1755–1828, American portrait painter, b. North Kingstown, R.I., best known for his portraits of George Washington. Having shown an early talent for drawing, he became the pupil of Cosmo Alexander, a Scottish painter who was visiting America. He went with him to Edinburgh but returned to America after Alexander's death in 1773. When the Revolution threatened, he sailed to London. He became a protégé of Benjamin West, remaining with him for nearly five years. During this period he exhibited frequently at the Royal Academy of Arts and won renown by his Portrait of a Gentleman Skating. Although he was then eminently successful, his extravagant mode of living kept him in constant debt. In 1787 he moved to Dublin. He returned to America, first settling in Philadelphia and later permanently in Boston, where he became the most celebrated portrait painter of his day. He painted three portraits of Washington from life. His first, the so-called Vaughan type (1795), is a bust with the right side of the face shown; there are at least 15 replicas in existence. The second, the Lansdowne type (1796), painted for the marquess of Lansdowne, is a full-length study of the President; the original is in the Pennsylvania Academy of the Fine Arts. The third, unfinished, the Athenaeum Head (Mus. of Fine Arts, Boston), was commissioned (c.1796) by Martha Washington. The artist kept the original version while she had to remain content with one of the 75 replicas. This portrait has been immortalized by the engraving on the U.S. one-dollar bill. Stuart's elegant and brilliant style, partially modeled after Reynolds and Gainsborough, is seen at its best in such portraits as those of Mrs. Richard Yates (National Gall. of Art, Washington, D.C.), Josef and Matilda de Jaudenes y Nebot (Metropolitan Mus.), and John Adams (N.Y. Historical Society). The greater part of his works are in collections in Boston, New York City, and Philadelphia.

See R. McLanathan, Gilbert Stuart: The Father of American Portraiture (1986).

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