Read complete books and articles on: Adolphe Appia

Appia, Adolphe - ädôlfˈ äpˈpyä, 1862–1928, Swiss theorist of modern stage lighting and décor. In interpreting Wagner's ideas in scenic designs for his operas, Appia rejected painted scenery for the three-dimensional set; he felt that shade was as necessary as light to link the actor to this setting in time and space. His use of light, through

9 of the Best Books and Articles on: Adolphe Appia

as selected by Questia librarians

1.

The Work of Living Art: A Theory of the Theatre » Read Now
by Adolphe Appia, H. D. Albright, Barnard Hewitt. 134 pgs.

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...in English for the first time Adolphe Appia The Work of Living Art , for...are indebted to the Fondation Adolphe Appia, Geneva, Switzerland, for permission...for the...
2.

Directors on Directing: A Source Book of the Modern Theater ("Adolphe Appia" begins on p. 138) » Read Now
by Toby Cole, Helen Chinoy Krich. 464 pgs.

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...David Belasco 125 Adolphe Appia 138 Gordon Craig...William Melnitz. spectacle," Adolphe Appia concluded. Religious observance...in the theatrical experience. Adolphe Appia...
3.

Stage Decoration (Chap. VII "Visions of a Different Theatre: Craig and Appia") » Read Now
by Sheldon Cheney. 138 pgs.

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...courtesy of the artist. 73. Two designs by Adolphe Appia for The Valhyrs . From Die Musk und die Inscenierung , by Adolphe Appia. 74. Design by Adolphe Appia for The...
4.

The Theatre of the Weimar Republic (Discussion of Adolphe Appia begins on p. 25) » Read Now
by John Willett. 353 pgs.

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...the Geneva director Adolphe Appia, whose book La Mise...Without question," wrote Appia later, "the master situated...painting." This "painting" he Adolphe Appias principles...
5.

Drama: Its Costume & Decor (Discussion of Adolphe Appia begins on p. 226) » Read Now
by James Laver. 264 pgs.

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...from La Dame aux Camelias: setting by Alexandre Benois 211 188 Scenery for Parsifal, Act I, by Adolphe Appia 220 189 Stage setting by Herbert M. Prentice for The Immortal...
6.

Central and Flexible Staging: A New Theater in the Making (Discussion of Adolphe Appia begins on p. 8) » Read Now
by Walden P. Boyle. 120 pgs.

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...relationship are Max Reinhardt, Adolphe Appia, Jacques Copeau, Vsevold Meierhold...drama, actor, and audience. Adolphe Appia 1862-1928 was another of the...1 Jean Mercier...
7.

On Stage: A History of Theatre (Discussion of Adolphe Appia begins on p. 428) » Read Now
by Vera Mowry Roberts. 536 pgs.

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...On Stage: a history of theatre On Stage A HISTORY OF THEATRE Vera Mowry Roberts Department of Speech and Theatre Hunter College of the City University of New...
8.

Richard Wagner and Festival Theatre (Discussion of Adolphe Appia begins on p. 151) » Read Now
by Simon Williams. 181 pgs.

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In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth...
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In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre as it established the paradigm for all modern theatre and music festivals, while the Festival Theatre itself has provided the most widely imitated architectural configuration in 20th-century theatre building.
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9.

Avant Garde Theatre, 1892-1992 ("Eurythmics and Psychodrama" begins on p. 47) » Read Now
by Christopher Innes. 262 pgs.

Collections: Literature, Entire Library

Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and...
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Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends.The original text, first published in 1981 as Holy Theatre , has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.
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