George Chapman

Chapman, George - 1559?–1634, English dramatist, translator, and poet. He is as famous for his plays as for his poetic translations of Homer's Iliad (1612) and Odyssey (1614–15). Chapman was a classical scholar, and his work shows the influence of the Stoic philosophers, Epictetus and Seneca. In his best-known tragedies, Bussy D'Ambois (1607) and The Conspiracy and Tragedy of Byron Read More...

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George Chapman

1.

The Mystification of George Chapman
by Gerald Snare. 192 pgs.

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Title Page

Contents

Acknowledgments

Introduction

I the Mystification of George Chapman

Ii the Practical Poetics of Hero and Leander

Iii on the Moral Reconstruction Of Hero and Leander

Iv Imitation and Invention in Ouids Banquet Of Sence, or Why It is Not the Most Difficult Poem in the English Language

V Poet as Critic: Chapman's Glossing

Epilogue

Index
2.

The Plays and Poems of George Chapman (includes "All Fools," "Eastward Ho" and more)
by George Chapman, Thomas Marc Parrott. 914 pgs.

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Title Page

Preface

Contents

The Blind Beggar Of Alexandria

[scene Ii]

[scene Iv]

[scene V]

[scene Vi]

[scene Vii]

[scene Viii]

[scene X]

An Humourous Day's Mirth

[scene Iii]

[scene V]

[scene Vi]

[scene Vii]

[scene Viii]

[scene Ix]

[scene X]

[scene Xii]

[scene Xiv]

All Fools

Actus Primi Scena Prima

Actus Secundi Scena Prima

Actus III Scena I

Actus IV Scena I

Actus Quinti Scena Prima

[scena Secunda

May-Day

Actus Tertius

[scena Tertia

Actus Quartus

[scena Secunda

[scena Quarta

Actus Quintus

The Gentleman Usher

Actus Secundus. Scena Prima

Actus Tertii Scena Prima

Actus Quarti Scena Prima: [before the House of Strozza]

[scena Tertia: A Room in the House of Strozza]

[scena Quarta

[scena Secunda]: A Room in the House of Strozza

[scena Tertia: Cortezza's Chamber

[scena Quarta: A Room in Lasso's House

Monsieur D'Olive

[scena Secunda A Room at the Court]

Actus Tertii Scena Prima

[scena Secunda

Actus Quarti Scena Prima

[scena Secunda

Actus Quinti Scena Prima

[scena Secunda

The Widow's Tears

Actus Primi Scena Prima

[scena Tertia: Before the House of Eudora]

Actus Secundi Scena Prima: [a Room in the House of Lysander]

[scena Secunda

[scena Quarta

Actus Tertii Scena Prima

[scena Secunda

Actus Quarti Scena Prima

Actus Quinti Scena Prima

[scena Secunda]

[scena Tertia: The Grave Yard

The Masque of the Middle Temple and Lincoln's Inn

Eastward Ho

Prologus

Actus Primi Scena Prima

Actus Secundi Scena Prima: [goldsmith's Row]

[scena Secunda: A Room in the House of Security]

[scena Tertia Before Sir Petronel's Lodging]

Actus Tertii Scena Prima

Scena Secunda

[scena Tertia]

[scena Quarta: Outside Security's House

[scena Secunda: A Room in Touchstone's House

Actus Quintus. Scena Prima

[scena Secunda: Goldsmith's Row

[scena Quarta: A Room in Touchstone's House

[scena Quinta: The Counter

Epilogus

The Ball

Actus Secundus

[scene II: A Room in Lucina's House]

Actus Tertius

[scene III

[scene IV

[scene II: A Room in Lady Honoria's House

[scene III: A Room in Lady Lucina's House

Actus Quintus

Sir Giles Goosecap, Knight

Scena Tertia: Enter to Them, Jack, Bullaker, Will

Actus Secundi Scena Prima

Actus Tertii Scena Prima

[scena Secunda A Room in Momford's House]

Actus Quartus

[scena Secunda A Room in Lord Furnifall's House]: Enter Lord Furnifall, Rudesby, Goosecap, Foulweather, Bullaker

[scena Tertia: A Room in Momford's House]

Actus Quinti Scena Prima: [a Room at Lord Momford's House]

Notes

Notes
3.

Elizabethan Comic Character Conventions as Revealed in the Comedies of George Chapman
by Paul V. Kreider. 206 pgs.

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Foreword

Contents

Chapter I: Chapman a Typical Elizabethan Dramatist

Chapter II: Conventional Elizabethan Technique For the Identification and Expo Sition of Characters

Chapter III: Management of Disguised Characters

Chapter IV: Use and Modification of Conventional Comic Characters Domestic Figures

Chapter V: Use and Modification of Conventional Comic Characters Domestic Figures (continued)

Chapter VI: Use and Modification of Conventional Comic Characters (continued) Figures from the Streets

Chapter VII: Employment of Elizabethan Psychology for Purposes Of Characterization

Chapter VIII: Chapman and the Comedy of Humours

Appendixes

Bibliography

Index
4.

Stuart Politics in Chapman's Tragedy of Chabot
by Norma Dobie Solve. 176 pgs.

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ACKNOWLEDGMENT

CONTENTS

Stuart Politics in Chapman's Tragedy of Chabot

Chapter II: CHAPMAN UNDER THE PATRONAGE OF HENRY, PRINCE OF WALES

Chapter III: CHAPMAN UNDER THE PATRONAGE OF ROBERT CARR, EARL OF SOMERSET

Chapter IV: POLITICS IN THE COURT OF JAMES

Chapter V: CHAPMAN'S PLAY AND ITS FRENCH SOURCE

Chapter VI: THE ACTION OF CHAPMAN'S PLAY AND THE STUART SITUATION

Chapter VII: DRAMATIC CHARACTERS AND HISTORICAL PERSONAGES

APPENDIX A

APPENDIX B: THE LICENSING OF THE TRAGEDY OF CHABOT

APPENDIX C: LES RECHERCHES DE LA FRANCE

BIBLIOGRAPHY

INDEX
5.

These Were Actors: A Story of the Chapmans and the Drakes
by George D. Ford. 296 pgs.

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Foreword

Contents

Chapter Title Sketches

Illustrations

Notes About the Chapmans And the Drakes of the Theater

Playbill

Prologue

Chapter 1: Enter a Soldier

Chapter 2: A Piece of Business

Chapter 3: A Bright Particular Star

Chapter 4: There's a Divinity

Chapter 5: Fine Word, Legitimate

Chapter 6: What's in a Name?

Chapter 7: O Brave New World

Chapter 8: Here Comes the Showboat

Chapter 9: The Westward Ho!

Chapter 10: A Blessed and Unvexed Retreat

Chapter 11: Journey's End

Chapter 12: Civil Strife

Chapter 13: Star-Crossed Lovers

Chapter 14: Merely Players

Chapter 15: A Far-Off Shore

Chapter 16: The Pity of It

Chapter 17: The Last of the Strollers

Chapter 18: The Chapman Sisters

Epilogue

Index
6.

Jacobean Theatre (Chap. X "Chapman's Tragedies")
by John Russell Brown, Bernard Harris. 258 pgs.

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Preface

I: The Jacobean Shakespeare

II: Ben Jonson and Jacobean Stagecraft

III: Citizen Comedy and Domestic Drama

IV: English Folly and Italian Vice

Note

V: The World's Proportion Jonson's Dramatic Poetry in 'sejanus' and 'Catiline'

VI: 'the Tempest' on the Stage

VII: The Danger Not the Death

VIII: Middleton's Experiments with Comedy And Judgement

IX: 'the White Devil' And 'the Duchess of Malfi'

X: Chapman's Tragedies

Index
7.

The Jacobean Poets
by Edmund Gosse. 234 pgs.

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Preface

Contents

The Jacobean Poets

Chapter II: Ben Jonson Chapman

Chapter III

Chapter IV: Beaumont and Fletcher

Chapter V: Campion Drayton Drummond Sir John Beaumont

Chapter VI: Heywood Middleton Rowley

Chapter VII: Giles and Phineas Fletcher Browne

Chapter VIII: Tourneur Webster Day Daborne

Chapter IX: Wither Quarles Lord Brooke

Chapter X: Philip Massinger

Index
8.

Essays on Literature and Society ("Royal Man: Notes on the Tragedies of George Chapman") begins on pg. 20)
by Edwin Muir. 170 pgs.

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By the Same Author

Contents

Robert Henryson

Royal Man: Notes on the Tragedies of George Chapman

The Politics of King Lear

Laurence Sterne

Burns and Popular Poetry

Walter Scott

Friedrich HÖlderlin

HÖlderlin's Patmos

Robert Browning

The Novels of Thomas Hardy

Franz Kafka

Oswald Spengler

The Political View of Literature

The Decline of the Novel

The Natural Man and the Political Man

Index
9.

Essays in Dramatic Literature: The Parrott Presentation Volume (Political Theory In The Plays Of George Chapman" begins on pg. 73)
by Hardin Craig. 474 pgs.

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PREFACE

TABLE OF CONTENTS

THOMAS MARC: PARROTT

ETHICS IN THE JACOBEAN DRAMA: THE CASE OF CHAPMAN

EARLY SENTIMENTAL COMEDY

POLITICAL THEORY IN THE PLAYS OF GEORGE CHAPMAN

FOR SHAKESPEARE'S HAMLET

THE GREATEST OF ELIZABETHAN MELODRAMAS

SHAKESPEARE'S TROILUS AND CRESSIDA YET DEEPER IN ITS TRADITION

A NOTE UPON WILLIAM SHAKESPEARE'S USE OF PLINY

THE DRAMA IN A FRONTIER THEATER

THE SCENES AS SHAKESPEARE SAW THEM

SHAKESPEARE'S PORTRAYAL OF SHYLOCK

BYRON'S WERNER RE-ESTIMATED: A NEGLECTED CHAPTER IN NINETEENTH CENTURY STAGE HISTORY*

SIR GILES MOMPESSON AND SIR GILES OVERREACH

A DEEP AND SAD PASSION

MILTON AND EURIPIDES

THE SHIPWRECK

HENRY NEVIL PAYNE, DRAMATIST AND JACOBITE CONSPIRATOR

DRYDEN'S "TAGGED" VERSION OF PARADISE LOST

THE INFLUENCE OF SHAKESPEARE ON SMOLLETT

THE VERSE LINING OF THE FIRST QUARTO OF KING LEAR

JANE BELL: PRINTER AT THE EAST END OF CHRIST-CHURCH1

THE PHILOSOPHY OF HAMLET
10.

A Literary History of England
by Albert C. Baugh. 1678 pgs.

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Preface

Contents

List of Abbreviations

Part I: The Old English Period (To 1100)

I: Folk, State, and Speech

II: Anglo-Latin Writings

III: The Old Tradition: Poetic Form

IV: The Old Tradition: Popular Poetry

V: The Old Tradition: Courtly Poetry

VI: Religious Poetry: CæDmon and His School

VII: Religious Poetry: Cynewulf and His School

VIII: Religious Poetry: Poems on Various Themes

IX: Secular Poetry

X: Literary Prose

Part II: The Middle English Period (1100-1500)

I: General Characteristics of the Period

II: The Survival of the Native Tradition (1100-1250)

III: The Ancrene Riwle

IV: Anglo-Norman Literature

Early Latin Writers

VI: Wit and Wisdom

VII: For Their Soul's Need

VIII: The Arthurian Legend to Layamon

IX: The Romance: I

X: The Romance: II

XI: The Omnibus of Religion

XII: The Lyric

XIII: Richard Rolle and Other Mystics

XIV: The Alliterative Revival

XV: Piers Plowman and Other Alliterative Poems

XVI: Chaucer: I

XVII: Chaucer: II

XVIII: Other Contemporaries of Chaucer

XIX: The Beginnings of the Drama

XX: Ebb Tide

XXI: Looking Forward

Part I: The Early Tudors (1485-1558)

I: Links with the Past

II: The New Learning

III: The New World

IV: Satire

V: The Interlude

VI: Religious Prose

Part II: The Reign of Elizabeth (1558-1603)

I: The Elizabethan Lyric

II: Verse Narrative

III: Prose Narrative: Lylyand His Predecessors

IV: Prose Narrative: II. Greene and His Followers

V: Miscellaneous Prose

VI: Elizabethan Comedy

VII: Elizabethan Tragedy

VIII: Sidney and the Sonneteers

IX: Edmund Spenser

X: The Faerie Queene: the Spenserians

XI: Christopher Marlowe

XII: Shakespeare to 1603

Part III: The Early Stuarts and the Commonwealth (1603-1660)

I: Shakespeare under James

II: Jacobean Drama: I. Dramatists of the Old School

III: Jacobean Drama: II. the Satiric Group

IV: Jacobean Drama: III. the Romantic Playwrights

V: Caroline Drama, 1625-1642

VI: Seventeenth-Century Prose: I. Bacon and the Prose of Utility

VII: Seventeenth-Century Prose: II. Character Books. Autobiography. Walton.

VIII: Seventeenth-Century Prose: III. the Baroque Glory

IX: Seventeenth-Century Poetry: I. the Olympians

X: Seventeenth-Century Poetry II. the Moral Tradition

XI: Seventeenth-Century Poetry: III. the Academic and Courtly Tradition

XII: Seventeenth-Century Poetry: Iv. Links with the Restoration

XIII: Milton, "The Last Elizabethan"

XIV: Milton's Latin Poems and Prose Works

XV: Milton in the Restoration

Part I: The Rise of Classicism

I: The Spirit of the Restoration

II: Literary Criticism of the Restoration

III: The Poetry of Dryden

IV: Minor Poets of the Restoration

V: Restoration Drama: I. Heroic Plays and Tragedies

VI: Restoration Drama: II. Comedy

VII: Patterns in Historical Writing

VIII: Types of Prose Fiction

IX: The Essay and Allied Forms

Part II: Classicism and Journalism

I: Eighteenth-Century Quality

II: The Critical Temper and Doctrine; 1700-1750

III: Defoe and Journalism

IV: Jonathan Swift

V: Addison, Steele, and the Periodical Essay

VI: The Drama, 1700-1740

VII: Traditions in Early Eighteenth-Century Poetry

VIII: Pope and His Group

IX: New Voices in Poetry

X: The Mid-Century Novel

Book III: The Restoration and Eighteenth Century (1660-1789)

I: Accentuated Tendencies

II: Opinions of Critics

Book IV: The Nineteenth Century and after (1789-1939)

Index
11.

Homeric Renaissance: The Odyssey of George Chapman
by Lord George Def.. 224 pgs.

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Contents

The Philip Hamilton Mcmillan Memorial Publication Fund

Preface

Chapter I: Translation and Interpretation

Notes to Chapter I

Chapter II: The Allegorical Background

Notes to Chapter II

Chapter III: Dynamic Allegory in Chapman's 'Odyssey'

Notes to Chapter III

Chapter IV: The Style

Notes to Chapter IV

Chapter V: Style as Interpretation: Chapman's 'Odyssey' and Pope's

Notes to Chapter V

Selected Bibliography
12.

All Fools
by George Chapman, Frank Manley. 103 pgs.

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Regents Renaissance Drama Series

Contents

List of Abbreviations

Introduction

All Fools

Appendix
13.

The Widow's Tears
by George Chapman, Ethel M. Smeak. 119 pgs.

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The Widow's Tears

Regents Renaissance Drama Series

Contents

List of Abbreviations

Introduction

The Widow's Tears

The Actors

Appendix Chronology
14.

Alphonsus, Emperor of Germany: Reprinted in Facsimile from the Edition of 1654
by George Chapman, Herbert F. Schwarz. 105 pgs.

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Preface

Introduction

Notes

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