fräNswäˈ trüfōˈ, 1932–84, French film director and critic. As a critic, he was noted for his promotion of the auteur theory. The director, he believed, should have creative control over all aspects of the film. He was one of the first of the "new wave" directors of the late 1950s and 60s to make films that were less studio-bound and script-dominated. Truffaut's films are noted for their surface charm, which often masks a highly ironic, even bitter, undercurrent. His films The 400 Blows (1959), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979) comprise a kind of filmed autobiography. Other notable works include Shoot the Piano Player (1960), Jules and Jim (1961), The Wild Child (1971), Day for Night (1973), The Story of Adele H. (1975), and The Last Metro (1978). He occasionally took leading roles in his own films. He acted only once under another director, in Close Encounters of the Third Kind (1977).

See biography by S. de Baecque and S. Toubiana (tr. 1999); the film François Truffaut: Stolen Portraits (1993), dir. by S. Toubiana and M. Pascal; studies by G. Petrie (1970), C. G. Crisp (1972), and A. Insdorf (1987). Truffaut collected his criticism in The Films in My Life (1975; tr. 1978).

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