Book of Psalms

Albert Cook examines the fusion of poetic with scriptural thinking in the prophets and wisdom writers of the Old Testament, focusing on the details of their thematic concentrations and on the posture they assume to orient themselves in their prophecies. Most poetry looks toward the past. Keats, Li Po, and Pindar, for example, all offer the profundity of a stocktaking. The poetry of the Hebrew prophet, however, is oriented toward the future. At worst, the prophet's perception and his intent can lead to an informed readiness for the future; at best, they can lead to a restoration of the people's covenant with God; but in any case, they will lead to a future whose features are compassed in the articulated vision. The Burden of Prophecy explores the implications of these conditions, balancing poetic, religious, and anthropological questions as it examines the Old Testament books of the prophets and their successors: Amos, Isaiah, Jeremiah, Ezekiel, Zechariah, Daniel, Psalms, and Ecclesiastes.

For centuries, men and women have turned to the Psalms more frequently than to any other book in the Bible. The reasons are not hard to find. With their passionate lyricism, their wild fluctuations between faith and fear, and their marvelous, incantatory rhythms, the Psalms provide the most extended and deeply personal treatment of the human call to God. The emotional power of such prayers, and the literary artistry with which they are expressed, are as compelling today as they were 2000 years ago. That power and artistry are made magnificently apparent in Sixty-One Psalms of David. This is not so much another translation as an inspired and engagingly fresh rendition of the Psalms. Following the tradition of Ezra Pound's versions and Robert Lowell's Imitations, David R. Slavitt--himself an esteemed poet and translator of Ovid, Virgil, Seneca, and others--casts the Psalms into a modern idiom that stays faithful to the original but strikes the ear remarkably like contemporary speech. Perhaps the most innovative and immediately appealing feature of these renditions is Slavitt's skillful use of traditional poetic forms. Here the Psalms are compressed, clarified, and given the satisfying shapes and textures of English poetry. Working most often in rhymed tetrameter quatrains, but also employing rhymed couplets and other forms, Slavitt brings all the subtlety and expressive power of English versification to these Psalms, and the result is a poetry that fits comfortably in the lineage that includes Sir Philip Sydney, John Donne, William Blake, and Richard Wilbur. Metrically supple, vividly physical, and marked by felicitous phrasing throughout, these renditions preserve the spiritual directness of the originals while giving readers the added pleasures of a new, and seemingly effortless, formal variety. As poet and Jewish folklorist Howard Schwartz has observed on this collection, "In Slavitt's hands the Psalms become an intense, one-sided conversation with God. They cohere in the only way a fine book of poems can, unified by the poets voice. The full range of emotion emerges, especially fear, disgust at the foibles of humanity, loathing of one's enemies, and awe and trust in God." Readers well familiar with the Psalms will want to have Slavitt's new renditions alongside the Bible on their shelves, as a highly inventive and illuminating counterpoint. And readers coming upon these verses for the first time will feel themselves blessed to discover poetry and prayer so beautifully joined.

This book is the first of two columes on the spiritual life as manifest in the history of Judaism. This first volume deals with the classic ages of the Jewish tradition: the biblical, the rabbinic, and the medieval.

A History of the English Bible as Literature (revised and condensed from the author's acclaimed History of the Bible as Literature CUP, 1993) explores five hundred years of religious and literary ideas. At its heart is the story of how the King James Bible went from being mocked as English writing to being "unsurpassed in the entire range of literature." It studies the Bible translators, writers such as Milton and Bunyan who contributed so much to our sense of the Bible, and a fascinating range of critics and commentators.