Music Criticism in Vienna, 1896-1897: Critically Moving Forms

By Sandra McColl | Go to book overview

Bibliography

ABEGG WERNER, Musikästhetik und Musikkritik bei Eduard Hanslick ( Regensburg: Gustav Bosse, 1974).

ABENDROTH WALTER, Bruckner: Eine Bildbiographie ( Munich: Kindler, 1958).

ATKINSON ALAN, and AVELING MARIAN (eds.), Australians: A Historical Library ( Broadway, NSW: Fairfax, Syme & Weldon Associates, 1987).

BOTSTEIN LEON, ' Music and its Public: Habits of Listening and the Crisis of Musical Modernism in Vienna, 1870-1914' (diss., Harvard, 1985).

---- "Aesthetics and Ideology in the Fin-de-Siècle Mozart Revival", Current Musicology, 51 ( 1993), 5-25.

BRODBECK DAVID, "Brahms, the Third Symphony and the New German School", in Walter Frisch (ed.), Brahms and his World ( Princeton, NJ: Princeton University Press, 1990), 65-80.

DAHLHAUS CARL, Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Mary Whittall ( Berkeley: University of California Press, 1980).

---- Esthetics of Music, trans. William Austin ( Cambridge: Cambridge University Press, 1982).

---- Foundations of Music History, trans. J. B. Robinson ( Cambridge: Cambridge University Press, 1983).

DUDEN KONRAD, Orthographisches Wörterbuch der deutschen Sprache von Dr. Konrad Duden: Nach den für Deutschland, Österreich und die Schweiz gültigen amtlichen Regeln, 7th edn. ( Leipzig and Vienna: Bibliographisches Institut, 1902).

FABIAN BERNHARD (ed.), Deutsches Biographisches Archiv: Eine Kumulation aus 254 der wichtigsten biographischen Nachschlagewerke für den deutschen Bereich bis zum Ausgang des neunzehnten Jahrhunderts, microfiche edn. ( Munich: K. G. Saur, 1982).

FRANK PAUL, Kurzgefaßtes Tonkünstler-Lexikon, ed. and enlarged Wilhelm Altmann , 15th edn. ( Wilhelmshaven: Hinrichshofen, 1971).

FRISCH WALTER, "The Brahms Fog: On Analyzing Brahmsian Influences at the Fin de Siècle", in id. (ed.), Brahms and his World ( Princeton, NJ: Princeton University Press, 1990), 81-99.

GAY PETER, Freud, Jews and Other Germans: Masters and Victims in Modernist Culture ( New York: Oxford University Press, 1978).

GILBERT ALAN D., and INGLIS K. S., Preface to Australians 1838 ( Broadway, NSW: Fairfax, Syme & Weldon Associates, 1987).

GRAF MAX, Wagner Probleme und andere Studien ( Vienna: Wiener Verlag, [ 1900]).

---- Legend of a Musical City ( 1945; repr. New York: Greenwood Press, 1969).

---- Composer and Critic: Two Hundred Years of Musical Criticism ( London: Chapman & Hall, 1947).

---- Jede Stunde war erfüllt: Ein halbes Jahrhundert Musik- und Theaterleben ( Vienna and Frankfurt: Forum, [ 1950]).

-229-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Music Criticism in Vienna, 1896-1897: Critically Moving Forms
Table of contents

Table of contents

  • Title Page iii
  • Preface vii
  • Contents xi
  • Contents xii
  • Abbreviations xiii
  • Introduction 1
  • Part I- Papers, Critics, and Events 9
  • 1- The Papers and the Critics 11
  • 2- The Richness of Everyday Life 33
  • Part II- Politics, Civil and Artistic 85
  • 3- Civil Politics and Musical Opinion 87
  • 4- The Politics of Art In The Aftermath of Wagner 108
  • Part III- Beneath the Rhetoric 167
  • 5- The 'Canon' in the Concert Hall 169
  • 6- Opera, Drama, and The Artwork of the Future 199
  • Conclusion 223
  • Bibliography 229
  • Index 233
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 246

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.