sānt-gôdˈənz, 1848–1907, American sculptor, b. Dublin, Ireland. An apprentice in cameo cutting, he gained mastery over sculpture in low relief. He had an unusual genius for plastic expression and an unfailing enthusiasm and industry. He was trained at the École des Beaux-Arts, Paris, and gained knowledge of the Italian Renaissance from his stay (1870–73) in Italy. Saint-Gaudens became the foremost sculptor in the United States and a strong influence in the development of American sculpture. In 1881 his statue of Admiral Farragut for Madison Square, New York City, set a new standard for public monuments. Stanford White collaborated on the pedestal for this figure and several others. In 1887 the figure of Lincoln in Lincoln Park, Chicago, was completed. Other works that followed are Deacon Samuel Chapin (The Puritan), Springfield, Mass.; the Shaw Memorial, Boston Common; General Logan, Chicago; General Sherman, entrance to Central Park, New York City; and the seated Lincoln for the Chicago lake front. Of the portrait tablets and plaques, most notable are Dr. McCosh, Princeton, N.J.; Robert Louis Stevenson for St. Giles, Edinburgh, Scotland; and charming low reliefs of children. Among ideal figures is the Adams Memorial, Rock Creek Cemetery, Washington, D.C., one of his most splendid works.

See his portrait reliefs (1969); biography by L. H. Tharp (1969). His brother, Louis, 1854–1913, was also a sculptor of talent.

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