Robert Browning

Robert Browning, 1812–89, English poet. His remarkably broad and sound education was primarily the work of his artistic and scholarly parents—in particular his father, a London bank clerk of independent means. Pauline, his first poem, was published anonymously in 1833. In 1834 he visited Italy, which eventually became his second homeland. He won some recognition with Paracelsus (1835) and Sordello (1840). In 1837, urged by William Macready, the Shakespearean actor, Browning began writing for the stage. Although not especially successful, he wrote eight verse plays during the next nine years, two of which were produced—Strafford in 1837 and A Blot in the 'Scutcheon in 1843. The narrative poem Pippa Passes appeared in 1841; it and subsequent poems were later published collectively as Bells and Pomegranates (1846). Included were "My Last Duchess" and "Soliloquy of the Spanish Cloister," both dramatic monologues; this form proved to be the ideal medium for Browning's poetic genius. Other notable poems of this kind are "Fra Lippo Lippi," "Andrea del Sarto," and "The Bishop Orders His Tomb." In 1846, after a romantic courtship, Browning secretly married the poet Elizabeth Barrett and took her to Italy, where they lived for 15 happy years. There he wrote Christmas Eve and Easter Day (1850) and Men and Women (1855). In 1861, after the death of his wife, he returned to England, where he wrote Dramatis Personae (1864). This was followed by what is considered his masterpiece, the murder story The Ring and the Book (4 vol., 1868–69). Set in 17th-century Italy, the poem reveals, through a series of dramatic dialogues, how a single event—a murder—is perceived by different people. Browning gained recognition slowly, but after the publication of this work he was acclaimed a great poet. Societies were instituted for the study of his work in England and America. His later works include Dramatic Idyls (2 vol., 1879–80) and Asolando (1889). Browning's thought is persistently optimistic. He believed in commitment to life. His psychological portraits in verse, ironic and indirect in presentation, and his experiments in diction and rhythm have made him an important influence on 20th-century poetry. He was buried in Westminster Abbey.

See variously published volumes of his letters; complete works, ed. by R. A. King (5 vol., 1967–82); biographies by M. Ward (2 vol., 1967–69), B. Miller (1952, repr. 1973), and W. Irvine and P. Honan (1974); studies by R. Langbaum (1963), P. Drew (1966 and 1970), R. E. Gridley (1972), T. Blackburn (1967, repr. 1973), and J. Woolford (1988).

The Columbia Encyclopedia, 6th ed. Copyright© 2013, The Columbia University Press.

Selected full-text books and articles on this topic

The Complete Critical Guide to Robert Browning
Stefan Hawlin.
Routledge, 2002
Robert Browning: The Critical Heritage
Boyd Litzinger; Donald Smalley.
Routledge, 1995
Robert Browning
Adam Roberts; Robert Browning.
Oxford University Press, 1997
FREE! An Introduction to the Study of Robert Browning's Poetry
Hiram Corson.
D.C. Heath, 1886
FREE! The Complete Poetic and Dramatic Works of Robert Browning
Robert Browning.
Houghton Miffin, 1895
Librarian’s tip: "My Last Duchess", p. 252
FREE! A Guide-Book to the Poetic and Dramatic Works of Robert Browning
George Willis Cooke.
Houghton Mifflin, 1901
The Poetical Works of Robert Browning
Ian Jack; Robert Inglesfield; Robert Browning.
Clarendon Press, vol.5, 1995
FREE! The Poetry of Robert Browning
Stopford A. Brooke.
Thomas Y. Crowell, 1902
FREE! Robert Browning: How to Know Him
William Lyon Phelps.
Bobbs-Merrill, 1915
The Bow and the Lyre: The Art of Robert Browning
Roma A. King Jr.
University of Michigan Press, 1957
The Elusive Self in the Poetry of Robert Browning
Constance W. Hassett.
Ohio University Press, 1982
Browning and America
Louise Greer.
University of North Carolina Press, 1952
FREE! The Letters of Robert Browning and Elizabeth Barrett Barrett, 1845-1846
Robert Browning; Elizabeth Barrett Browning.
Harper & Brothers, vol.1, 1898
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