ZEUXIS
OR
CENTAURS AND ELEPHANTS

(One of a series of talks)

I WAS just going home after giving my last talk, when several members of the audience came up to me - I'm sure there's no harm in saying this sort of thing among friends, as you all are by now - well, as I say, they came up to me, shook me warmly by the hand, and seemed much impressed by my performance. They followed me down the road, calling out all kinds of complimentary remarks, until I began to feel quite embarrassed, realizing how little I'd done to deserve it. But the chief point they made, the one feature they all picked out for special praise, was the paradoxical nature of my ideas. Perhaps I'd better quote their actual words:

'Such originality!' they exclaimed. 'So wonderfully unusual! The man's a genius! How on earth does he think of such things?'

They made several other such comments, which evidently expressed their genuine reactions to my talk - for what reason had they to lie? Why should they wish to flatter a perfect stranger, who wasn't worth bothering about from any other point ofview? However, I must admit that I found this praise of theirs extremely annoying, and when they finally went off and left me to myself, I started thinking:

'So the one and only charm of my productions is that they're off the beaten track! As for any beauty of phrasing, conceived on classical lines, any acuteness, or profundity, or Attic grace, or polished style, or architectonic skill, apparently there's nothing of that sort in my work whatever! If there were, they wouldn't ignore it, and only praise the novelty of my material.'

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Satirical Sketches
Table of contents

Table of contents

  • Lucian - Satirical Sketches *
  • Contents *
  • Introduction *
  • Talks *
  • The Dream or a Chapter of My Life 23
  • Zeuxis or Centaurs and Elephants *
  • Sketches *
  • Conversations in Low Society *
  • Mother Knows Best or a Young Girl's Guide to Success *
  • The Language of True Love 41
  • The Results of Shooting a Line 43
  • Conversations in High Society *
  • The New Sleeping Partner *
  • Zeus is Indisposed 51
  • The Reluctant Parent 53
  • A Beauty Competition 55
  • Conversations in the Underworld *
  • No Baggage Allowance *
  • Menippus Gets Away with It 72
  • A Slight Change of Sex 74
  • How to Enjoy Life after Seventy 75
  • Charon Sees Life *
  • Menippus Goes to Hell *
  • Icaromenippus or Up in the Clouds *
  • An Interview with Hesiod *
  • Some Awkward Questions for Zeus *
  • Philosophies Going Cheap *
  • Fishing for Phonies or the Philosophers' Day out *
  • The Pathological Liar or the Unbeliever *
  • Stories *
  • Alexander or the Bogus Oracle *
  • The True History *
  • Notes and Glossary *
  • Notes *
  • Glossary *
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 320

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.