8
The Guitar Cultures of Papua
New Guinea: Regional, Social and
Stylistic Diversity
Denis Crowdy

A form of guitar- and ukulele-based popular music known as‘stringband’ has developed since the Second World War in Papua New Guinea (PNG). Stringband ensembles consist of a combination of voices, guitars, ukuleles and sometimes a bass instrument. Unique regional styles and dynamic performance contexts are associated with stringband music. Differences in language, vocal timbre, melody, rhythm and guitar parts contribute to define these styles. This chapter explores the development of stringband music and its performance with a focus on the guitar. My aim is to articulate some important issues regarding global and local culture flow with music in which the local aspect is a significant factor.

My interest in the stringband music of PNG started while working as a guitar tutor at the University of Papua New Guinea, where I taught for eight years in the 1990s. That role mainly involved teaching styles that Papua New Guinean students were less familiar with, and included jazz, blues, and classical. An interest in stringband and other local popular music led to a series of field trips, the purchase of numerous commercial recordings, and many informal sessions playing with, and observing, stringband musicians.

Starting in the late 1940s and early 1950s the number of stringbands in PNG grew rapidly, and by the 1960s stringband was a significant part of village music making. By the 1970s a number of the distinctive regional styles mentioned previously had developed. A number of local guitar playing techniques featured tuning the instruments in unique ways, and the resultant styles have been a central focus of my musicological research in this area. With the development of the cassette recording industry, stringband has moved out of the mainstream of popular music making in PNG, though it still has an important stylistic influence on new music.

This paper attempts to demonstrate that a detailed examination of particularly ‘local’ examples of musical practices can provide an important view from which to critically consider notions of global and local flows of music, information, capital and resultant power. Stringband has developed with strong global influences, both

-135-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Guitar Cultures
Table of contents

Table of contents

  • Contents v
  • Acknowledgements vii
  • Notes on Contributors ix
  • 1 - Introduction: Guitars, Cultures, People and Places 1
  • Notes *
  • References *
  • 2 - The Guitar in the Blues Music of the Deep South 11
  • Notes 25
  • References *
  • 3 - Unplugged: Blues Guitarists and the Myth of Acousticity 27
  • Notes *
  • References *
  • 4 - ‘plug in and Play!’ Uk‘indie-Guitar’ Culture 45
  • Notes *
  • References *
  • 5 - Handmade in Spain: the Culture of Guitar Making 63
  • Notes 82
  • References *
  • 6 - The Guitar as Artifact and Icon: Identity Formation in the Babyboom Generation 89
  • Notes 113
  • References *
  • 7 - Into the Arena: Edward Van Halen and the Cultural Contradictions of the Guitar Hero 117
  • Notes *
  • References *
  • 7 - The Guitar Cultures of Papua New Guinea: Regional, Social and Stylistic Diversity 135
  • Notes 154
  • References *
  • 9 - Hybridity and Segragation in the Guitar Cultures of Brazil 157
  • Notes 174
  • References *
  • 10 - Rock to Raga: the Many Lives of the Indian Guitar 179
  • Notes *
  • References *
  • Index 209
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Full screen
/ 215

matching results for page

Cited passage

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited passage

Thanks for trying Questia!

Please continue trying out our research tools, but please note, full functionality is available only to our active members.

Your work will be lost once you leave this Web page.

For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

Already a member? Log in now.