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Eugenio Barba
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Eugenio Barba
1 .
Eugenio Barba
by Jane Turner. 174 pgs.
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Title Page
Contents
Figures
Acknowledgements
1: Building A'small Tradition'
2: Journeys by Canoe
3: A Spectator's View of Ego Faust
4: Practical Exercises
Glossary
Bibliography
Index
2 .
Towards a Third Theatre: Eugenio Barba and the Odin Teatret
by Richard Schechner, Ian Watson. 203 pgs.
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Title Page
Contents
Figures
Plates
Preface
Introduction
1: Barba
2: Theatre Theory
3: Training
4: Rehearsals and Dramaturgy
5: Productions
6: The International School of Theatre Anthropology
Notes
Select Bibliography
Major Films and Videotapes Relevant to the Work of Eugenio Barba
Index
3 .
The Paper Canoe: A Guide to Theatre Anthropology
by Eugenio Barba. 190 pgs.
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Preface
1: The Genesis of Theatre Anthropology
2: Definition
3: Recurring Principles
4: Notes for the Perplexed (And for Myself)
5: Energy, or Rather, the Thought
6: The Dilated Body
7: A Theatre Not Made of Stones and Bricks
8: Canoes, Butterflies and a Horse
Notes
Index
4 .
The Actor's Way (Actors Discuss Working with Eugenio Barba and His Odin Teatret)
by Erik Exe Christoffersen. 224 pgs.
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Contents
Illustrations
Preface
Introduction
1: The Fourth Flew into the Fire and Burnt Up
2: The Closed Room: 1964-74
3: Joining Odin Teatret
4: The Open Room: 1974-82
5: Training, Technique and Theory
6: Building the Theatrical Characters
7: Dramaturgy
8: The Dancing Time-Space 1983-8
9: The Travellers of Speed
10: The Scream of the Butterfly
11: The Shadow of Antigone
12
13: The Spectator’s Personal Theatre
Select Bibliography
Index
5 .
The Routledge Reader in Politics and Performance ("Theatre Anthropology" by Eugenio Barba Begins on p. 41)
by Lizbeth Goodman, Jane De Gay. 324 pgs.
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Title Page
Contents
Preface
Acknowledgements
Foreword
Introduction
Part One: Practice to Theory: Theatre Games
Chapter 1: Introduction to Part One
Chapter 2: Towards a Poor Theatre
Chapter 3: Toward a Physical Characterization
Chapter 4: The Structure of the Actor’s Work
Chapter 5: Voice and the Actor
Chapter 6: Theatre Anthropology
Part Two: Critical Theories and Performance
Chapter 7: Introduction to Part Two
Chapter 8: Drama in a Dramatized Society
Chapter 9: Resistant Performance
Chapter 10: Performance and Cultural Politics
Chapter 11: Avant Garde Theatre:
Chapter 12: Deviance, Politics, and the Media
Part Three: Theorizing and Playing: Intercultural Perspectives
Chapter 13: Introduction to Part Three
Chapter 14: The World as a Can Opener
Chapter 15
Chapter 16: And Metaphysics
Chapter 17: Intercultural Performance in Theory and Practice
Part Four: Power, Politics, and the Theatre
Chapter 18: Introduction to Part Four:
Chapter 19: Colonial Anxieties and Post-Colonial Desires:
Chapter 20: Revolution and Re-Creation
Chapter 21: The Other History of Intercultural Performance
Chapter 22: Performance, Community, Culture
Part Five: Sexuality in Performance
Chapter 23: Introduction to Part Five
Chapter 24: Suffragettes Invented Performance Art
Chapter 25: Sexuality
Chapter 26: The Paradoxes of Identity
Chapter 27: Critically Queer
Chapter 28: Sexual Politics, Performativity, and Performance
Chapter 28: Copious, Gigantic, and Sane
Part Six: Performance Theory, Live Arts, and the Media
Chapter 30: Introduction to Part Six
Chapter 31: Theatre and Everyday Life
Chapter 32: Approaches to Performance Theory
Chapter 33: Signs of Performance
Chapter 34: Choreographies of Gender
Chapter 35: Envoi: Recent Developments in Dance
Part Seven: Political Theatres, Post-Coloniality, and Performance Theory
Chapter 36: Introduction to Part Seven
Chapter 37: Post-Colonial Drama: Theory, Practice, Politics
Chapter 38: South African Perspectives on Post-Coloniality in and Through Performance Practice
Chapter 39: Towards a Third Theatre
Chapter 40: Observing the Evidence Fail:
Part Eight: Post-Linearity and Gendered Performance Practice
Chapter 41: Introduction to Part Eight
Notes
Chapter 42: Seeing the Big Show
Chapter 43: Telling Stories:
Chapter 44: The Computer Cometh
Chapter 45: Time Past . . . Time Present . . . Time Future:
Chapter 46
Open Air Theatre:
Bibliography and Suggested Further Reading
Index
6 .
Avant Garde Theatre, 1892-1992 (Discussion of Eugenio Barba Begins on p. 167)
by Christopher Innes. 262 pgs.
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Title Page
Contents
Illustrations
Acknowledgements
1: Introduction
2: The Politics of Primitivism
3: Dreams, Archetypes and the Irrational
4: Therapy and Subliminal Theatre
5: Antonin Artaud and the Theatre of Cruelty
6: Ritual and Acts of Communion
7: Black Masses and Ceremonies of Negation
8: Myth and Theatre Laboratories
9: Secular Religions and Physical Spirituality
10: Anthropology, Environmental Theatre and Sexual Revolution
11: Interculturalism and Expropriating the Classics
12: From the Margins to Mainstream
Notes
Select Bibliography
Index
7 .
Theatre and the World: Performance and the Politics of Culture (Chapter 3 "The Theatre of Migrants" is about Barba)
by Rustom Bharucha. 253 pgs.
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Title Page
Contents
Preface
Acknowledgements
Introduction
Part I: Points of Departure
Chapter 1: Collision of Cultures
Chapter 2: Goodbye Grotowski
Chapter 3: The Theatre of Migrants
Chapter 4: Peter Brook's Mahabharata
References
Part II: Transition
Chapter 5: The Request Concert Project
Chapter 6: Request Concert in Calcutta
Chapter 7: Request Concert in Bombay
Chapter 8: Request Concert in Madras
Chapter 9: Retrospect
Part III: Returning
Chapter 10: Preparing for Krishna
Chapter 11: Notes on the Invention of Tradition
Chapter 12: Letter to an Actress
Chapter 13: Ninasam
Afterword
Index
8 .
Theatre at the Crossroads of Culture (Chapter 7 "Dancing with Faust: Reflections on an Intercultural Mise en Scene" by Barba)
by Patrice Pavis. 219 pgs.
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Contents
Preface
1: Toward a Theory of Culture and Mise En ScÈne
2: From Page to Stage: a Difficult Birth
3: The Classical Heritage of Modern Drama: the Case of Postmodern Theatre
4: On Theory as One of the Fine Arts and Its Limited Influence on Contemporary Drama Whether Majority or Minority
5: Theatre and the Media; Specificity and Interference
6: Toward Specifying Theatre Translation
7: Dancing with Faust: Reflections on an Intercultural Mise En ScÈne by Eugenio Barba
8: Interculturalism in Contemporary Mise En ScÈne: the Image of India in the Mahabharata, the Indiade, Twelfth Night and Faust
Index
9 .
Acting (Re)considered: A Theoretical and Practical Guide ("An Amulet Made of Memory: The Significance of Exercises in the Actor's Dramaturgy" by Barba Begins on p. 99)
by Phillip B. Zarrilli. 396 pgs.
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Title Page
Contents
List of Illustrations
Preface
Acknowledgements
1: General Introduction
Part I: Theories of and Meditations on Acting
2: Introduction
3: The Actor's Presence
4: On Acting and Not-Acting
5: “just Be Your Self”
6: The Actor's Emotions Reconsidered:
Part II: (Re)Considering the Body and Training
7: Introduction
8: An Amulet Made of Memory:
9: Meyerhold's Biomechanics
10: Etienne Decroux's Promethean Mime
11: Actor Training in the Neutral Mask
12: Bali and Grotowski
13: Culture is the Body
14: My Bodies
15: “on the Edge of a Breath, Looking”
16: The Gardzienice Theatre Association of Poland
17: Effector Patterns of Basic Emotions
Part III: (Re)Considering the Actor in Performance
18: Introduction
19: Brecht and the Contradictory Actor
20: Dario Fo
21: Forum Theatre
22: Resisting the “organic”
23: Rachel Rosenthal Creating Her Selves
24: Task and Vision
25: David Warrilow
26: Robert Wilson and the Actor
27: Anna Deavere Smith
Notes
Bibliography and References Cited
Bibliographical Note
Index
10 .
Twentieth-Century Theatre: A Sourcebook (Chapter 84 "Eurasian Theatre" by Barba)
by Richard Drain. 388 pgs.
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Contents
Preface
Prologue
Part I: The Modernist Dimension
Introduction
1: Alfred Jarry
2: Adolphe Appia
3: Gordon Craig
4: F.T.Marinetti, E.Settimelli and B.Corra
5: Enrico Prampolini
6: Tristan Tzara
7: Guillaume Apollinaire
8: Walter Hasenclever
9: Valeska Gert
10: Stanislas Ignacy Witkiewicz
11: Ivan Goll
12: El Lissitzky
13: Sergei Radlov
Notes
14: Oskar Schlemmer
15: Daniil Kharms
16: Gertrude Stein
17: Eugene Ionesco
Note
18: Allan Kaprow
19: Robert Wilson
20: Tadeusz Kantor
21: Richard Foreman
Part II: The Political Dimension
Introduction
22: Bernard Shaw
23: Sergei Eisenstein
Notes
24: Ernst Toller
25: Vsevolod Meyerhold
26: Erwin Piscator
27: Workers’ Theatre Movement
28: Bertolt Brecht
29: Athol Fugard
30: Ariane Mnouchkine
31: Judy Chicago
32: HÉlÈne Cixous
33: Carolee Schneemann
34: Suzanne Lacy and Leslie Labowitz
35: Edward Bond
36: Charles Ludlam
Part III: The Popular Dimension
Introduction
37: Gordon Craig
38: Vesta Tilley
39: Vsevolod Meyerhold
40: W.B.Yeats
41: F.T.Marinetti
42: Vladimir Mayakovsky
43: Grigori Kozintsev
44: Blue Blouse
45: Vsevolod Meyerhold
46: Karl Valentin
47: Bertolt Brecht
Notes
48: Jean Vilar
49: Armand Gatti
50: Peter Schumann
51: Dorothy Heathcote
52: Dario Fo
53: John Mcgrath
54: Armand Gatti
55: John Fox
56: Kwesi Owusu
Part IV: The Inner Dimension
Introduction
57: August Strindberg
58: Adolphe Appia
59: Gordon Craig
60: Vsevolod Meyerhold
61: LoÏe Fuller
62: Isadora Duncan
63: Wassily Kandinsky
64: Constantin Stanislavski
65: Paul Kornfeld
66: Evgeny Vakhtangov
67: Federico GarcÍa Lorca
68: Antonin Artaud
Notes
69: Judith Malina
70: Jerzy Grotowski
71: Louise Steinman
72: Rachel Rosenthal
Part V: The Global Dimension
Introduction
73: Antonin Artaud
74: Bertolt Brecht
Note
75: Enrique Buenaventura
76: Errol Hill
77: Luis Valdez
78: Peter Brook
79: Wole Soyinka
80: Ntozake Shange
81: Honor Ford-Smith
82: Augusto Boal
83: HÉlÈne Cixous
84: Eugenio Barba
Notes
85: Guillermo GÓmez-PeÑa
Acknowledgements
Index
11 .
Theatrical Directors: A Biographical Dictionary (Entry on Barba Begins on p. 13)
by John W. Frick, Stephen M. Vallillo. 574 pgs.
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Title Page
Contents
Preface
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
V
W
Y
Z
Appendix A: Chronological List of Directors
Appendix B: Directors Listed by Country in Which Primary Work Was Done
Selected Bibliography
Name Index
Play, Film, and Television Title Index
About the Advisors and Contributors
12 .
Theatre Companies of the World (Entry on Barba's Odin Teatret Begins on p. 430)
by Colby H. Kullman, William C. Young. 512 pgs.
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Title Page
Contents
Preface
Acknowledgments
Africa
Introduction
Ghana
Guinea
Kenya
Nigeria
Senegal
Uganda
Union of South Africa
Asia
Introduction
India
Indonesia
Japan
Korea
Taiwan
Australia and New Zealand
Introduction
Canada
Introduction
Eastern Europe
Introduction
Bulgaria
Czechoslovakia
Hungary
Poland
Romania
Soviet Union
Yugoslavia
Latin America
Introduction
Argentina
Brazil
Chile
Colombia
Costa Rica
Cuba
Ecuador
Mexico
Paraguay
Puerto Rico
Uruguay
Venezuela
The Middle East
Iran
Israel
Scandinavia
Denmark
Finland
Iceland
Norway
Sweden
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