Circus History

circus

circus [Lat.,=ring, circle], historically, the arena associated with the horse and chariot races and athletic contests known in ancient Rome as the Circensian games. The Roman circus was a round or oval structure with tiers of seats for spectators, enclosing a space in which the races, games, and gladiatorial combats took place. Underneath were dressing rooms, dens for wild beasts, and rooms where properties were stored. The Circus Maximus, presumably built in the reign of Tarquin I (c.616–c.578 BC), and rebuilt by Julius Caesar, was reported by Pliny in his Natural History to have a capacity of 250,000, though this figure is suspiciously large. Other famous circi of Rome were the Circus Flaminius (221 BC); the Circus Neronis, of Caligula and Nero, at which many Christians perished; and the Circus Maxentius. The circus of Septimius Severus at Constantinople and many others were often scenes of riot and bloodshed between factions of charioteers. The games, aside from races, were brutal and bloody, and for this reason the Greeks, even under Roman domination, never really accepted the circus.

The modern circus, which originated in performances of equestrian feats in a horse ring strewn with sawdust, dates from the closing years of the 18th cent. The circus is traditionally a nomadic tent show, with trained animals, acrobats, and clowns. The main tent, known as the big top, is often surrounded by various concessions and sideshows with "freaks" and wild animals. Even before 1830, traveling circuses were common in the United States and in England. After 1873 two rings were used in the main tent and the three-ring circus, as we know it today, was initiated by James A. Bailey. The most celebrated circus in America was "The Greatest Show on Earth" of P. T. Barnum, which, in merging with Bailey's, became Barnum and Bailey's. On Bailey's death in 1907 the circus was purchased by Ringling Brothers, and in 1919 the two circuses were combined. Since 1969, Ringling Brothers has had two large circuses on tour that play mostly indoors and visit almost every major U.S. city annually.

The traveling circus, in its heyday from 1880 to 1920, declined in the 1950s and 60s. By the 1980s, however, more than 30 circuses were touring the United States and Canada. Outstanding among contemporary circuses are two small and sophisticated shows, the New York City–based Big Apple Circus and the Montreal-based Cirque du Soleil. The latter is the most elaborate and best known exponent of the form called cirque nouveau. A type of modern circus without animal acts, it is characterized by a mixture of traditional circus arts with poetic spectacle, music, and dance and is practiced by a number of European and Canadian troupes.

See studies by H. R. North and A. Hatch (1960); E. C. May (1932, repr. 1963); C. P. Fox and T. Parkinson (1970); M. Murray (1956, repr. 1973); G. Speight (1980); L. D. Hammarstrom, John Ringling North and the Circus (1992).

The Columbia Encyclopedia, 6th ed. Copyright© 2013, The Columbia University Press.

Selected full-text books and articles on this topic

The Circus Age: Culture and Society under the American Big Top
Janet M. Davis.
University of North Carolina Press, 2002
American Popular Music and Its Business: The First Four Hundred Years, from 1790-1909
Russell Sanjek.
Oxford University Press, vol.2, 1988
Librarian’s tip: "The American Circus - Incubator of the Minstrel Show" begins on p. 166
Hawkers & Walkers in Early America, Strolling Peddlers, Preachers, Lawyers, Doctors, Players, and Others, from the Beginning to the Civil War
Richardson Wright.
J.B. Lippincott Company, 1927
Librarian’s tip: Chap. XIII "Circus and Theatre Start on Tour"
Handbook of American Popular Culture
M. Thomas Inge.
Greenwood Press, vol.1, 1989 (2nd Rev. edition)
Librarian’s tip: "Circus and Outdoor Entertainment" begins on p. 173
FREE! Life of Hon. Phineas T. Barnum
Joel Benton.
Edgewood Publishing, 1891
America Learns to Play: A History of Popular Recreation, 1607-1940
Foster Rhea Dulles.
D. Appleton-Century, 1940
Librarian’s tip: Chap. VII "Mr Barnum Shows the Way"
Fools and Jesters in Literature, Art, and History: A Bio-Bibliographical Sourcebook
Vicki K. Janik; Emmanuel S. Nelson.
Greenwood Press, 1998
Librarian’s tip: "The American Circus Clown" begins on p. 136
Dan Rice: The Most Famous Man You've Never Heard Of
David Carlyon.
Public Affairs, 2001
Librarian’s tip: Chap. 4 "Circus"
Sequins under the Big Top: Women in the Australian Circus
Ramsland, John.
Journal of Australian Studies, No. 52, March 1997
The Pickle Clowns: New American Circus Comedy
Joel Schechter.
Southern Illinois University Press, 2001
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