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Mime

pantomime


pantomime or mime (păn´təmīm) [Gr.,=all in mimic], silent form of the drama in which the story is developed by movement, gesture, facial expression, and stage properties. It is known to have existed among the Chinese, Persians, Hebrews, and Egyptians and has been observed in many other cultures. Pantomime was popular in ancient Rome, where it was often explained by songs or simple action. The traditional characters of pantomime take their origin in the Italian commedia dell'arte of the 16th cent. English pantomime, originated by John Rich, was more pageant than pantomime, and in 1818, when J. R. Planche began his extravaganzas with "speaking openings," pantomime in England became a dramatic spectacle with songs and speeches. Joseph Grimaldi and Jean Gaspard Deburau were famous pantomime stars of the 19th cent. In silent pictures, Charlie Chaplin made his name as a great pantomime actor. Marcel Marceau has been the leading artist in France.



See C. Aubert, Art of Pantomime (1927, repr. 1969); J. Lawson, Mime (1957, repr. 1973).

The Columbia Encyclopedia, 6th ed. Copyright© 2012, The Columbia University Press.

Selected full-text books and articles on this topic at Questia

The Mime
Jean Dorey; Etienne Decroux; Jean-Louis Barrault; Marcel Marceau; Robert Speller; Pierre De Fontnouvelle. R. Speller, 1961
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Masks, Mimes and Miracles: Studies in the Popular Theatre
Allardyce Nicoll. Cooper Square Publishers, 1963
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The Roman Stage: A Short History of Latin Drama in the Time of the Republic
W. Beare. Methuen, 1950
Librarian’s tip: Chap. XVIII "The Mime"
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The Choreographic Art: An Outline of Its Principles and Craft
Peggy Van Praagh; Peter Brinson; Robert Bruce Church. Alfred A. Knopf, 1963
Librarian’s tip: "Mime and Acting" begins on p. 108
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Reflections on the Theatre
Jean Louis Barrault. Rockliff, 1951
Librarian’s tip: Discussion of mime begins on p. 26 and "Concerning Mime and Dance" begins on p. 155
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On Stage: A History of Theatre
Vera Mowry Roberts. Harper & Row, 1962
Librarian’s tip: Chap. 4 "Imitations and Innovations of the Romans"
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Fools and Jesters in Literature, Art, and History: A Bio-Bibliographical Sourcebook
Vicki K. Janik; Emmanuel S. Nelson. Greenwood Press, 1998
Librarian’s tip: "Jean-Louis Barrault" begins on p. 71
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Jacques Lecoq
Simon Murray. Routledge, 2003
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Dance as Education: Towards a National Dance Culture
Peter Brinson. Routledge Falmer Press, 1991
Librarian’s tip: Chap. 5 "Whose Arts, Whose Community?"
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Acting (Re)considered: A Theoretical and Practical Guide
Phillip B. Zarrilli. Routledge, 2002 (2nd edition)
Librarian’s tip: Chap. 10 "Etienne Decroux's Promethean Mime"
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Contemporary Feminist Theatres: To Each Her Own
Lizbeth Goodman. Routledge, 1993
Librarian’s tip: "Black Mime Theatre Women's Troop" begins on p. 166
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Theatre for Working-Class Audiences in the United States, 1830-1980
Bruce A. McConachie; Daniel Friedman. Greenwood Press, 1985
Librarian’s tip: "History I: The Pioneers" begins on p. 201
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