

Works Cited

The Foreignness of Femininity in Joseph Conrad’s Lord Jim (1900)

Boys’ Club—no Girls Allowed: Absence as Presence in William Golding’s Lord of the Flies (1954)

Unnatural: Women in William Shakespeare’s Macbeth (ca. 1606)

Emma Rouault Bovary: Gendered Reflections in Madame Bovary by Gustave Flaubert (1857)

(Re)surfacing Main Street (1920) by Sinclair Lewis

Critiquing “the We of Me”: Gender Roles in Carson Mccullers’ the Member of the Wedding (1946)

Works Cited

Beauty and Gender in Alix Kates Shulman’s Memoirs of an Ex-Prom Queen (1972)

Where No Role Fits: Maggie’s Predicament in George Eliot’s the Mill on the Floss (1860)

For Further Reading

Herman Melville’s Moby-Dick: Epic Tale of Male Destruction (1851)

For Further Reading

Images of Possibility: Gender Identity in Willa Cather’s My Àntonia (1918)

Work Cited

The Good Woman: Kamala Markandaya’s Nectar in a Sieve (1954)

Boyhood Unraveled: Elie Wiesel’s Night (1960)

Sexuality as Rebellion in George Orwell’s 1984 (1949)

Homer’s Odyssey: “the Iliad’s Wife” (ca. 700 B.C.E.)

Jocasta and Her Daughters: Women in Sophocles’ Oedipus Rex (ca. 430 B.C.E.)

Women Stripped of Humanity: John Steinbeck’s of Mice and Men (1937)

Role Traps in Ken Kesey’s One Flew over the Cuckoo’s Nest (1962)

Under the Burden of Yellow Peril: Race, Class, and Gender in Yoshiko Uchida’s Picture Bride (1987)

For Further Reading

Woman and Art in James Joyce’s a Portrait of the Artist as a Young Man (1916)

Truths Universally Acknowledged: Stereotypes of Women in Jane Austen’s Pride and Prejudice (1813)

Undue Influence in Muriel Spark’s the Prime of Miss Jean Brodie (1961)

Exploring the Gender Puzzle of George Bernard Shaw’s Pygmalion (1912)

Work Cited

Seasoned with Quiet Strength: Black Womanhood in Lorraine Hansberry’s a Raisin in the Sun (1959)

Heroism against the Odds: William Shakespeare’s Romeo and Juliet (ca. 1599)

Molly Bolts and Lifelines: Rita Mae Brown’s Ruby Fruit Jungle (1973)

A as Hester’s Autonomy in Nathaniel Hawthorne’s the Scarlet Letter (1850)

Female Freedom in Other Places and Inner Spaces: Suzanne Fisher Staples’ Shabanu: Daughter of the Wind (1989)

For Further Reading

Gender in Silas Marner by George Eliot (1861)

Empowerment through Writing in Mariama Bâ’s So Long a Letter (1979)

Wearing “her Favour in the Battle”: the “go-Between” in D.H. Lawrence’s Sons and Lovers (1913)

Riding Tennessee Williams’ a Streetcar Named Desire (1947)

Agent or Victim: Thomas Hardy’s Tess of the D’urbervilles (1891)

An African-American Woman’s Journey of Self-Discovery in Zora Neale Hurston’s Their Eyes Were Watching God (1937)

Fragmenting Culture, Fragmenting Lives: Chinua Achebe’s Things Fall Apart (1959)

Just a Lady: Gender and Power in Harper Lee’s to Kill a Mockingbird (1960)

Women Righting Wrongs: Morality and Justice in Susan Glaspell’s Trifles (1916)

For Further Reading

For Such as We Are Made Of, Such We Be: the Construction of Gender in William Shakespeare’s Twelfth Night, or What You Will (first Performed 1602)

Work Cited

The Power of Mothers in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852)

A Chinese-American Woman Warrior Comes of Age: Maxine Hong Kingston’s the Woman Warrior: Memoirs of a Girlhood among Ghosts (1976)

The Will to Survive in Gloria Naylor’s the Women of Brewster Place (1982)

Procrustean Bed: Gender Roles in Emily Brontë’s Wuthering Heights (1847)

Negotiating Tight Spaces: Women in Michael Dorris’ a Yellow Raft in Blue Water (1988)

Index of Literary Works by Author

Subject Index

About the Editors and Contributors
9.

Scratches on Our Minds: American Views of China and India ("Pearl Buck's Chinese" begins on p. 155)
by Harold R. Isaacs. 422 pgs.

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Title Page

As Contributor

As Editor

By Harold R. Isaacs

The Blind Men and the Elephant

Contents

Preface to the 1980 Edition

Preface to the 1972 Edition

Preface

Introduction

Part One "Asia"

Part Two the Chinese

1. a Panel-Eye View

3. the Inferior People

4. "Chink, Chink, Chinaman"

5. the Wards

6. the Attractive People (1905-37)

6. the Attractive People (1905-37)

9. the Ungrateful Wretches

10. the Awakened Dragon

Part Three the Indians

1. the Fabulous Indians

10. the Awakened Dragon

3. the Very Benighted Heathen

4. the Lesser Breed

4. the Lesser Breed

7. the Indians Encountered

8. the Gallery Revisited

Part Four Some Reflections

Index
10.

Asia Askew: U. S. Best-Sellers on Asia, 1931-1980, in Bulletin of Concerned Asian Scholars
by Daniel B. Ramsdell. 24 pgs.

Journal Article
11.

Movers and Shakers: American Women Thinkers and Activists, 1900-1970 (Discussion of Pearl S. Buck begins on p. 177)
by June Sochen. 322 pgs.

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Title Page

Contents

Preface

1: The Feminist View

Notes

2: Feminism in the Early Years, 1900-1920

3: The Hope Deferred, 1920-1940

4: The Bleak and Lonely Years, 1940-1960

5: The Resurgence of Feminism: Movers and Shakers in the Sixties

Index
12.

American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook (Discussion of Pearl S. Buck begins on p. 55)
by Laurie Champion, Emmanuel S. Nelson. 412 pgs.

Book

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Women writers have been traditionally excluded from literary canons, not until recently have scholars begun to rediscover or discover neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945, a period that embraces two major artistic movements, Modernism and the Harlem Renaissance. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, a review of the author's critical reception, and extensive primary and secondary bibliographies. The volume reflects the diversity of American culture through its coverage of African American, Native American, Mexican American, and Chinese American women writers.

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Contents

Preface

Introduction

Bess Streeter Aldrich (1881-1954)

Gertrude Atherton (1857-1948)

Mary Hunter Austin (1868-1934)

Djuna Barnes (Lydia Steptoe) (1892-1982)

Elizabeth Bishop (1911-1979)

Louise Bogan (1897-1970)

Marita Odette Bonner (1898-1971)

Kay Boyle (1902-1992)

Pearl S. Buck (1892-1973)

Fabiola Cabeza de Baca Gilbert (1894-1991)

Willa Cather (1873-1947)

Anita Scott Coleman (1890-1960)

Rachel Crothers (1878-1958)

H. D. (Hilda Doolittle) (1886-1961)

Alice Maude Ewell (1860-1946)

Jessie Redmon Fauset (1882-1961)

Edna Ferber (1885-1968)

Dorothy Canfield Fisher (1879-1958)

Zona Gale (1874-1938)

Ellen Glasgow (1873-1945)

Susan Keating Glaspell (1876-1948)

Jovita GonzÁLez de Mireles (1904-1983)

Caroline Gordon (1895-1981)

Lillian Hellman (1905-1984)

Zora Neale Hurston (1891-1960)

Cleofas M. Jaramillo (1878-1956)

Georgia Douglas Camp Johnson (1877-1966)

Nella Larsen (1891-1964)

Margery Latimer (1899-1932)

Amy Lowell (1874-1925)

Mina Loy (1882-1966)

Clare Boothe Luce (1903-1987)

Mabel Dodge Luhan (1879-1962)

Carson Mccullers (1917-1967)

Edna St. Vincent Millay (1892-1950)

Margaret Mitchell (1900-1949)

Marianne Moore (1887-1972)

Mourning Dove (Hum-Um-Ishu-Mau) [Christine Quintasket] (1882?-1936)

Josephina Niggli (1910-1983)

Flannery O'Connor (1925-1964)

Dorothy Parker (1893-1967)

Katherine Anne Porter (1890-1980)

Marjorie Kinnan Rawlings (1896-1953)

Lola Ridge (1873-1941)

Elizabeth Madox Roberts (1881-1941)

Dorothy Scarborough (1878-1935)

Anne Spencer (1882-1975)

Gertrude Stein (1874-1946)

Gene Stratton-Porter (1863-1924)

Sui Sin Far (Edith Maude Eaton) (1865-1914)

Genevieve Taggard (1894-1948)

Sara Teasdale (1884-1933)

Eudora Alice Welty (1909-)

Dorothy West (1907-1998)

Edith Wharton (1862-1937)

Elinor Wylie (1885-1928)

Anzia Yezierska (1883?-1970)

Zitkala-šA (Gertrude Simmons Bonninu) (1876-1938)

Selected Bibliography

Index

About the Editor and Contributors

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