Marcel Mauss

In this outstanding collection, Mike Gane brings together a selection of key articles on Durkheim and Mauss showing their points of convergence and divergence. Included here are Mauss's 'A sociological assessment of Bolshevism 1924-5' and his 'Letters on Communism, Fascism and Nazism'. This is an engrossing book not only for scholars and students of Durkheim and Mauss but for anyone interested in radical social theory.

Organized along the same lines as Three Sociological Traditions, Four Sociological Traditions is Randall Collins' updated guide to the development of modern sociology. Explaining in a brief, readable format the 4 main schools of sociological thought, this book represents a concise intellectual history of the development of sociology. Widely adopted as either a main or supplemental text, Four Sociological Traditions presents clearly the conflict tradition of Marx and Weber, the ritual solidarity tradition of Durkheim, and the microinteractionist tradition of Mead, Blumer, and Garfinkel, and - new in this edition - the rational choice/utilitarian tradition. One of the most lively and exciting writers in sociology, Randall Collins introduces students to the roots of social theory, indicating areas where progress has been made in our understanding, as well as those areas where controversy still exists. Students will find Four Sociological Traditions a fresh, thorough, and thought-provoking examination.

Ivan Strenski debunks the common notion that there is anything "essentially" Jewish in Durkheim's work. Seeking the Durkheim inside the real world of Jews in France rather than the imagined Jewishness inside Durkheim himself, Strenski adopts a Durkheimian approach to understanding Durkheim's thought. In so doing he shows for the first time that Durkheim's sociology (especially his sociology of religion) took form in relation to the Jewish intellectual life of late nineteenth- and early twentieth-century France. Strenski begins each chapter by weighing particular claims (some anti-Semitic, some not) for the Jewishness of Durkheim's work. In each case Strenski overturns the claim while showing that it can nonetheless open up a fruitful inquiry into the relation of Durkheim to French Jewry. For example, Strenski shows that Durkheim's celebration of ritual had no innately Jewish source but derived crucially from work on Hinduism by the Jewish Indologist Sylvain Leacute;vi, whose influence on Durkheim and his followers has never before been acknowledged.

Fifty Key Contemporary Thinkers surveys the most important figures who have influenced post-war thought. The reader is guided through structuralism, semiotics, post-Marxism and Annales history, on to modernity and postmodernity. With its comprehensive biographical and bibliographical information, this book provides a vital reference work of the last fifty years.

Time and Commodity Culture is a set of four linked essays on the cultural systems of postmodernity. Rather than taking modernity and postmodernity as real historical epochs, however, it understands them as strategies for organizing time and social order by means of a `nostalgic' division within them. Each essay explores a particular dimension of this organization of time, especially in relation to the anxieties and the possibilities created by the commodification of culture. The central essay, `Gift and Commodity', studies two areas in which the speed of commodification has increased markedly in recent years: that of the person, and that of information. Using a mix of anthropological, legal, economic, and historical materials, it investigates the privatization of the commons in information by way of such things as the development of markets in human DNA, the trade in human organs, and the creation of property rights in `personality'. `What Was Postmodernism?' analyses the structured anxiety about the commodification of culture that is called `postmodern theory'. A further essay explores tourism as a figure of modernity, and a final essay on memory explores the phenomena of `recovered memory' and of Holocaust remembrance as ways of constructing temporally ordered forms of the real.