| Absinthe, 176, 187 |
| Abstractionism, 151-153, 212 |
| Agony in the Garden, 206-208, 212, 234 |
| Alyscamps, 132-136 |
| Among the Mangoes, 74 |
| Anquetin, Louis, 70, 73, 79-80, 120 |
| À Rebours (Huysmans), 55 |
| Aries, 233 |
| | arguments about, 171-172 | | failure as art collective, 195-196 | | Gauguin's fleeing, 180-181, 200-210 | | Gauguin's invitation to, 85-98, 233 | | See also Studio of the South |
|
| Arosa, Gustave, 47-48, 62, 173 |
| Art arguments, 171-175 |
| Artists as seers, 69-70 |
| Aurier, Albert, 178, 182, 205, 215, 221,
235 |
| Avant et aprés (Gauguin), 42-43,
129-130, 162-163, 165, 172, 180,
190, 221-222, 229, 236 |
| Banlieu, 67 |
| Barbarian Tales, 229 |
| Barbizon School, 173 |
| Le Barc de Boutteville, 235 |
| Bargue, Charles, 11, 14, 15 |
| Begemann, Margot, 29, 34-35 |
| Be in Love, You Will Be Happy, 225, 226 |
| Bénédicité, 25 |
| La Berceuse, 156, 158(fig.), 171, 187,
188, 205, 212, 235 |
| Bernard, Emile, 70, 73, 77, 78-81, 92,
106, 149, 213, 230, 234 |
| | influence on Van Gogh, 152, 190 | | and religion, 120-121, 123, 190-191,
207-208, 235 | | and self-mutilation by Van Gogh,
177-178, 205 | | self-portraits, 112, 155, 234 | | Symbolist art, 221-222, 230 |
|
| Bernard, Madeleine, 95, 96, 116-117,
120-121 |
| Bisexuality, 187 |
| Blue Trees, 157-159, 160 |
| Blussé & Van Braam, 8-9 |
| Boccaccio, 100-101, 102, 135 |
| Bonger, Andries, 72 |
| Bonger,Johanna van Gogh, 71, 73, 234,
235 |
| Borinage, 8, 9-11, 12, 179 |
| Botticelli, 100-101 |
| Braque, Georges, 145, 198-199 |
| Braquemond, Felix, 102 |
| Breton Calvary, 190, 205 |
| Breton, Jules, 7, 13 |
| Breton Women in a Meadow (Bernard),
123, 148(fig.), 149, 152, 213 |
| Bridge at Asnières (Bernard), 123 |
| Brittany, 56-59, 95-96, 215, 234 |
| Bruyas, Alfred, 167-168, 234 |
| Buddhism, 105-106 |
| Burnouf, Emile, 105 |
| Burty, Philippe, 49 |
- Georgia
- Arial
- Times New Roman
- Verdana
- Courier/monospaced
Reset