The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment

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WORKS CITED

Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteeth Century. Princeton: Princeton University Press, 1991.

Abbate, Carolyn, and Roger Parker. “Dismembering Mozart.” COJ 2 (1990): 187–95.

Abert, Anna Amalie. “The Operas of Mozart.” In The New Oxford History of Music. Vol. 7, The Age of Enlightenment, ed. Egon Wellesz and Frederick Sternfeld. Oxford: Oxford University Press, 1973, pp. 97–171.

Abert, Hermann. W. A. Mozart: Neubearbeitete und erweiterte Ausgabe von Otto Jahns Mozart. 6th ed. Leipzig: Breitkopf & Härtel, 1923–24.

Abert, Hermann. “Paisiellos Buffokunst und ihre Beziehungen zu Mozart.” In his Gesammelte Schriften und Vorträge von Hermann Abert, ed. Friedrich Blume. Halle: Niemeyer, 1929, pp. 365–96.

Abraham, Gerald. “The Operas.” In The Mozart Companion, ed. H. C. Robbins Landon and Donald Mitchell. Corrected edition, New York: Norton, 1969, pp. 283–324.

Allanbrook, Wye J. Rhythmic Gesture in Mozart: ‘Le nozze di Figaro’ and ‘Don Giovanni.’ Chicago: University of Chicago Press, 1983.

Allanbrook, Wye J. “When the Fat Lady Sings.” Unpublished typescript.

Allanbrook, Wye J. “Mozart's Happy Endings: A New Look at the ‘Convention’ of the ‘Lieto Fine.’” M-Jb (1984–85): 1–5.

Allroggen, Gerhard. “Die Cavatine in der italienischen Oper des 18. Jahrhunderts.” In Festschrift Arno Forschert zum 60. Geburtstag am 29 Dezember 1985, ed. Allroggen and Detlef Altenburg. Kassel: Bärenreiter, 1986, pp. 142–49.

Anderson, Emily, ed. The Letters of Mozart and His Family. 2d ed. prepared by A. Hyatt King and Monica Carolan. New York: St. Martin's Press, 1966.

Angermüller, Rudolph. Antonio Salieri: Sein Leben und seine weltliche Werke unter besondere Berücksichtigung seiner “grossen” Opern. 3 vols. Munich: Katzbichler, 1971.

Angermüller, Rudolph. “Zwei Selbstbiographien von Joseph Weigl (1766–1846).” DJbM 16 (1972): 46–85.

Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. Oxford: Oxford University Press, 1987.

Attali, Jacques. Noise: The Political Economy of Music. Trans. Brian Massumi. Foreword by Fredric Jameson. Afterword by Susan McClary. Minneapolis: University of Minnesota Press, 1985.

Bakhtin, Mikhail. Rabelais and His World. Trans. Helen Iswolsky. Bloomington: Indiana University Press, 1984.

Balsano, Maria Antonella. “L'ottava di Così fan tutte.In Liedstudien: Wolfgang Osthoff zum 60. Geburtstag, ed. Martin Just and Reinhard Wiesend. Tutzing: Schneider, 1989, pp. 279–91.

Bartha, Dénes, and László Somfai. Haydn als Opernkapellmeister: Die HaydnDokumente der Esterházy-Opernsammlung. Budapest: Akademiai Kiadó, 1960.

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