Lord Byron

Byron, George Gordon Noel Byron, 6th Baron

George Gordon Noel Byron Byron, 6th Baron (bī´rən), 1788–1824, English poet and satirist.

Early Life and Works

He was the son of Capt. John ( "Mad Jack" ) Byron and his second wife, Catherine Gordon of Gight. His father died in 1791, and Byron, born with a clubfoot, was subjected alternately to the excessive tenderness and violent temper of his mother. In 1798, after years of poverty, Byron succeeded to the title and took up residence at the family seat, Newstead Abbey. He subsequently attended Dulwich school and Harrow (1801–5) and then matriculated at Trinity College, Cambridge. Although the academic atmosphere did nothing to lessen Byron's sensitivity about his lameness, he made several close friends while at school.

His first volume, Fugitive Pieces (1806), was suppressed; revised and expanded, it appeared in 1807 as Poems on Various Occasions. This was followed by Hours of Idleness (1807), which provoked such severe criticism from the Edinburgh Review that Byron replied with English Bards and Scotch Reviewers (1809), a satire in heroic couplets reminiscent of Pope, which brought him immediate fame.

Byron left England the same year for a grand tour through Spain, Portugal, Italy, and the Balkans. He returned in 1811 with Cantos I and II of Childe Harold (1812), a melancholy, philosophic poem in Spenserian stanzas, which made him the social lion of London. It was followed by the verse tales The Giaour (1813), The Bride of Abydos (1813), The Corsair (1814), Lara (1814), The Siege of Corinth (1816), and Parisina (1816).

Byron's name at this time was linked with those of several women, notably Viscount Melbourne's wife, Lady Caroline Lamb. In Jan., 1815, he married Anne Isabella Milbanke, a serious, rather cold, young woman with whom he had little in common. She gave birth to a daughter, Augusta Ada, the following December. In 1816 she secured a separation. Although her reasons for such an action remain obscure, evidence indicates that she discovered the existence of an incestuous relationship between Byron and his half-sister, Mrs. Augusta Leigh. Although his many attachments to women are notorious, Byron was actually ambivalent toward women. There is considerable evidence that he also had several homosexual relationships.

Later Life and Works

In Apr., 1816, by then a social outcast, Byron left England, never to return. He passed some time with Shelley in Switzerland, writing Canto III of Childe Harold (1816) and The Prisoner of Chillon (1816). With the party was Shelley's sister-in-law, Claire Clairmont, who had practically forced Byron into a liaison before he left England, and who, in Jan., 1817, bore him a daughter, Allegra.

Settling in Venice (1817), Byron led for a time a life of dissipation, but produced Canto IV of Childe Harold (1818), Beppo (1818), and Mazeppa (1819) and began Don Juan. In 1819 he formed a liaison with the Countess Teresa Guiccioli, who remained his acknowledged mistress for the rest of his life. Byron was induced to interest himself in the cause of Greek independence from the Turks and sailed for Missolonghi, where he arrived in 1824. He worked unsparingly with Prince Alexander Mavrocordatos to unify the divergent Greek forces, but caught a fever and died the same year.


Ranked with Shelley and Keats as one of the great Romantic poets, Byron became famous throughout Europe as the embodiment of romanticism. His good looks, his lameness, and his flamboyant lifestyle all contributed to the formation of the Byronic legend. By the mid-20th cent. his reputation as a poet had been eclipsed by growing critical recognition of his talents as a wit and satirist.

Byron's poetry covers a wide range. In English Bards and Scotch Reviewers and in The Vision of Judgment (1822) he wrote 18th-century satire. He also created the "Byronic hero," who appears consummately in the Faustian tragedy Manfred (1817)—a mysterious, lonely, defiant figure whose past hides some great crime. Cain (1821) raised a storm of abuse for its skeptical attitude toward religion. The verse tale Beppo is in the ottava rima (eight-line stanzas in iambic pentameter) that Byron later used for his acknowledged masterpiece Don Juan (1819–24), an epic-satire combining Byron's art as a storyteller, his lyricism, his cynicism, and his detestation of convention.


See his letters and diaries, ed. by L. Marchand (12 vol., 1973–85), supplemental vol., What Comes Uppermost (1994); biographies by A. Maurois (1930, repr. 1964), L. Marchand (3 vol., 1957; and 1 vol., 1970, repr. 1979), P. Grosskurth (1997), B. Eisler (1999), F. MacCarthy (2002), and E. O'Brien (2009); studies by P. Quennell (rev. ed. 1967; and 1941, repr. 1957), G. W. Knight (1952, 1957), L. Marchand (1965), M. G. Cooke (1969), J. J. McGann (1980, 1986), M. Corbett (1988), and I. Gilmour (2003).

The Columbia Encyclopedia, 6th ed. Copyright© 2014, The Columbia University Press.

Selected full-text books and articles on this topic

Ethel Colburn Mayne.
Charles Scribner's Sons, 1924
FREE! The Complete Poetical Works of Lord Byron
George Gordon Byron.
Houghton Mifflin, 1905
The Major Works
Jerome J. McGann; George Gordon Byron.
Oxford University Press, 2000
FREE! The Works of Lord Byron: With His Letters and Journals, and His Life
Thomas Moore; George Gordon Byron.
John Murray, vol.1, 1835
Fugitive Pieces
George Gordon Noel Byron.
Pub. for the Facsimile text society by C 1933., 1933
Byron: A Critical Study
Andrew Rutherford.
Stanford University Press, 1961
Lord Byron's Don Juan
Harold Bloom.
Chelsea House, 1987
Librarian’s tip: This is a book of literary criticism
Byron's Don Juan: A Critical Study
Elizabeth French Boyd.
Rutgers University Press, 1945
The Late Lord Byron: Posthumous Dramas
Doris Langley Moore.
Lippincott, 1961
FREE! Lives of Great English Writers from Chaucer to Browning
Walter S. Hinchman; Francis B. Gummere.
Houghton Mifflin, 1908
Librarian’s tip: "George Gordon Noel Byron" begins on p. 361
The Shelley-Byron Conversation
William D. Brewer.
University Press of Florida, 1994
Byron, Shelley, and Their Pisan Circle
C. L. Cline.
Harvard University Press, 1952
Byron and Goethe: Analysis of a Passion
E. M. Butler.
Bowes & Bowes, 1956
FREE! Life of Lord Byron
Roden Noel.
Walter Scott Publishing, 1890
Lord Byron's Wife
Malcolm Elwin.
Harcourt, Brace & World, 1963
Looking for a topic idea? Use Questia's Topic Generator