Margaret Fuller, Critic: Writings from the New-York Tribune, 1844-1846

By Judith Mattson Bean; Joel Myerson | Go to book overview
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[Review of Charles Brockden Brown, Wieland; or, the
Transformation and Ormond; or, the Secret Witness]

We rejoice to see these reprints of Brown's novels, as we have long been ashamed that one who ought to be the pride of the country, and who is, in the higher qualities of the mind, so far in advance of our other novelists, should have become almost inaccessible to the public.

It has been the custom to liken Brown to Godwin. But there was no imitation, no second hand in the matter. They were congenial natures, and whichever had come first might have lent an impulse to the other. Either mind might have been conscious of the possession of that peculiar vein of ore without thinking of working it for the mint of the world, till the other, led by accident, or overflow of feeling, showed him how easy it was to put the reveries of his solitary hours into words and upon paper for the benefit of his fellow men.

“My mind to me a kingdom is.”1

Such a man as Brown or Godwin has a right to say that. It is no scanty, turbid rill, requiring to be daily fed from a thousand others or from the clouds! Its plenteous source rushes from a high mountain between bulwarks of stone. Its course, even and full, keeps ever green its banks, and affords the means of life and joy to a million gliding shapes, that fill its deep waters, and twinkle above its golden sands.

Life and Joy! Yes, Joy! These two have been called the dark Masters, because they disclose the twilight recesses of the human heart. Yet their gravest page is joy compared with the mixed, shallow, uncertain pleasures of vulgar minds. Joy! because they were all alive and fulfilled the purposes of being. No sham, no imitation, no convention deformed or veiled their native lineaments, checked the use of their natural force. All alive themselves, they understood that there is no joy without truth, no perception of joy without

“My Mind to Me a Kingdom Is” by Edward Dyer (1543?–1607), English poet and diplomat.


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