Willa Cather

Cather, Willa Sibert

Willa Sibert Cather (sī´bərt kăŧħ´ər), 1873–1947, American novelist and short-story writer, b. Winchester, Va., considered one of the great American writers of the 20th cent. When she was nine her family moved to the Nebraska prairie frontier. She graduated from the Univ. of Nebraska in 1895 and worked as a journalist and as a teacher in Pittsburgh. In 1904 she went to New York City. The publication of The Troll Garden (1905), her first collection of short stories, led to her appointment to the editorial staff of McClure's Magazine. She eventually became managing editor and saved the magazine from financial disaster. After the publication of Alexander's Bridge in 1912, she left McClure's and devoted herself to creative writing. For many years she lived quietly in New York City's Greenwich Village. The first of her novels to deal with her major theme is O Pioneers! (1913), a celebration of the strength and courage of the frontier settlers. Other novels with this theme are My Ántonia (1918), One of Ours (1922; Pulitzer Prize), and A Lost Lady (1923). The Song of the Lark (1915) focuses on another of Cather's major preoccupations—the need of artists to free themselves from inhibiting influences, particularly that of a rural or small-town background; the tales collected in Youth and the Bright Medusa (1920) and the novel Lucy Gayheart (1935) also treat this theme. With success and increasing age Cather became convinced that the beliefs and way of life she valued were disappearing. This disillusionment is poignantly evident in her novel The Professor's House (1925). She subsequently turned to North America's far past for her material: to colonial New Mexico in Death Comes for the Archbishop (1927), widely regarded as her masterpiece, and to 17th-century Quebec for Shadows on the Rock (1931), in both novels blending history with religious reverence and loving characterizations. The volumes My Mortal Enemy (1926) and The Old Beauty and Others (1948) present her highly skilled shorter fiction. Her intense interest in the craft of fiction is shown in the essays in Not Under Forty (1936) and On Writing (1949). Cather herself was a master of that craft, her novels and stories written in a pellucid style of great charm and stateliness.

See selected letters ed. by A. Jewell and J. Stout (2013); E. K. Brown and L. Edel, Willa Cather: A Critical Biography (1980); S. O'Brien, Willa Cather: the Emerging Voice (1987); J. Woodres, Willa Cather: A Literary Life (1989).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

A Reader's Companion to the Fiction of Willa Cather
John March; Marilyn Arnold; Debra Lynn Thornton.
Greenwood Press, 1993
On the Divide: The Many Lives of Willa Cather
David Porter.
University of Nebraska Press, 2010
Willa Cather in Person: Interviews, Speeches, and Letters
L. Brent Bohlke; Willa Cather.
University of Nebraska Press, 1986
My Ántonia
Willa Cather.
Houghton Mifflin, 1954
FREE! O Pioneers!
Willa Sibert Cather.
Houghton Mifflin, 1913
The Song of the Lark
Willa Cather; Janet Sharistanian.
Oxford University Press, 2000
The Professor's House
Willa Cather.
Alfred A. Knopf, 1925
The World of Willa Cather
Mildred R. Bennett.
University of Nebraska Press, 1961 (New edition)
Willa Cather and the Art of Conflict: Re-Visioning Her Creative Imagination
Patrick W. Shaw.
Whitston, 1992
Willa Cather and the Politics of Criticism
Joan Acocella.
University of Nebraska Press, 2000
Willa Cather and Modern Cultures
Melissa J. Homestead; Guy J. Reynolds.
University of Nebraska Press, 2011
The Stuff of Our Forebears: Willa Cather's Southern Heritage
Joyce McDonald.
University of Alabama Press, 1998
Willa Cather and the American Southwest
John N. Swift; Joseph R. Urgo.
University of Nebraska Press, 2002
Isolation and Masquerade: Willa Cather's Women
Frances W. Kaye.
Peter Lang, 1993
Willa Cather's Sexual Aesthetics and the Male Homosexual Literary Tradition
John P. Anders.
University of Nebraska Press, 1999
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