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Read complete books and articles on: Women in Film
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16 of the Best Books and Articles on: Women in Film
as selected by Questia librarians
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Women and Film
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by Janet Todd.
281 pgs.
...THEORY The Problem of Women in Film 1 Introduction JAMES...FEMINIST FILM THEORY The Problem of Women in Film 1 Introduction JAMES LYNN...June Sochen, " Mildred Pierce and...
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The Casting Couch and Other Front Row Seats: Women in Films of the 1970s and 1980s
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by Marsha McCreadie.
200 pgs.
This collection of film reviews and essays focuses on the role of women in films during the 1970s and 1980s. The author examines the shifting portrayals of women from the almost anti-progressive treatment of women in the early 1970s through the integration of more progressive professional women in...
This collection of film reviews and essays focuses on the role of women in films during the 1970s and 1980s. The author examines the shifting portrayals of women from the almost anti-progressive treatment of women in the early 1970s through the integration of more progressive professional women in the films of the late 1980s. She shows that most of the important movies of the period were about women and that these films seemed to reflect the momentous changes that women were going through in the society at large. The analysis is augmented with personal interviews with leading female actresses of the period.
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Signifying Female Adolescence: Film Representations and Fans, 1920-1950
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by Georganne Scheiner.
176 pgs.
Scheiner uses films and fan behavior as windows to decode the cultural meanings of female adolescence from 1920 to 1950 and beyond. In film, adolescent girls have been represented as powerful, subversive, problematic, or in opposition to the parent culture. Girls, in turn, have often used the same...
Scheiner uses films and fan behavior as windows to decode the cultural meanings of female adolescence from 1920 to 1950 and beyond. In film, adolescent girls have been represented as powerful, subversive, problematic, or in opposition to the parent culture. Girls, in turn, have often used the same tropes to create social identity and to affirm cultural authority.
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Early Women Directors
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by Anthony Slide.
122 pgs.
...and a deluge of articles on women in film, womens place in films and...an excellent example of what women accomplished in the film industry. In England, Billie...1934 to...
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Women behind the Camera: Conversations with Camerawomen
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by Alexis Krasilovsky.
220 pgs.
Hollywood has seen the number of camerawomen quadruple in the past 15 years. Women Behind the Camera is the first book to offer an in-depth look at the lives of camerawomen and their struggles to succeed in a male-dominated field. Krasilovsky presents interviews with 23 camerawomen, most of whom are...
Hollywood has seen the number of camerawomen quadruple in the past 15 years. Women Behind the Camera is the first book to offer an in-depth look at the lives of camerawomen and their struggles to succeed in a male-dominated field. Krasilovsky presents interviews with 23 camerawomen, most of whom are pioneers in Hollywood and whose experiences cover the full range of the Camera Department.
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Recreational Terror: Women and the Pleasures of Horror Film Viewing
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by Isabel Cristina Pinedo.
177 pgs.
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite...
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
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Eros in the Mind's Eye: Sexuality and the Fantastic in Art and Film (Includes discussion of women in film in multiple chapters)
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by Donald Palumbo.
292 pgs.
This lively collection offers a wide-ranging exploration of the erotic and the fantastic in painting, illustration, and frilm. It covers Western art of six centuries--from medieval woodcuts to contemporary poster art--and the cinema of six decades--from horror classics of the 1930s to recent slasher...
This lively collection offers a wide-ranging exploration of the erotic and the fantastic in painting, illustration, and frilm. It covers Western art of six centuries--from medieval woodcuts to contemporary poster art--and the cinema of six decades--from horror classics of the 1930s to recent slasher films--documenting the surprising variety of guises in which sexuality appears in fantasy art and cinema. Among the subjects treated are occult eroticism in Medieval and Renaissance art; the use of fantasy as a vehicle for depicting erotic subjects in periods of sexual repression; the fascination with unconscious and aberrant sexuality in the visual arts since the publication of Freud's theories; movie monsters and aliens as emblems of the submerged id or libido; and monstrous metamorphosis as a symbol of the changes accompanying puberty.
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Feminism and Film
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by Maggie Humm.
246 pgs.
The first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb, Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. She draws on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell...
The first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb, Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. She draws on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell hooks to examine films such as Klute, Dead Ringers, A Question of Silence, Orlando and Daughters of the Dust.
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Film Feminisms: Theory and Practice
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by Mary C. Gentile.
184 pgs.
...Cinema and by E. Ann Kaplan in Women and Film: Both Sides of the Camera...Sexual Stratagems: The World of Women in Film edited by Patricia Erens...Sexual Stratagems: The...
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Filming Women in the Third Reich
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by Jo Fox.
268 pgs.
In 1936, Goebbels stated that 'a government that controls art will remain forever', and the German film industry became inextricably linked with National Socialist propaganda. This book is an historical evaluation of the role and image of women in the feature films of the Third Reich. The author...
In 1936, Goebbels stated that 'a government that controls art will remain forever', and the German film industry became inextricably linked with National Socialist propaganda. This book is an historical evaluation of the role and image of women in the feature films of the Third Reich. The author challenges current perceptions of the National Socialist position with regards to women and examines the creation of a female film culture, as well as the 'blurring' of gender distinctions as a result of the war.Goebbels and his wife personally selected young movie actresses at their home to portray mothers, vamps, girls-next-door and exotic love interests. His interest in film opens up an array of important issues central to this book: Were women compliant with Nazism or were they the victims of a regime imposing policies ultimately detrimental to their condition? Is it true that the war helped to emancipate women who were not only romantic and patriotic heroines on screen but employed as drivers, technicians and even managers of government affiliated film departments? Did all films produced under the auspices of the Third Reich serve as propaganda and if so, how successful were they? And finally, what can the study of cinema contribute to the historical debate surrounding National Socialism?This book fills a considerable gap in the research of the Nazi star system and makes a crucial contribution not only to cinema history, but also to our view of the perceived role of women in the Third Reich.'This book will change the way that we look at Nazi Germany.'Richard Taylor, University of Swansea
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